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Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
Connor Sheffield (293 KP) rated Gotham - Season 1 in TV
Jun 20, 2018
Cast (5 more)
Character development
Characters
Setting
Great Drama
Gripping storyline
Some of the more extreme comic book costumes (2 more)
Some of the characters
Certain plot elements that take away the drama (mostly if you've read or seen what happens next)
Imagine a Gotham without Batman....
Contains spoilers, click to show
When I first watched it when it first aired, I was sceptical and yet excited and then I felt let down. Gotham at first was a great cop show but what annoyed me was the fact that all these things that we knew to happen when Batman was around, were happening when Bruce Wayne was still a child and my brain couldn't wrap around the idea let alone get behind it, but at the same time I didn't know what I was expecting. Still I watched the first two seasons because I wanted to see some of my favourite villains and characters brought to life and I love Ben McKenzie as James Gordon!
However upon recently returning to watching Gotham I have come to see it in a new light and adore the show to pieces as I should have from the start. Gotham isn't about Batman, it's not about Bruce Wayne (not fully anyways). I see now that Gotham is a concept of a question:
"What if these villains we're here before Batman? Leaving only the police to deal with the extremity of Gotham most famous rogues!"
What makes this show so good is that we see a young, reckless and a little out of character Jim Gordon, who is even willing to bend the law to the point of breaking to get Justice. The drama is intense and you never can tell when Jim goes off on one, if he'll restrain himself to the law and doing things by the book. In a way there's a lot of Batman within Jim Gordon himself which makes the show even better.
Some of the characters annoy me at times. I liked Fish Mooney at first because she was dangerous and twisted, but when you bring a character back so many times you just lose interest and they're no longer a threat to the drama of their character development because you leave yourself with the only two viable questions: "will she ever stay dead?" And "when will she die for good?" I just don't seem to be concerned for her anymore like I did in the first season when she was double crossing Falcone. When everything was fresh and you didn't know if a stray bullet might hit her finally or if an Assassin was in her midst at all times waiting to strike. The drama for me didn't vanish but certainly lessened in later seasons.
The character development of characters like Bruce Wayne, Jim Gordon, Edward Nigma and Oswald Cobblepot are brilliantly written. With Bruce becoming a stronger minded young man in season two and Oswald's rise to power. I particularly loved Nigmas transformation into a killer because of the way it was set out, with the first murder being slightly on purpose, the second a complete accident, the third being to protect himself against discovery and the rest being a complete turn around into someone who discovers he enjoys the task of killing someone. The writers are excellent when it comes to development of characters and plot.
Can't wait for the new season and I hope they go out with a bang!
However upon recently returning to watching Gotham I have come to see it in a new light and adore the show to pieces as I should have from the start. Gotham isn't about Batman, it's not about Bruce Wayne (not fully anyways). I see now that Gotham is a concept of a question:
"What if these villains we're here before Batman? Leaving only the police to deal with the extremity of Gotham most famous rogues!"
What makes this show so good is that we see a young, reckless and a little out of character Jim Gordon, who is even willing to bend the law to the point of breaking to get Justice. The drama is intense and you never can tell when Jim goes off on one, if he'll restrain himself to the law and doing things by the book. In a way there's a lot of Batman within Jim Gordon himself which makes the show even better.
Some of the characters annoy me at times. I liked Fish Mooney at first because she was dangerous and twisted, but when you bring a character back so many times you just lose interest and they're no longer a threat to the drama of their character development because you leave yourself with the only two viable questions: "will she ever stay dead?" And "when will she die for good?" I just don't seem to be concerned for her anymore like I did in the first season when she was double crossing Falcone. When everything was fresh and you didn't know if a stray bullet might hit her finally or if an Assassin was in her midst at all times waiting to strike. The drama for me didn't vanish but certainly lessened in later seasons.
The character development of characters like Bruce Wayne, Jim Gordon, Edward Nigma and Oswald Cobblepot are brilliantly written. With Bruce becoming a stronger minded young man in season two and Oswald's rise to power. I particularly loved Nigmas transformation into a killer because of the way it was set out, with the first murder being slightly on purpose, the second a complete accident, the third being to protect himself against discovery and the rest being a complete turn around into someone who discovers he enjoys the task of killing someone. The writers are excellent when it comes to development of characters and plot.
Can't wait for the new season and I hope they go out with a bang!
Hazel (1853 KP) rated No More Than Mystic in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
Lee (2222 KP) rated Skyscraper (2018) in Movies
Jul 13, 2018
Surprising Enjoyable Action Movie
As I headed into Skyscraper at my local cinema, I tweeted something about disengaging my brain for a couple of hours, fully open to the prospect of some completely ridiculous action, courtesy of Dwayne 'The Rock' Johnson. That's exactly what I ended up with, and I actually really enjoyed it all too.
The movie opens 10 years ago, with FBI agent Will Sawyer (Johnson) and his team attending a domestic hostage situation which goes badly wrong. Back in the present, Will is now an amputee and married to the military nurse that cared for him during that incident (Neve Campbell). They've got 2 young kids and the whole family is in Hong Kong where Will has been hired as security consultant for The Pearl, a new state-of-the-art skyscraper and the tallest building in the world. A news reel montage fires off lots of impressive facts and figures about the building, hardly giving you time to digest or even question them. Let's just say, it cost billions of dollars, looks incredibly futuristic (and a bit silly) and is a scientific wonder of the world. Before The Pearl opens up its doors for people to live and work in though, Will needs to sign off on fire safety and security.
We're shown Will putting on his false leg, letting us know how that all works in preparation for later scenes in the movie. Will then fixes his wife's phone before he rushes out of the door and ushers a line so obviously important to the movie it's actually annoyingly distracting. So important is this piece of information, he actually uses two variations of it within minutes of each other too - "Remember, you can fix 90% of problems by just turning it off and on again...". Like I say, just disengage your brain, don't worry about it, and you'll be fine.
If you've seen the trailer, you'll have gathered that Wills family are the only residents in The Pearl, with the buildings owner and his team way up top in the penthouse. You'll have gathered that this is attempting to be a Die Hard / Towering Inferno crossover, and that there are bad guys involved. You'll no doubt have also seen the famous leap from a crane by Dwayne Johnsons character into the burning skyscraper. This is where the movie really kicks into action.
Now, I was watching this in 3D, so I'm not sure if it will have quite the same effect on a TV screen at home, but I was literally on the edge of my seat whenever Will was either dangling or jumping 96 floors in the air (which is a lot), while a Hong Kong crowd gasps and cheers on the streets below. The action and peril is relentless, repeatedly moving Will and his family from one dangerous set piece to another. While not quite as funny or charming as he is in his other movies, Skyscraper is still all about Dwayne Johnson though, and all other characters come out of this pretty short changed. Neve Campbell gets a couple of chances to kick some ass, but otherwise she's pretty underused. The bad guys aren't particularly effective, or memorable, neither are the police team down on the ground.
It's predictable and it's ridiculous. But I absolutely loved it.
The movie opens 10 years ago, with FBI agent Will Sawyer (Johnson) and his team attending a domestic hostage situation which goes badly wrong. Back in the present, Will is now an amputee and married to the military nurse that cared for him during that incident (Neve Campbell). They've got 2 young kids and the whole family is in Hong Kong where Will has been hired as security consultant for The Pearl, a new state-of-the-art skyscraper and the tallest building in the world. A news reel montage fires off lots of impressive facts and figures about the building, hardly giving you time to digest or even question them. Let's just say, it cost billions of dollars, looks incredibly futuristic (and a bit silly) and is a scientific wonder of the world. Before The Pearl opens up its doors for people to live and work in though, Will needs to sign off on fire safety and security.
We're shown Will putting on his false leg, letting us know how that all works in preparation for later scenes in the movie. Will then fixes his wife's phone before he rushes out of the door and ushers a line so obviously important to the movie it's actually annoyingly distracting. So important is this piece of information, he actually uses two variations of it within minutes of each other too - "Remember, you can fix 90% of problems by just turning it off and on again...". Like I say, just disengage your brain, don't worry about it, and you'll be fine.
If you've seen the trailer, you'll have gathered that Wills family are the only residents in The Pearl, with the buildings owner and his team way up top in the penthouse. You'll have gathered that this is attempting to be a Die Hard / Towering Inferno crossover, and that there are bad guys involved. You'll no doubt have also seen the famous leap from a crane by Dwayne Johnsons character into the burning skyscraper. This is where the movie really kicks into action.
Now, I was watching this in 3D, so I'm not sure if it will have quite the same effect on a TV screen at home, but I was literally on the edge of my seat whenever Will was either dangling or jumping 96 floors in the air (which is a lot), while a Hong Kong crowd gasps and cheers on the streets below. The action and peril is relentless, repeatedly moving Will and his family from one dangerous set piece to another. While not quite as funny or charming as he is in his other movies, Skyscraper is still all about Dwayne Johnson though, and all other characters come out of this pretty short changed. Neve Campbell gets a couple of chances to kick some ass, but otherwise she's pretty underused. The bad guys aren't particularly effective, or memorable, neither are the police team down on the ground.
It's predictable and it's ridiculous. But I absolutely loved it.
Goddess in the Stacks (553 KP) rated The Book of M in Books
Sep 7, 2018
What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don't remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Red Dead Redemption 2 in Video Games
Jun 19, 2019
With a canvas as large as the Old West and a reputation for building massive interactive worlds; to say that expectations were high for Red Dead Redemption 2 would be an understatement.
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/
Gareth von Kallenbach (980 KP) rated Call of Duty: Infinite Warfare - Sabotage in Video Games
Jun 19, 2019
Call of Duty: Infinite Warfare has released their first of four planned DLC Packs; Sabotage for the Xbox One and PC systems after being previously released for the PS4 platform.
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Gareth von Kallenbach (980 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Gareth von Kallenbach (980 KP) rated Ant-Man and the Wasp (2018) in Movies
Jun 19, 2019
Following the unexpected and shocking moments from “Avengers: Infinity War”, fans eagerly awaited the next Marvel Studios film for any type of clues as to what will happen next when the next Avengers film arrives next summer. “Ant-Man and the Wasp”, is set before the events of “Avengers: Infinity War”, and finds Scott Lang (Paul Rudd) under home confinement thanks to a plea deal he took for siding with Captain America in “Captain America: Civil War”.
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
Gareth von Kallenbach (980 KP) rated Hotel Artemis (2018) in Movies
Jun 19, 2019
Los Angeles of 2028 is a riot laden area where Martial Law is the norm and brutality is a way of life. Amidst this setting, the Hotel Artemis is open for business.. The Artemis is not your typical hotel as it provides emergency medical services to members who engage in criminal activities.
The Nurse (Jodie Foster) runs the facility and with the help of her massive Orderly Everest (Dave Bautista), they ensure that only members get admitted and follow the rules as well as receive state of the art care while in the facility.
Guests at the facility are giving names based on the suite in which they are assigned which involve geographical locales and there are a very strict set of rules they must follow such as no guns, bombs, killing other guests, and so on.
The Hotel Artemis is not a simple stitch and bandage facility as they offer advanced medical services such as Nanites, replacement organ printing, robotic A.I. medical treatment and other services which in 2018 seem like Science Fiction.
Enter Waikiki (Sterling K. Brown), who has tried to leave his criminal past behind him yet was savvy enough to keep paying his membership fees at the Artemis all the while. He and his brother have been injured in a heist and with the city under a deadly riot, they make their way to the Artemis to get treatment and hide out from the chaos outside.
Thanks to their services, the hotel is rarely empty and an Arms Dealer named Acapulco (Charlie Day), and an assassin named Nice (Sofia Boutella), are also in residence. The fact that Nice and Waikiki have a past association makes things a bit interesting as guests are always mindful of those around them even though the strict rules of membership exist to ward off any threats or danger to the guests or staff.
Complications arise when the near capacity hotel is informed that the Wolf King of L.A. (Jeff Goldblum) is en- route. The Nurse opts to follow the rules of first come first served and in doing so enrages his son (Zachary Quinto), who decided to barricade the Hotel to make sure nobody gets in before his father, who incidentally owns the facility.
As if this was not enough of a complication, a police officer from troubled past of The Nurse arrives begging for help which sets a very dangerous chain of events into motion.
The film is a very fresh and entertaining story filled with interesting characters, strong performances, and just enough action to keep the film moving along but yet keeping the focus as a character based drama.
First time Director Drew Pearce gets the most of his cast and has used his script to create a very entertaining and unique film that is well worth a watch. It is so nice to see Jodie Foster showing us once again that she is one of the most gifted actresses of our time as the two-time Oscar winner goes all in to portray a very damaged and troubled character who for what she lacks in glamour; more than makes up for with a determined strength.
I hope this film is a success as I would love to see more stories from the Hotel as I really enjoyed the film from start to finish.
http://sknr.net/2018/06/07/hotel-artemis/
The Nurse (Jodie Foster) runs the facility and with the help of her massive Orderly Everest (Dave Bautista), they ensure that only members get admitted and follow the rules as well as receive state of the art care while in the facility.
Guests at the facility are giving names based on the suite in which they are assigned which involve geographical locales and there are a very strict set of rules they must follow such as no guns, bombs, killing other guests, and so on.
The Hotel Artemis is not a simple stitch and bandage facility as they offer advanced medical services such as Nanites, replacement organ printing, robotic A.I. medical treatment and other services which in 2018 seem like Science Fiction.
Enter Waikiki (Sterling K. Brown), who has tried to leave his criminal past behind him yet was savvy enough to keep paying his membership fees at the Artemis all the while. He and his brother have been injured in a heist and with the city under a deadly riot, they make their way to the Artemis to get treatment and hide out from the chaos outside.
Thanks to their services, the hotel is rarely empty and an Arms Dealer named Acapulco (Charlie Day), and an assassin named Nice (Sofia Boutella), are also in residence. The fact that Nice and Waikiki have a past association makes things a bit interesting as guests are always mindful of those around them even though the strict rules of membership exist to ward off any threats or danger to the guests or staff.
Complications arise when the near capacity hotel is informed that the Wolf King of L.A. (Jeff Goldblum) is en- route. The Nurse opts to follow the rules of first come first served and in doing so enrages his son (Zachary Quinto), who decided to barricade the Hotel to make sure nobody gets in before his father, who incidentally owns the facility.
As if this was not enough of a complication, a police officer from troubled past of The Nurse arrives begging for help which sets a very dangerous chain of events into motion.
The film is a very fresh and entertaining story filled with interesting characters, strong performances, and just enough action to keep the film moving along but yet keeping the focus as a character based drama.
First time Director Drew Pearce gets the most of his cast and has used his script to create a very entertaining and unique film that is well worth a watch. It is so nice to see Jodie Foster showing us once again that she is one of the most gifted actresses of our time as the two-time Oscar winner goes all in to portray a very damaged and troubled character who for what she lacks in glamour; more than makes up for with a determined strength.
I hope this film is a success as I would love to see more stories from the Hotel as I really enjoyed the film from start to finish.
http://sknr.net/2018/06/07/hotel-artemis/