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Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodovar
Julian Daniel Gutierrez-Albilla
Book
One of Spain's most celebrated directors, Pedro Almodovar has won international recognition for his...
Bug: A Play
Book
This dark comedy takes place in a seedy motel room outside Oklahoma City, where Agnes, a drug-addled...
HI
Horror in the Heartland: Strange and Gothic Tales from the Midwest
Book
Brace yourself for a journey into a creepy, dark side of the American Midwest you thought you knew-a...
A Life of Adventure and Delight
Book
Late one June afternoon, seven months after my wedding, I woke from a short, deep sleep, in love...
Fiction
Gareth von Kallenbach (977 KP) rated Dom Hemingway (2014) in Movies
Aug 6, 2019
Dom Hemingway’ is a dark comedy-crime drama movie written and directed by Richard
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
RəX Regent (349 KP) rated Batman: The Movie (1966) in Movies
Feb 18, 2019 (Updated Feb 18, 2019)
Some days, you just can’t get rid of a bomb!
Before the Frank Miller’s Dark Knight, there was the Caped Crusader; The founding member of the Dynamic Duo, Batman and his ward, the Boy Wonder, Robin. In order to promote the series, after Batman’s first season, a theatrical version was green-lit. Bigger and longer than any of the soon to be syndicated TV show, which would ultimately run for three seasons, Batman was on the big screen with “all his wonderful toys” and a whole host of new ones.
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
60 Seconds! Atomic Adventure
Games
App
60 Seconds! is a dark comedy atomic adventure of scavenge and survival. Collect supplies and rescue...
Suswatibasu (1701 KP) rated 20th Century Women (2017) in Movies
Oct 15, 2017 (Updated Oct 15, 2017)
A solid drama with beautiful cinematography
I began watching this thinking it would be like Little Miss Sunshine aka dark humour but good comedy. But it's not at all - it's pure drama, but still good nevertheless.
Annette Bening plays a lonely 54 year old mother living with her teenage son, and various lodgers in 1979. There's a massive generational divide, Bening was born in the 1920's and feels overwhelmed with her son in this era where punk rock is all the rage and there's general apathy at the world.
At this point she asks for help from her lodger, a young feminist photographer in remission from cervical cancer and a much older hippy mechanic. Instead they seem to confuse the situation further due to a gap in understanding about one another's circumstances, causing mother and son to further drift apart.
It's a different style of coming-of-age film because it shows how the mother's role is also changing and adapting to a new age of politics and societal pressures. A poignant, beautifully shot drama.
Annette Bening plays a lonely 54 year old mother living with her teenage son, and various lodgers in 1979. There's a massive generational divide, Bening was born in the 1920's and feels overwhelmed with her son in this era where punk rock is all the rage and there's general apathy at the world.
At this point she asks for help from her lodger, a young feminist photographer in remission from cervical cancer and a much older hippy mechanic. Instead they seem to confuse the situation further due to a gap in understanding about one another's circumstances, causing mother and son to further drift apart.
It's a different style of coming-of-age film because it shows how the mother's role is also changing and adapting to a new age of politics and societal pressures. A poignant, beautifully shot drama.
Awix (3310 KP) rated Frenzy (1972) in Movies
Mar 8, 2018 (Updated Mar 8, 2018)
Penultimate Hitchcock thriller is solid but unpalatable tale of a serial killer on the loose in London and marked Hitchcock's return to his home country for the first time in decades. Police are baffled by the crimes of the so-called Necktie Killer, eventually set their sights on drifter and generally moody git Blaney (Finch). But have they got the right man?
Hitchcock himself certainly turns up, for there is at least one moment of the old dark magic (a bravura tracking shot in which a murder is implied without being shown), but it is the problematic Hitch - misogynistic, sour, given to awkward tonal misjudgements - who oversees this movie. Movie is largely about a rapist and killer, but the director still includes various jolly running gags and moments of broad comedy; the end result may well leave a bad taste in the mouth of discerning viewers. The decision to go with such an unsympathetic anti-hero is also arguably a mistake. Worth a look for Hitchcock fans, but also evidence that the great man had essentially shot his bolt many years earlier.
Hitchcock himself certainly turns up, for there is at least one moment of the old dark magic (a bravura tracking shot in which a murder is implied without being shown), but it is the problematic Hitch - misogynistic, sour, given to awkward tonal misjudgements - who oversees this movie. Movie is largely about a rapist and killer, but the director still includes various jolly running gags and moments of broad comedy; the end result may well leave a bad taste in the mouth of discerning viewers. The decision to go with such an unsympathetic anti-hero is also arguably a mistake. Worth a look for Hitchcock fans, but also evidence that the great man had essentially shot his bolt many years earlier.