Search
BankofMarquis (1832 KP) rated The Suicide Squad (2021) in Movies
Aug 8, 2021
More Fun Than I Expected
It is almost an effort in futility to review a movie such as THE SUICIDE SQUAD, for most folks fall into 1 of 2 camps:
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
graveyardgremlin (7194 KP) rated Night Play (Dark-Hunter #5, Were-Hunter #1) in Books
Feb 15, 2019
<i>Night Play</i> is one of my favorites in this series so far - it's right up there with <i>Fantasy Lover</i> and <i>Dance with the Devil</i>, although I think DwtD might come out ahead. I love, love, loved it! It was one of those books that just got better. The plot was slightly different than the previous books in the series and focused more on the love story. Bride was a wonderful, size eighteen human heroine, who knows (or knew anyway) nothing about what goes bump in the night, while Vane is a to-die-for hunky hero. Need I say more? Everyone would love a guy like him - I know I would! This was one of those books that a few times at the end I had that big, goofy, dumb smile on my face, and don't pretend I'm the only one! ;P
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
MaryAnn (14 KP) rated LuLu’s Cafe in Books
Nov 1, 2019
Contemporary Romance
When a damaged young woman is given a chance to reclaim her life in a small South Carolina town, she must reckon with the dark secrets she left behind in order to accept the love she deserves. On the run from a violent past, Leah Allen arrived in tiny Rivertown, South Carolina, battered and broken, but ready to reinvent herself. By a stroke of fate, Leah is drawn to the Southern hospitality of a small café, looking for a warm meal but finding so much more. Lulu, the owner, offers her a job, a place to stay and a new lease on life. Through Lulu’s tenacious warmth and generosity, Leah quickly finds herself embraced by the quaint community as she tries to put herself back together. Given she’s accustomed to cruelty, the kindness is overwhelming. Soon Leah meets Crowley Mason, the most eligible bachelor in town. A lawyer and friend of Lulu’s, Crowley is wary of Leah’s sudden, mysterious arrival. Despite his reserve, something sparks between them that can’t be denied. But after all she’s been through, can Leah allow herself to truly love and be loved, especially when her first urge is to run? Exploring the resiliency of both the heart and the spirit, Lulu’s Café gorgeously illustrates how old scars can finally heal no matter how deep they seem.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.
Gareth von Kallenbach (980 KP) rated The Lego Batman Movie (2017) in Movies
Jul 12, 2019
You know a movie is going to be hilarious when you find yourself laughing
out loud before the beginning credits start.
It’s no surprise a second film was in development after the massive success
of the first LEGO movie in 2014. The lengthy list of Batman movies/TV
shows that have existed–yes, this film actually addresses each one–always
ask the questions, but never quite answers them. The LEGO Batman movie
will answer them all for you in the best way LEGO movies can–with major
master builder craftsmanship, sarcasm, and slapstick humor.
In serious denial about his loneliness, Batman (Will Arnett) spends most of
his days saving Gotham from the Joker(Zach Gilfianakis), eating alone, and
watching sappy romantic comedies. He never lets anyone get close enough to
him for fear that he will lose them just like he lost his parents when he
was a young boy.
Commissioner Jim Gordon (Hector Elizondo) retires thus handing the baton
and Bat signal over to his daughter, Barbara Gordon (Rosario Dawson). The
newly appointed commissioner decides that Gotham Police Department should
take a more involved approach instead of just relying on one person to
fight crime. Of course, Batman isn’t having it—he works alone!
By this point in the film, Batman has managed to adopt a son, Dick Grayson
(Michael Cera), released the kracken on some of movies most notorious (some
forgettable) villains, and broken up one of the greatest relationships ever
to exist. I don’t want to give away too much because there are some great
cameos.
In true LEGO spirit, this movie addresses the importance of relationships,
working together, being part of a team, and trust. Batman is such an
important character to pop culture–we all have our own interpretation of
him–our ideals, our definition of a hero, and our own moral choices. It’s
nice to have this refreshing and comical take with way more depth,
creativity, and character development than we’ve seen from some of DCs
latest feature films. If you’re not too big on delving into the dark side
and complexity of Batman, don’t fret. Just sit back, relax, laugh, and
enjoy a wonderful movie for the whole family. Be sure and stay till the
end to watch the credits. The reason we all have come to love Batman
throughout the years is addressed and appreciated.
out loud before the beginning credits start.
It’s no surprise a second film was in development after the massive success
of the first LEGO movie in 2014. The lengthy list of Batman movies/TV
shows that have existed–yes, this film actually addresses each one–always
ask the questions, but never quite answers them. The LEGO Batman movie
will answer them all for you in the best way LEGO movies can–with major
master builder craftsmanship, sarcasm, and slapstick humor.
In serious denial about his loneliness, Batman (Will Arnett) spends most of
his days saving Gotham from the Joker(Zach Gilfianakis), eating alone, and
watching sappy romantic comedies. He never lets anyone get close enough to
him for fear that he will lose them just like he lost his parents when he
was a young boy.
Commissioner Jim Gordon (Hector Elizondo) retires thus handing the baton
and Bat signal over to his daughter, Barbara Gordon (Rosario Dawson). The
newly appointed commissioner decides that Gotham Police Department should
take a more involved approach instead of just relying on one person to
fight crime. Of course, Batman isn’t having it—he works alone!
By this point in the film, Batman has managed to adopt a son, Dick Grayson
(Michael Cera), released the kracken on some of movies most notorious (some
forgettable) villains, and broken up one of the greatest relationships ever
to exist. I don’t want to give away too much because there are some great
cameos.
In true LEGO spirit, this movie addresses the importance of relationships,
working together, being part of a team, and trust. Batman is such an
important character to pop culture–we all have our own interpretation of
him–our ideals, our definition of a hero, and our own moral choices. It’s
nice to have this refreshing and comical take with way more depth,
creativity, and character development than we’ve seen from some of DCs
latest feature films. If you’re not too big on delving into the dark side
and complexity of Batman, don’t fret. Just sit back, relax, laugh, and
enjoy a wonderful movie for the whole family. Be sure and stay till the
end to watch the credits. The reason we all have come to love Batman
throughout the years is addressed and appreciated.
Ronyell (38 KP) rated MirrorMask (2005) in Movies
Aug 4, 2020
The Mirror World of Weirdness
Now, I will admit that even though I have read many of Neil Gaiman's works, I had never heard of this movie before, until just recently and I must admit that I really enjoyed this movie a lot! What was the most interesting thing to me about this movie was that the drawings that Helena had drawn throughout the film was none other than Dave McKean's drawings, who was well known for doing a lot of the artwork for Neil Gaiman's books! I loved the way that the drawings provided a haunting and surreal atmosphere for the film as I found myself either being memorized by the imagery (the scenes with the City of Lights were beautiful) or being frightened by the imagery (the scenes with the sphinx cats really creep me out). I also loved the fact that this film is somewhat of a spiritual successor to "Labyrinth," another film from the Jim Henson Company, as both films dealt with the main character having problems with their families and once they enter another world, they have to save the people who resemble their family members from whatever dark force happens to come upon them. The actors and the actresses in this film were fantastic, with my favorite character being Valentine as he was played wonderfully by Jason Barry and he really brought so much humor to the film. I also loved Stephanie Leonidas' portrayal of Helena as she is shown to be a spunky girl who doesn't seem to be afraid of the frightening world she ends up in and it really makes me get into her character.
The only problem that I had with this film was that the story tend to get a little confusing at times to the point where I don't exactly know what is quite going on with the characters. Like for instance, the movie didn't really explain about what kind of condition Helena's mother had that caused her to go to the hospital in the first place and even though it wouldn't be a major part of the film, I still would like to know what kind of disease Helena's mother had that would be so dangerous to her health.
Overall, "Mirrormask" is a fantastic and surreal film that anyone who is a huge fan of Neil Gaiman's works or surreal movies in general will definitely enjoy for many years to come!
The only problem that I had with this film was that the story tend to get a little confusing at times to the point where I don't exactly know what is quite going on with the characters. Like for instance, the movie didn't really explain about what kind of condition Helena's mother had that caused her to go to the hospital in the first place and even though it wouldn't be a major part of the film, I still would like to know what kind of disease Helena's mother had that would be so dangerous to her health.
Overall, "Mirrormask" is a fantastic and surreal film that anyone who is a huge fan of Neil Gaiman's works or surreal movies in general will definitely enjoy for many years to come!
The Sweeney Sisters
Book
"This is a big-hearted belly-laugh of a book, told with wit and poignancy. Family secrets, laughter...
BankofMarquis (1832 KP) rated Black Adam (2022) in Movies
Oct 25, 2022
About As Middle-Of-The-Road As You Can Get
The DC Extended Universe (DCEU) has been criticized by many (including the BankofMarquis) for being too dark, dour and somber. The powers-that-be at DC clearly have heard that criticism and with their latest installment - BLACK ADAM - they ditched that grim tone.
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Nicole Hadley (380 KP) rated The Biggest Poutine in the World in Books
Jun 18, 2018
The Biggest Poutine in the World by Andrée Poulin is a cute, enjoyable, surprisingly emotional book about poutine and a world record attempt. I wish that the book had not ended so abruptly but it has a fantastic message and sympathetic and well-developed characters.
Our hero is twelve year old Thomas. His Mom disappeared on his fifth birthday. Dad has become withdrawn. Thomas feels abandoned. He develops a plan to put together the biggest poutine in the world in the hope that the attention that will draw will somehow lure his Mom back into his life. Three things gave me pause.
The book is loaded with sympathetic, supportive, decent real people who help and guide Thomas in the right direction. Thomas has a best friend, Sam, who is a real kid but is in fact a best friend. Thomas is extorted into taking on lonely Elie as a poutine project partner, and she turns out to be a lively, no-nonsense breath of fresh air. Sam's Mom, the city's mayor, Elie's Mom, and even the French Fry Guy are all adults who can see what's going on and provide gentle guidance and support. Finally, even Dad shows some spine. The effect of all of this is never sappy; it's upbeat and kind.
Thomas is insightful and the tale is told with great humor. As to Thomas, who narrates, we get a kid who may not be "real", but he feels real. I would suspect almost any middle grade reader would like and identify with this kid, which is most of the battle right there. Thomas has been dealt a bad hand, (his sense of abandonment, misplaced guilt, and anger is palpable, but he soldiers on pretty gamely and you root for him to get it together when his resolve wavers.
And, there is some very funny stuff that keeps us out of grim and depressing territory. The whole poutine project is a goof. Thomas and Sam have some great exchanges. Elie has a dry and deadpan style that keeps Thomas honest. A subplot involving the mayor's parrot, (don't ask), adds some slapstick. And behind it all you sense an author with a great command of the light and the dark and a good sense of how to ration them both out.
The upshot is that this is an honest, entertaining and very engaging story that I think would challenge, amuse and possibly touch a young reader. That's a nice combination.
I received this book from Annick Press via NetGalley in exchange for an honest review
Our hero is twelve year old Thomas. His Mom disappeared on his fifth birthday. Dad has become withdrawn. Thomas feels abandoned. He develops a plan to put together the biggest poutine in the world in the hope that the attention that will draw will somehow lure his Mom back into his life. Three things gave me pause.
The book is loaded with sympathetic, supportive, decent real people who help and guide Thomas in the right direction. Thomas has a best friend, Sam, who is a real kid but is in fact a best friend. Thomas is extorted into taking on lonely Elie as a poutine project partner, and she turns out to be a lively, no-nonsense breath of fresh air. Sam's Mom, the city's mayor, Elie's Mom, and even the French Fry Guy are all adults who can see what's going on and provide gentle guidance and support. Finally, even Dad shows some spine. The effect of all of this is never sappy; it's upbeat and kind.
Thomas is insightful and the tale is told with great humor. As to Thomas, who narrates, we get a kid who may not be "real", but he feels real. I would suspect almost any middle grade reader would like and identify with this kid, which is most of the battle right there. Thomas has been dealt a bad hand, (his sense of abandonment, misplaced guilt, and anger is palpable, but he soldiers on pretty gamely and you root for him to get it together when his resolve wavers.
And, there is some very funny stuff that keeps us out of grim and depressing territory. The whole poutine project is a goof. Thomas and Sam have some great exchanges. Elie has a dry and deadpan style that keeps Thomas honest. A subplot involving the mayor's parrot, (don't ask), adds some slapstick. And behind it all you sense an author with a great command of the light and the dark and a good sense of how to ration them both out.
The upshot is that this is an honest, entertaining and very engaging story that I think would challenge, amuse and possibly touch a young reader. That's a nice combination.
I received this book from Annick Press via NetGalley in exchange for an honest review
Gareth von Kallenbach (980 KP) rated Riddick (2013) in Movies
Aug 6, 2019
Vin Diesel hits the silver screen in the third installment of the Chronicles of Riddick series. As you would expect, Diesel delivers on a role crafted solely for him.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.
One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.
One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.