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Morgan Sheppard (936 KP) created a post
Feb 19, 2024
Merissa (12698 KP) rated Far From Camelot (Far From #2) in Books
Mar 18, 2024
FAR FROM CAMELOT is the second book in the Far From series but can be read as a standalone.
Set in contemporary times, it features Merlin living in NYC, owning a bookshop, and having one friend, Willow. His quiet life is disrupted when Mordred and his band, Dethrone the Queen, come to town. Merlin hates Mordred for killing Arthur - what he sees as his biggest failure as a friend. Mordred hates Merlin because of how he stood by and enabled Arthur's own particular brand of fatherhood. So you can imagine, when these two get together, the sparks fly, and I'm not talking glittery rainbow sparkles either.
I was completely enraptured by this book and struggled to put it down. Both MCs are in pain and hurting, and neither of them expects to find love, especially not with each other. Their path isn't smooth and it wouldn't work for everyone, but it worked for them. Both of them are also protective and possessive about the other.
I loved how it took most of the book before they returned to Camelot. I really enjoyed that because the story was actually about those two and them working it out, rather than expecting Camelot to have all the answers. (view spoiler)
If you like dark romance with hurt and pain as standard, then I can HIGHLY RECOMMEND this one. Loved it!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 16, 2024
Set in contemporary times, it features Merlin living in NYC, owning a bookshop, and having one friend, Willow. His quiet life is disrupted when Mordred and his band, Dethrone the Queen, come to town. Merlin hates Mordred for killing Arthur - what he sees as his biggest failure as a friend. Mordred hates Merlin because of how he stood by and enabled Arthur's own particular brand of fatherhood. So you can imagine, when these two get together, the sparks fly, and I'm not talking glittery rainbow sparkles either.
I was completely enraptured by this book and struggled to put it down. Both MCs are in pain and hurting, and neither of them expects to find love, especially not with each other. Their path isn't smooth and it wouldn't work for everyone, but it worked for them. Both of them are also protective and possessive about the other.
I loved how it took most of the book before they returned to Camelot. I really enjoyed that because the story was actually about those two and them working it out, rather than expecting Camelot to have all the answers. (view spoiler)
If you like dark romance with hurt and pain as standard, then I can HIGHLY RECOMMEND this one. Loved it!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 16, 2024
Jessica - Where the Book Ends (15 KP) rated This Savage Song (Monsters of Verity, #1) in Books
Jan 30, 2019
I’m new to this whole world of YA Fantasy and to Victoria Schwab’s work. This Savage Song has been repeatedly brought up on different BookTube channels and consistently been listed as favorite books by many different people. Schwab has a strong presence in the world of YA. I couldn’t let these recommendations go to waste, so I promptly went to my local book retailer and purchased my copy of This Savage Song. As soon as I got it home I knew I would be reading it right away. I must tell you; this book DID NOT disappoint.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Clare Parrott (294 KP) created a post
Jul 24, 2017
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Everyone knows the story of The Little Mermaid by Hans Christian Andersen, or at least Disney’s version with Ariel and her friends Sebastian and Flounder. People will also recall the evil sea witch (Disney’s Ursula) but has anyone ever wondered how the octopus-human hybrid came into being? Why is she considered evil? Why is she alone under the sea? Sarah Henning, a journalist from the US has asked these questions and come up with an answer in her debut novel Sea Witch.
The story begins on a ship many years ago in part of Denmark with the crown prince’s birthday party. Narrated by Evie, a commoner who also happens to be the prince’s best friend, the story flits between present day and four years previously when Evie and Prince Nik’s friend Anna drowned. Whilst Nik is celebrating his sixteenth birthday, Anna should have been celebrating her fifteenth, therefore, when Evie sees a face peering through the porthole of Nik’s ship, she believes it is only in her imagination that it resembled her long lost friend.
The party comes to a sudden end with a storm causing guests to flee below decks, leaving Evie, Nik and his cousin Iker to try to steer the ship to safety. In a terrible moment, Nik is swept overboard by a rogue wave and Evie fears he will be lost forever. Fortunately, Nik is found washed up on shore, but Evie is sure she saw a mermaid hovering over him.
Things become stranger for Evie when a homeless girl arrives on the beach a few days later. Claiming to have run away from home, Evie is startled by the girl’s appearance – she looks just like Anna. To make things even odder, the girl’s name is Annemette, a name so similar to Evie’s missing friend.
Evie and Annemette quickly become firm friends and both catch the eyes of the Princes Nik and Iker. With romance, Evie wonders if both girls will get their happily ever after. However, there is dark magic in the air and not everything is as true as it appears.
With a dark twist at the end, Sea Witch is a story full of magic, secrets and love. Although the blurb hints of the connection to The Little Mermaid, it is unclear until the very end what characters tally up. Unpredictable and exciting, Sea Witch is a story for those with a sense of adventure, a lover of fairytales, a romantic or a history buff, however, remember, not all fairytales have happy endings.
Everyone knows the story of The Little Mermaid by Hans Christian Andersen, or at least Disney’s version with Ariel and her friends Sebastian and Flounder. People will also recall the evil sea witch (Disney’s Ursula) but has anyone ever wondered how the octopus-human hybrid came into being? Why is she considered evil? Why is she alone under the sea? Sarah Henning, a journalist from the US has asked these questions and come up with an answer in her debut novel Sea Witch.
The story begins on a ship many years ago in part of Denmark with the crown prince’s birthday party. Narrated by Evie, a commoner who also happens to be the prince’s best friend, the story flits between present day and four years previously when Evie and Prince Nik’s friend Anna drowned. Whilst Nik is celebrating his sixteenth birthday, Anna should have been celebrating her fifteenth, therefore, when Evie sees a face peering through the porthole of Nik’s ship, she believes it is only in her imagination that it resembled her long lost friend.
The party comes to a sudden end with a storm causing guests to flee below decks, leaving Evie, Nik and his cousin Iker to try to steer the ship to safety. In a terrible moment, Nik is swept overboard by a rogue wave and Evie fears he will be lost forever. Fortunately, Nik is found washed up on shore, but Evie is sure she saw a mermaid hovering over him.
Things become stranger for Evie when a homeless girl arrives on the beach a few days later. Claiming to have run away from home, Evie is startled by the girl’s appearance – she looks just like Anna. To make things even odder, the girl’s name is Annemette, a name so similar to Evie’s missing friend.
Evie and Annemette quickly become firm friends and both catch the eyes of the Princes Nik and Iker. With romance, Evie wonders if both girls will get their happily ever after. However, there is dark magic in the air and not everything is as true as it appears.
With a dark twist at the end, Sea Witch is a story full of magic, secrets and love. Although the blurb hints of the connection to The Little Mermaid, it is unclear until the very end what characters tally up. Unpredictable and exciting, Sea Witch is a story for those with a sense of adventure, a lover of fairytales, a romantic or a history buff, however, remember, not all fairytales have happy endings.
Arabian Nights Volume One
7.0
Rate It
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Please note this drama contains some explicit content. This multicast dramatisation of Arabian...
Hazel (1853 KP) rated In Picardy's Fields in Books
Nov 27, 2020
Told from two perspectives, In Picardy's Fields is the story of two brave young women during the First World War. Set mostly in France, the two women put gender stereotypes to one side to help the allied soldiers. Baroness Agnès de Saint-Aubin, a young surgeon from Paris, follows her teacher, Dr Alan Bell, to the Château de Dragoncourt on the front lines in Picardy to help her friends, Jacques and Elle de Dragoncourt care for the injured soldiers. Meanwhile, the youngest Dragoncourt child, Madeleine, is determined to escape from her finishing school in Switzerland to play her part in the war effort.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.
The Proposition (Nights Series #6)
10.0
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They call me the Charmer. My best friend Wade tells me it’s because I’m suave and mysterious....
M_M Contemporary Romance
Rachel King (13 KP) rated Overbite (Insatiable, #2) in Books
Feb 11, 2019
As a sequel to Insatiable, there were certain things I expected from this book - one of which was Lucien's dark appeal, which seemed to be missing for a large chunk of the book. He brooded and moped and generally felt sorry for himself for his lack of "evilness" while mooning over losing Meena to the Palatine Guard. I also thought that Meena's joining of the Palatine Guard to be an awkward fit, but I understand her motivation - who wouldn't want to get at the secret archives of the Vatican?
Alaric's character grew on me gradually, even though I did not care for him much in the first book. His attraction to Meena is obvious to all but himself, and poor Meena is just confused as she battles with her own feelings between two very different men. I actually found it kind of satisfying that Alaric and Lucien are forced to work together towards the end of the novel.
The significance of the book pictured on the cover is what interested me the most, and I was often frustrated that I could not simply read that little book myself and solve the grand mystery of its power. Always a dramatist, Lucien's reaction to the final revelation is believable, though I found what happened to him to be bit of a cop-out so that Meena would not have to make any difficult decisions.
Some of the most humorous parts were Alaric's interactions with the couple, Mary Lou and Emil, as their very human behavior made it rather difficult for him to treat them as the species he made a living from despising. I also would have liked more development in the romance between Jon and Yelena. Overall, I still enjoyed the book, even though it seemed a bit short, and I hope there is another book to follow.
Alaric's character grew on me gradually, even though I did not care for him much in the first book. His attraction to Meena is obvious to all but himself, and poor Meena is just confused as she battles with her own feelings between two very different men. I actually found it kind of satisfying that Alaric and Lucien are forced to work together towards the end of the novel.
The significance of the book pictured on the cover is what interested me the most, and I was often frustrated that I could not simply read that little book myself and solve the grand mystery of its power. Always a dramatist, Lucien's reaction to the final revelation is believable, though I found what happened to him to be bit of a cop-out so that Meena would not have to make any difficult decisions.
Some of the most humorous parts were Alaric's interactions with the couple, Mary Lou and Emil, as their very human behavior made it rather difficult for him to treat them as the species he made a living from despising. I also would have liked more development in the romance between Jon and Yelena. Overall, I still enjoyed the book, even though it seemed a bit short, and I hope there is another book to follow.