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The Darkest Sin
9.0
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Set in Renaissance Florence, The Darkest Sin is an atmospheric historical thriller by D. V. Bishop...
Historical fiction Renaissance Florence Italy
DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies
Dec 3, 2024
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
Kristy H (1252 KP) rated Never Have I Ever in Books
Jul 8, 2019
After a childhood where she never felt good enough, Amy Whey finally has her perfect life. A loving husband, a feisty fifteen-year-old stepdaughter, and a sweet baby boy. She even has a best friend, Charlotte, to hang out with in her suburban neighborhood. It's at Charlotte's book group when everything changes: with the appearance of Roux, a new neighbor. Roux is gorgeous and charming and soon all the book group ladies are happily drinking wine and spilling their secrets during Roux's Never Have I Ever game. But Amy can sense Roux's sinister side from the start. And sure enough, before she knows it, Roux comes to Amy. She knows Amy isn't so perfect after all. She knows a big, dark secret about Amy's past. And if Amy doesn't give Roux exactly what she wants, she's going to make Amy pay, tearing down the perfect life she's so carefully built.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
Sarah (7800 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Billie Wichkan (118 KP) rated The Poet (The Poet Series) in Books
May 22, 2019
The only way out is through the blood.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
The Right Side
Book
“Brilliant. Deeply felt, but totally under control. I loved it.” – Stephen King “A great...
Thriller
The Sea of Lost Girls
8.0
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In the tradition of Daphne du Maurier, Shari Lapena, and Michelle Richmond comes a new thriller from...
Hazel (2934 KP) rated The Last House on the Cliff [Audiobook] in Books
Sep 11, 2022
![The Last House on the Cliff [Audiobook]](/uploads/profile_image/916/14f63193-1f77-4f72-910d-7f9dc767e916.jpg?m=1662905541)
This is a dark and creepy mystery/thriller that kept me engaged from the start.
Lowri hasn't had the happiest lives so far and when she returns to Anglesey on the death of her beloved aunt, Gwyn, she thinks this might be the start of a better life for her and her daughter, Ruby. Little does she know what nightmare awaits.
The location and setting of this story is genius; the author captures the small island village and the ever present dangerous cliffs together with the dark and creepy atmosphere of the house perfectly and I was transported there by her excellent and vivid descriptions.
There are quite a few characters and it did take me a while to get a grasp on them all but they are an interesting and eclectic bunch and not all of them are particularly likeable but all fit in and have their place in the story.
The story itself is a complex one of historical family trauma that spans generations. There is a pervading sense of the creepy and the unsettling from the start with some great twists culminating in a very satisfying ending that brought everything together.
The narrator was excellent; her voice was absolutely perfect for the story and I actually think I enjoyed it more because of her narration. Would I have enjoyed it had I read it rather than listened? I think so but I would definitely have had trouble with pronouncing the Welsh words!
Overall, a great audio book to keep you company whilst driving, cleaning or doing just about anything that doesn't need a lot of thought and many thanks to HarperCollins UK Audio and NetGalley for enabling me to listen to and share my thoughts on The Last House on the Cliff.
Lowri hasn't had the happiest lives so far and when she returns to Anglesey on the death of her beloved aunt, Gwyn, she thinks this might be the start of a better life for her and her daughter, Ruby. Little does she know what nightmare awaits.
The location and setting of this story is genius; the author captures the small island village and the ever present dangerous cliffs together with the dark and creepy atmosphere of the house perfectly and I was transported there by her excellent and vivid descriptions.
There are quite a few characters and it did take me a while to get a grasp on them all but they are an interesting and eclectic bunch and not all of them are particularly likeable but all fit in and have their place in the story.
The story itself is a complex one of historical family trauma that spans generations. There is a pervading sense of the creepy and the unsettling from the start with some great twists culminating in a very satisfying ending that brought everything together.
The narrator was excellent; her voice was absolutely perfect for the story and I actually think I enjoyed it more because of her narration. Would I have enjoyed it had I read it rather than listened? I think so but I would definitely have had trouble with pronouncing the Welsh words!
Overall, a great audio book to keep you company whilst driving, cleaning or doing just about anything that doesn't need a lot of thought and many thanks to HarperCollins UK Audio and NetGalley for enabling me to listen to and share my thoughts on The Last House on the Cliff.
Shadow Fall (Shadow #2)
8.0
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Dark magic, danger, and romance entwine when a hunter from the fae shadowlands crosses into the...
Urban Fantasy Romance Suspense
Killing Me Softly (To Love a Psycho #3)
10.0
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Their love was forged in shadows. Now the darkness wants to tear them apart. Aaron Jones was...
Dark Age Gap Forbidden Romance Psychological Thriller MM