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Darren (1599 KP) rated The Apparition (2012) in Movies
Oct 2, 2019
Characters – Kelly is a trainee vet, she moves into one of her parent’s rental properties with her boyfriend where she starts experiencing the haunting events. Ben is the boyfriend of Kelly, he is a good handy man and searching for his career. It is his past that comes back to haunt them. Patrick is part of the team that did the experiment with Ben back in the college days and now he will help right the wrongs.
Performances – The performances, well this is fun and this is not just the actors performances that hold them back, the characters are written one dimension which gives the actors nothing to work with. If we look at the main three stars, they all struggle to make an impact and it shows through the film.
Story – The story here follows an experiment gone wrong and now there is an entity haunting the people who released it from whether it came from, it plays into the idea that you shouldn’t mess with the dead because they will come to haunt you. Anyway this story is simple enough, it is a survival horror against a ghost figure that doesn’t have too much going on about it. We have plenty of just dark sequences that seem to go nowhere or lead to false jump scares and before long it is over, I think. I can’t say the story offers too much for the horror fans or just film fans and it feels like it is flat by the end of the film
Horror/Thriller – The horror is mostly false scares which just frustrate throughout, you are now looking to be on the edge of your seats, well this doesn’t give you any of that.
Settings – The settings just feel like they went and grabbed the Poltergeist location and thought this will do, nothing makes sense for the entity and the hauntings though.
Special Effects – The effects look poor throughout, it all looks like CGI which is poor to see in a modern horror.
Scene of the Movie – Credits were good.
That Moment That Annoyed Me – Kelly criticising people who work in stores, these people work hard and deserve praise.
Final Thoughts – This is a poor lazy horror that just doesn’t do anything for the genre and becomes dull quickly.
Overall: Boring horror that has no scares.
Performances – The performances, well this is fun and this is not just the actors performances that hold them back, the characters are written one dimension which gives the actors nothing to work with. If we look at the main three stars, they all struggle to make an impact and it shows through the film.
Story – The story here follows an experiment gone wrong and now there is an entity haunting the people who released it from whether it came from, it plays into the idea that you shouldn’t mess with the dead because they will come to haunt you. Anyway this story is simple enough, it is a survival horror against a ghost figure that doesn’t have too much going on about it. We have plenty of just dark sequences that seem to go nowhere or lead to false jump scares and before long it is over, I think. I can’t say the story offers too much for the horror fans or just film fans and it feels like it is flat by the end of the film
Horror/Thriller – The horror is mostly false scares which just frustrate throughout, you are now looking to be on the edge of your seats, well this doesn’t give you any of that.
Settings – The settings just feel like they went and grabbed the Poltergeist location and thought this will do, nothing makes sense for the entity and the hauntings though.
Special Effects – The effects look poor throughout, it all looks like CGI which is poor to see in a modern horror.
Scene of the Movie – Credits were good.
That Moment That Annoyed Me – Kelly criticising people who work in stores, these people work hard and deserve praise.
Final Thoughts – This is a poor lazy horror that just doesn’t do anything for the genre and becomes dull quickly.
Overall: Boring horror that has no scares.
Kristy H (1252 KP) rated The Poison Garden in Books
Oct 24, 2019
Elise is heading back to Chinook Island, preparing to celebrate her first wedding anniversary with her husband, Dr. Kieran Lund. They seem to have an ideal, loving marriage, living in Elise's childhood home. Once a pharmacist, she now runs her late mother's herbal boutique. But upon her arrival to the island, Elise makes a shocking discovery, causing her to doubt all she thought about Kieran and their marriage. Soon she finds herself doubting everyone--even her own memories.
"On the ferry ride home, I was not yet planning to kill anyone. I was still full of hope, eager to land on Chinook Island..."
This is one of those thrillers where you have to go in willing to suspend a little disbelief. It's a bit crazy and a little preposterous, sure. But I have to admit, this was a fun one. I was a little hesitant for a while, pretty sure I had it all figured out and it wasn't going to surprise me. But, I'll gladly admit, I was wrong! This turned out to be a very enthralling read, and I consumed the last half breathlessly, quite intrigued to find out what happened with Elise and Keiran.
I was doubtful about this one in the beginning because it relies on the somewhat overused unreliable narrator trope: can we trust Elise? It seems she's been a sleepwalker in the past, and now, stressed once again, has turned back to her old habits. (At least she wasn't an alcoholic.) I didn't really love Elise, but I admire a book that can keep me engaged even when I'm not 100% behind our protagonist.
"Was I going mad? Padding around in the dark, my subconscious alter ego seizing control?
In fact none of our cast of characters is a real winner: Elise's new husband; her ex, who seems a bit stalkery; her flirtatious neighbor... There is a lot of focus on herbs and medicinal plants, which Elise's mom used in her store. You're never really sure where or why some of the details are thrown in.
But... where this book succeeds and what makes it worth reading is its unpredictability. All of those details are, in fact, quite important. By the end, when it all came together, I was quite surprised (a little mad at myself for not putting more together sooner) and impressed. This one kept me guessing and outwitted me. It was a very easy read and a fun, different thriller. 3.75 stars--rounded to 4 here.
"On the ferry ride home, I was not yet planning to kill anyone. I was still full of hope, eager to land on Chinook Island..."
This is one of those thrillers where you have to go in willing to suspend a little disbelief. It's a bit crazy and a little preposterous, sure. But I have to admit, this was a fun one. I was a little hesitant for a while, pretty sure I had it all figured out and it wasn't going to surprise me. But, I'll gladly admit, I was wrong! This turned out to be a very enthralling read, and I consumed the last half breathlessly, quite intrigued to find out what happened with Elise and Keiran.
I was doubtful about this one in the beginning because it relies on the somewhat overused unreliable narrator trope: can we trust Elise? It seems she's been a sleepwalker in the past, and now, stressed once again, has turned back to her old habits. (At least she wasn't an alcoholic.) I didn't really love Elise, but I admire a book that can keep me engaged even when I'm not 100% behind our protagonist.
"Was I going mad? Padding around in the dark, my subconscious alter ego seizing control?
In fact none of our cast of characters is a real winner: Elise's new husband; her ex, who seems a bit stalkery; her flirtatious neighbor... There is a lot of focus on herbs and medicinal plants, which Elise's mom used in her store. You're never really sure where or why some of the details are thrown in.
But... where this book succeeds and what makes it worth reading is its unpredictability. All of those details are, in fact, quite important. By the end, when it all came together, I was quite surprised (a little mad at myself for not putting more together sooner) and impressed. This one kept me guessing and outwitted me. It was a very easy read and a fun, different thriller. 3.75 stars--rounded to 4 here.
LeftSideCut (3776 KP) rated The Invisible Man (2020) in Movies
Mar 11, 2020
I've always found the premise of The Invisible Man damn scary. Someone watching you, stood next to you, whilst you carry on obliviously. It's the kind of scariness that gets under the skin, honestly, just like this movie does. For the first time in a while, I felt truly uncomfortable and genuinely scared throughout a fair chunk of the run time.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
Gareth von Kallenbach (980 KP) rated Mama (2013) in Movies
Aug 7, 2019
Mama is a ghostly tale about two young sisters Victoria and Lilly who had
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
Ross (3284 KP) rated The Shadow Man in Books
Feb 19, 2021 (Updated Feb 19, 2021)
Good thriller, but not a patch on Fields' other books
This standalone (as far as I know) book sits beside Fields' Luc Callanach (Ava Turner) series, again set in Edinburgh. Other than the brash Chief Superintendent Overbeck, none of those characters are introduced here. Instead, because of the workload of Edinburgh's Major Incident Team, DI Baarda has been called in from London to assist in a murder/kidnapping. Along with him is Dr Connie Woodwine, a brash American criminal psychologist. They are looking into the disappearance of one woman, and quickly link it to the death of another and find that they are on the hunt for someone with issues.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
BookInspector (124 KP) rated My Sister in Books
Sep 24, 2020
This book drew me in from the first chapter. It was extremely mysterious and I could feel the suspense building up already. It was very hard to put this novel down.
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
Darren (1599 KP) rated Thoroughbreds (2017) in Movies
Sep 26, 2019
Characters – Lily comes from one of the rich families in Connecticut, she ha be raised for boarding school away from the rest of the people her age in the neighbourhood, she opens up to her old friend with a troubled past, as she learns about getting a chance to escape this life she isn’t enjoying. Amanda is teenager that has done something horrific, she is struggling in school and sent to be tutored by her old friend to help with her college future, she is emotionally closed off from the world, though pushes Lily into doing the unthinkable. Tim is the local drug dealer that has a reputation of only dealing with minors which sees him be selected by the girls to complete the murder for them. Mark is the stepfather that Lily doesn’t get on with him, he is a control freak making the life of Lily more difficult.
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Necole (36 KP) rated The Patient in Books
Nov 24, 2021
Asylum Fright
November 20, 2021
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.