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Gareth von Kallenbach (980 KP) rated Mama (2013) in Movies
Aug 7, 2019
Mama is a ghostly tale about two young sisters Victoria and Lilly who had
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
Ross (3284 KP) rated The Shadow Man in Books
Feb 19, 2021 (Updated Feb 19, 2021)
Good thriller, but not a patch on Fields' other books
This standalone (as far as I know) book sits beside Fields' Luc Callanach (Ava Turner) series, again set in Edinburgh. Other than the brash Chief Superintendent Overbeck, none of those characters are introduced here. Instead, because of the workload of Edinburgh's Major Incident Team, DI Baarda has been called in from London to assist in a murder/kidnapping. Along with him is Dr Connie Woodwine, a brash American criminal psychologist. They are looking into the disappearance of one woman, and quickly link it to the death of another and find that they are on the hunt for someone with issues.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
BookInspector (124 KP) rated My Sister in Books
Sep 24, 2020
This book drew me in from the first chapter. It was extremely mysterious and I could feel the suspense building up already. It was very hard to put this novel down.
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.
The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.
The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.
So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
Darren (1599 KP) rated Thoroughbreds (2017) in Movies
Sep 26, 2019
Characters – Lily comes from one of the rich families in Connecticut, she ha be raised for boarding school away from the rest of the people her age in the neighbourhood, she opens up to her old friend with a troubled past, as she learns about getting a chance to escape this life she isn’t enjoying. Amanda is teenager that has done something horrific, she is struggling in school and sent to be tutored by her old friend to help with her college future, she is emotionally closed off from the world, though pushes Lily into doing the unthinkable. Tim is the local drug dealer that has a reputation of only dealing with minors which sees him be selected by the girls to complete the murder for them. Mark is the stepfather that Lily doesn’t get on with him, he is a control freak making the life of Lily more difficult.
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Necole (36 KP) rated The Patient in Books
Nov 24, 2021
Asylum Fright
November 20, 2021
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Gareth von Kallenbach (980 KP) rated Alien: Romulus (2024) in Movies
Sep 2, 2024
The latest film in the “Alien” franchise has arrived and “Alien: Romulus” is the most engaging and enjoyable entry in the series since “Aliens”.
The film is the first in the series since Disney purchased Twentieth Century Fox and they turned to Director and Co-writer Fede Alvarez to develop a story he had shared with Producer Ridley Scott years prior.
The movie was originally intended to debut on Hulu similar to how “Prey” was released but it was decided to go with a theatrical release early in production.
Cailee Spaeny stars as Rain; an orphan living on a dark planet with her Android “Brother” Andy (David Jonsson). The mining colony is filled with despair and disease from the mine and Rain is eager to immigrate to a colony that offers the sun and a better life having completed the terms of her service agreement with the Company.
Her request is denied and she is told that due to a labor shortage, she has to work five years in the mines before she is eligible to be considered again. Knowing the Mines are for many deaths waiting to happen, Rain is asked by a group of friends to join them for a mission.
Her friends pilot a hauler used to ferry cargo and say that they have found an object drifting through the system which will crash into their planetary rings in about 47 hours. They plot to go up and salvage some Cryopods which will enable them to head to the desired colony which is a nine-year journey.
Without options and knowing that Andy is the key to gaining access, the group enters the station and sets about their tasks.
Unfortunately, their actions rouse the dark and deadly secret of the station and they soon find themselves facing deadly Aliens in a tense and pitched fight for survival and escape.
The movie does a very good job at filling in areas of the overall mythos and delivering fan service which does not feel like pandering and also helps create a pathway for new stories that do not directly impact the film “Aliens” which is set 37 years after the events of this film.
The movie also connects to the Prequel films as well as the original “Alien” in some clever ways which helps the continuity but still leaves plenty of mystery and questions even when this one fills in a few of the gray areas slightly.
The movie takes its time to set up the premise and get to the action but it never drags and is engaging from start to finish. Alvarez has done a masterful job capturing not only the look of the earlier films but also creating an intense thriller that gives audiences what they want and more as use of physical effects was very effective.
The cast was strong and Spaeny and Jonsson have a great chemistry with one another which helps in the face of the growing danger and tensions in the film.
I found myself not only loving the nostalgic touches but also the way that elements of the Company are explained and how much they truly knew which adds new dimensions to the first two films in the series but raises all sorts of possibilities for future films in the series.
“Alien: Romulus” was a true joy from start to finish for me and as a fan who has enjoyed the franchise since I was a small child; it delivered what I wanted and for me was the most enjoyable and satisfying entry in the series since “Aliens” and Alvarez and the cast are to be commended for creating a film that invigorates the franchise and delivers.
The film is the first in the series since Disney purchased Twentieth Century Fox and they turned to Director and Co-writer Fede Alvarez to develop a story he had shared with Producer Ridley Scott years prior.
The movie was originally intended to debut on Hulu similar to how “Prey” was released but it was decided to go with a theatrical release early in production.
Cailee Spaeny stars as Rain; an orphan living on a dark planet with her Android “Brother” Andy (David Jonsson). The mining colony is filled with despair and disease from the mine and Rain is eager to immigrate to a colony that offers the sun and a better life having completed the terms of her service agreement with the Company.
Her request is denied and she is told that due to a labor shortage, she has to work five years in the mines before she is eligible to be considered again. Knowing the Mines are for many deaths waiting to happen, Rain is asked by a group of friends to join them for a mission.
Her friends pilot a hauler used to ferry cargo and say that they have found an object drifting through the system which will crash into their planetary rings in about 47 hours. They plot to go up and salvage some Cryopods which will enable them to head to the desired colony which is a nine-year journey.
Without options and knowing that Andy is the key to gaining access, the group enters the station and sets about their tasks.
Unfortunately, their actions rouse the dark and deadly secret of the station and they soon find themselves facing deadly Aliens in a tense and pitched fight for survival and escape.
The movie does a very good job at filling in areas of the overall mythos and delivering fan service which does not feel like pandering and also helps create a pathway for new stories that do not directly impact the film “Aliens” which is set 37 years after the events of this film.
The movie also connects to the Prequel films as well as the original “Alien” in some clever ways which helps the continuity but still leaves plenty of mystery and questions even when this one fills in a few of the gray areas slightly.
The movie takes its time to set up the premise and get to the action but it never drags and is engaging from start to finish. Alvarez has done a masterful job capturing not only the look of the earlier films but also creating an intense thriller that gives audiences what they want and more as use of physical effects was very effective.
The cast was strong and Spaeny and Jonsson have a great chemistry with one another which helps in the face of the growing danger and tensions in the film.
I found myself not only loving the nostalgic touches but also the way that elements of the Company are explained and how much they truly knew which adds new dimensions to the first two films in the series but raises all sorts of possibilities for future films in the series.
“Alien: Romulus” was a true joy from start to finish for me and as a fan who has enjoyed the franchise since I was a small child; it delivered what I wanted and for me was the most enjoyable and satisfying entry in the series since “Aliens” and Alvarez and the cast are to be commended for creating a film that invigorates the franchise and delivers.
Gareth von Kallenbach (980 KP) rated Tusk (2014) in Movies
Jun 19, 2019
To legions of his many fans, writer, director, producer, and podcaster Kevin Smith is a man fanboys find easy to root for. His films have become pop-culture gold to comic book, science fiction, and general geekdom fans the world over. Smith has built a career on independent films with characters that are as real as they are raw and raunchy. The crude nature of his jokes often put him in a “love them or hate them” category for many critics as it is definitely not a style that is for the masses. That being said, the films are witty, honest, and most times relatable, no matter how bad the situations and the characters become. Recently, Smith took a detour to the darker side with his film “Red State” that looked at a group of kids who became the victims of a fanatical cult leader and his followers.
While Smith was reportedly working to get funding for “Clerks 3”, an idea was presented to him during his Smodcast about a guy in rural Canada who is offering free room and board to anybody who would live with him on the condition that they wear a walrus costume from time to time. Buoyed by his followers on Twitter, Smith decided to make a horror film based on the situation even after learning that the incident in question was the result of a prank by a comedian.
In his new film Tusk, we are introduced to a successful podcaster named Wallace (Justin Long), who along with his costar Teddy (Haley Joel Osment), run a show called the Not See Party, whose name leads to several double takes and comical and uncomfortable situations down the line. Wallace’s girlfriend Ally (Genesis Rodriguez) wishes to accompany Wallace to his trip up to Canada in order to interview someone for a show.
Since Teddy is not a flyer, Wallace travels to locations to interview people and then in turn tells the stories to Teddy so the two can comment about them on air. Ally longs for the Wallace of old who was a struggling comedian as she believes that the successful Wallace is not that fun to be around as he no longer makes her a priority in life. Wallace admits as much when he discloses a series of infidelities to Teddy and dismisses them as nothing more than clearing of the head while traveling or before doing a live show for an audience.
Upon arriving in Manitoba, Wallace learns that his intended interview has befallen tragedy and faced without a topic for his next show, Wallace is intrigued by a flyer from a man offering room and board as well as plenty of stories.
Wallace makes contact with the individual and travels two hours into rural Manitoba at night to meet the man at his expansive estate. Upon meeting Howard Howe (Michael Parks), Wallace is captivated by the elderly wheelchair-bound gentleman and his tales of life at sea including meeting Ernest Hemingway during the war. As Wallace sat spellbound by the tales Howard is telling him, he soon falls unconscious as a result of being drugged by his host. Things take a very dark turn the following morning when Howard learns that he has lost a leg of which Howard proclaims was the tragic result of a spider bite. Things become a living nightmare as Wallace quickly learns just how devious and diabolical Michael’s plans are for him and trapped in a remote area his humanity and faith are slowly stripped away by the situation he finds himself in.
Teddy and Ally travel to Manitoba due to a frantic call Wallace makes and not finding much assistance from the local authorities, turn to quirky and eccentric former homicide detective Guy LaPointe (Johnny Depp), who fears that Wallace has become the victim of an elusive killer whom LaPointe has been trying to find for years.
What follows is a dark, disturbing, and utterly captivating thriller in a race against time with the very essence and humanity of Wallace hanging in the balance.
While Smith inserts his trademark humor into the film, this is very much a psychological thriller and not a comedy. Depp does a fantastic job and is almost unrecognizable in his role as a homicide detective who is scheduled to appear in a subsequent film currently shooting. While it seemed a bit of a stretch that Ally would want be involved with Wallace, there was nonetheless a good bit of chemistry between them even though the majority of their scenes are shown via flashback.
Long and Parks propel the story as it is pretty much about the dramatic struggle between the two of them. Parks is captivating and creepy while the brash Wallace gets a lesson in humanity and what truly matters in life. While some will no doubt find the subject matter highly disturbing and may be quick to dismiss the film, this is one of the more clever and enjoyable thrillers in recent years and proves that Smith is a filmmaker capable of doing things other than his trademark comedies and should be encouraged to continue to broaden his horizons.
As it stands the film should delight fans of Smith but also allows him to expand his audience into new areas as this truly is one of the more memorable and entertaining films of the year.
http://sknr.net/2014/09/19/tusk/
While Smith was reportedly working to get funding for “Clerks 3”, an idea was presented to him during his Smodcast about a guy in rural Canada who is offering free room and board to anybody who would live with him on the condition that they wear a walrus costume from time to time. Buoyed by his followers on Twitter, Smith decided to make a horror film based on the situation even after learning that the incident in question was the result of a prank by a comedian.
In his new film Tusk, we are introduced to a successful podcaster named Wallace (Justin Long), who along with his costar Teddy (Haley Joel Osment), run a show called the Not See Party, whose name leads to several double takes and comical and uncomfortable situations down the line. Wallace’s girlfriend Ally (Genesis Rodriguez) wishes to accompany Wallace to his trip up to Canada in order to interview someone for a show.
Since Teddy is not a flyer, Wallace travels to locations to interview people and then in turn tells the stories to Teddy so the two can comment about them on air. Ally longs for the Wallace of old who was a struggling comedian as she believes that the successful Wallace is not that fun to be around as he no longer makes her a priority in life. Wallace admits as much when he discloses a series of infidelities to Teddy and dismisses them as nothing more than clearing of the head while traveling or before doing a live show for an audience.
Upon arriving in Manitoba, Wallace learns that his intended interview has befallen tragedy and faced without a topic for his next show, Wallace is intrigued by a flyer from a man offering room and board as well as plenty of stories.
Wallace makes contact with the individual and travels two hours into rural Manitoba at night to meet the man at his expansive estate. Upon meeting Howard Howe (Michael Parks), Wallace is captivated by the elderly wheelchair-bound gentleman and his tales of life at sea including meeting Ernest Hemingway during the war. As Wallace sat spellbound by the tales Howard is telling him, he soon falls unconscious as a result of being drugged by his host. Things take a very dark turn the following morning when Howard learns that he has lost a leg of which Howard proclaims was the tragic result of a spider bite. Things become a living nightmare as Wallace quickly learns just how devious and diabolical Michael’s plans are for him and trapped in a remote area his humanity and faith are slowly stripped away by the situation he finds himself in.
Teddy and Ally travel to Manitoba due to a frantic call Wallace makes and not finding much assistance from the local authorities, turn to quirky and eccentric former homicide detective Guy LaPointe (Johnny Depp), who fears that Wallace has become the victim of an elusive killer whom LaPointe has been trying to find for years.
What follows is a dark, disturbing, and utterly captivating thriller in a race against time with the very essence and humanity of Wallace hanging in the balance.
While Smith inserts his trademark humor into the film, this is very much a psychological thriller and not a comedy. Depp does a fantastic job and is almost unrecognizable in his role as a homicide detective who is scheduled to appear in a subsequent film currently shooting. While it seemed a bit of a stretch that Ally would want be involved with Wallace, there was nonetheless a good bit of chemistry between them even though the majority of their scenes are shown via flashback.
Long and Parks propel the story as it is pretty much about the dramatic struggle between the two of them. Parks is captivating and creepy while the brash Wallace gets a lesson in humanity and what truly matters in life. While some will no doubt find the subject matter highly disturbing and may be quick to dismiss the film, this is one of the more clever and enjoyable thrillers in recent years and proves that Smith is a filmmaker capable of doing things other than his trademark comedies and should be encouraged to continue to broaden his horizons.
As it stands the film should delight fans of Smith but also allows him to expand his audience into new areas as this truly is one of the more memorable and entertaining films of the year.
http://sknr.net/2014/09/19/tusk/
Kristy H (1252 KP) rated The Banker's Wife in Books
Mar 6, 2019
Great, exciting, tense novel
Annabel Lerner feels isolated in Geneva: she's not like the other bankers' wives, and she rarely sees her husband Matthew anymore. They moved to Geneva for a fresh start--and yes, to take advantage of the salary Matthew's private banking job at Swiss United offered. But Annabel never realized how stressed Matthew would be or how often he'd travel. And then, suddenly, he's gone: his private plane simply falling off the radar over the French Alps. Before she can even understand what's happening, Annabel is left to deal with the aftermath, including a trail of secrets and the powerful men at Swiss United who don't want them exposed. Meanwhile, Marina Tourneau is a reporter for The Press. Her mentor, Duncan Carr, has been chasing a story involving Morty Reiss, whose hedge fund was one of the largest Ponzi scams of all time. Supposedly, before he could get caught, Morty committed suicide. But Duncan and Marina believe Marty faked his death and Duncan has become obsessed with proving it--to the detriment of his health, his reputation, and his career. But Marina is also engaged to Grant Ellis, whose wealthy father, James, is about to run for President. The plan is for Marina to stop writing and stand by her man. But when she suddenly realizes she's on the trail of the story of her career, what will she do?
Well, this turned out to be a gem of a novel. When I first started reading it, I was a little worried that I wouldn't see what the fuss was all about, but things quickly picked up, and I was hooked. One of the best things about this novel is that it's an old-style thriller--it reminded me of old-school Grisham or Stieg Larsson. It even throws shade at the glutton of Girl books and their (annoying) unreliable narrators, which I love. This is a mystery for folks who love real stories without any fuss or distraction and with strong characters--all of which combine to leave you befuddled and anxious as everything slowly unfurls.
Alger takes us into the complicated and dark world of Swiss banking, where we are introduced to a lot of real bad guys who have no morals. You can't trust them, you know they are bad, and you know your heroes and heroines are in true danger. Rarely do I think this while reading a book (because, face it, the book is always better), but I really think this book would *actually* make a great movie. It's exciting and tense, and the way things are slowly revealed would make for a very effective film.
But, anyway, it's a wonderful novel. You quickly get sucked into Annabel and Marina's worlds--the majority of the story is told from their points of view. There's a decent amount of ancillary characters to keep track of, but it's certainly manageable. The best is not knowing who to trust, what to believe, or how things went down. There's that Girl with a Dragon Tattoo-reporting vibe that I love: the pleasure of solving a case. The story is set in 2015 but is completely timely, yet utterly timeless in its essence of greed, money, and fear--and what people do in the name of all three. I just loved the old-fashioned thrill of it, the long list of suspects, the excitement of trying to work out who did what.
Overall, this is just a great novel. The plot is excellent--tense, exciting, and expertly woven together. The characters are strong, but it's really the story that's the standout here. It truly reminds you of mysteries and thrillers of old (I sound ancient here, but whatever). Don't let the banking theme scare you off: this is a fabulous read, and if you're a mystery or thriller fan, I think you'll really enjoy this one. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Well, this turned out to be a gem of a novel. When I first started reading it, I was a little worried that I wouldn't see what the fuss was all about, but things quickly picked up, and I was hooked. One of the best things about this novel is that it's an old-style thriller--it reminded me of old-school Grisham or Stieg Larsson. It even throws shade at the glutton of Girl books and their (annoying) unreliable narrators, which I love. This is a mystery for folks who love real stories without any fuss or distraction and with strong characters--all of which combine to leave you befuddled and anxious as everything slowly unfurls.
Alger takes us into the complicated and dark world of Swiss banking, where we are introduced to a lot of real bad guys who have no morals. You can't trust them, you know they are bad, and you know your heroes and heroines are in true danger. Rarely do I think this while reading a book (because, face it, the book is always better), but I really think this book would *actually* make a great movie. It's exciting and tense, and the way things are slowly revealed would make for a very effective film.
But, anyway, it's a wonderful novel. You quickly get sucked into Annabel and Marina's worlds--the majority of the story is told from their points of view. There's a decent amount of ancillary characters to keep track of, but it's certainly manageable. The best is not knowing who to trust, what to believe, or how things went down. There's that Girl with a Dragon Tattoo-reporting vibe that I love: the pleasure of solving a case. The story is set in 2015 but is completely timely, yet utterly timeless in its essence of greed, money, and fear--and what people do in the name of all three. I just loved the old-fashioned thrill of it, the long list of suspects, the excitement of trying to work out who did what.
Overall, this is just a great novel. The plot is excellent--tense, exciting, and expertly woven together. The characters are strong, but it's really the story that's the standout here. It truly reminds you of mysteries and thrillers of old (I sound ancient here, but whatever). Don't let the banking theme scare you off: this is a fabulous read, and if you're a mystery or thriller fan, I think you'll really enjoy this one. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).