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A Dangerous Breed
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Van Shaw’s past and present collide when an ingenious blackmailer pushes him to the brink in this...
The Last Truehart
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1898, Geelong, Victoria. Stella Truehart is all alone in the world. Her good-for-nothing husband has...
Merissa (12919 KP) rated Alliance (Torsere #3) in Books
Aug 16, 2023
Alliance is the third and final book in the Torsere series, and you get a fitting finale with a tense and twisted plot.
Ryneq and Nykin have made it back home to Torsere but their troubles are far from over. The witch they are dealing with now seems even worse than the one they just killed. No matter what they plan, she is three steps ahead. Of course, the reason why comes out and wasn't really a surprise but, still, who it was just added an extra layer of heartache to the story.
I will admit, this one had me in tears. It's darker than the others, with almost no hope of a happy ending, which, when it does happen, is full of non-stop action that will take your breath away. This book is not without loss, and it was so well-written! How the characters reacted was just superb! Yes, I know that sounds strange but read it for yourself and you'll see.
With excellent world-building, characters to love and hate, plus some steamy scenes, this trilogy has been outstanding. I have loved every moment and am sad to see it come to an end. This is one of those books you wish you could un-read, just so you have the opportunity to read it again with fresh eyes! Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 18, 2020
Ryneq and Nykin have made it back home to Torsere but their troubles are far from over. The witch they are dealing with now seems even worse than the one they just killed. No matter what they plan, she is three steps ahead. Of course, the reason why comes out and wasn't really a surprise but, still, who it was just added an extra layer of heartache to the story.
I will admit, this one had me in tears. It's darker than the others, with almost no hope of a happy ending, which, when it does happen, is full of non-stop action that will take your breath away. This book is not without loss, and it was so well-written! How the characters reacted was just superb! Yes, I know that sounds strange but read it for yourself and you'll see.
With excellent world-building, characters to love and hate, plus some steamy scenes, this trilogy has been outstanding. I have loved every moment and am sad to see it come to an end. This is one of those books you wish you could un-read, just so you have the opportunity to read it again with fresh eyes! Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 18, 2020
Gareth von Kallenbach (980 KP) rated The Batman (2022) in Movies
Feb 28, 2022
In 1989 Michael Keaton was seen as a very controversial choice to wear the Cowl of Batman but soon proved his doubters wrong by turning “Batman” and its subsequent sequel “Batman Returns” into massive Box Office success before leaving the cape behind.
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the “Twilight” films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in “The Lighthouse” would be playing him a disservice by saying he was not up to the part.
In “The Batman”, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as “The Riddler” (Paul Dano), the vigilante known as “The Batman” is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the film’s theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, “The Batman” was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the “Twilight” films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in “The Lighthouse” would be playing him a disservice by saying he was not up to the part.
In “The Batman”, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as “The Riddler” (Paul Dano), the vigilante known as “The Batman” is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the film’s theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, “The Batman” was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
Mark @ Carstairs Considers (2352 KP) rated Murder She Wrote: Manuscript for Murder in Books
Feb 6, 2019
Is Jessica Reading a Motive for Murder?
When Thomas Rudd approaches Jessica Fletcher after one of her signings and accuses Lane Barfield, their mutual publisher, of skimming money from their royalties, Jessica can hardly believe it. Within a couple of days, both of the men are dead. However, Jessica begins to suspect that the political thriller Lane asked her to read was to blame. Is she correct? If so, is she the next target?
I had a mixed reaction to this book. On the one hand, I got very caught up in the plot, and always had a hard time putting it down. There are twists and turns and plenty of danger, and I loved it. It would have worked better, however, if it weren’t a Murder, She Wrote book. It certainly doesn’t fit with the rest of the franchise in tone, with several events being several shades grayer than we got, at least on the TV show. (I’ve only read one other book, the previous one.) We see several of the regular side characters, but they and their relationship with Jessica was off. What I suspect was supposed to be funny came across as rather mean. These characters wouldn’t interact this way. There’s also the fact that one of the plots in the book gets dropped in favor of the other. Honestly, I think there are two good storylines here, and they should have gotten their own books. This is the second book that Jon Land has written in the franchise, and I’m wondering if his efforts to turn things darker are going to be a permanent thing or if he will adjust better to the light tone of this franchise.
I had a mixed reaction to this book. On the one hand, I got very caught up in the plot, and always had a hard time putting it down. There are twists and turns and plenty of danger, and I loved it. It would have worked better, however, if it weren’t a Murder, She Wrote book. It certainly doesn’t fit with the rest of the franchise in tone, with several events being several shades grayer than we got, at least on the TV show. (I’ve only read one other book, the previous one.) We see several of the regular side characters, but they and their relationship with Jessica was off. What I suspect was supposed to be funny came across as rather mean. These characters wouldn’t interact this way. There’s also the fact that one of the plots in the book gets dropped in favor of the other. Honestly, I think there are two good storylines here, and they should have gotten their own books. This is the second book that Jon Land has written in the franchise, and I’m wondering if his efforts to turn things darker are going to be a permanent thing or if he will adjust better to the light tone of this franchise.
Sarah (7800 KP) rated Polar (2019) in Movies
Feb 23, 2019
Could’ve been so much better
Right from the start, this film is an absolute mess. It’s so garish and in your face, and not in a good way. It’s never good when the opening scene makes you turn your nose up in dislike, and sadly the rest of the film never manages to get past this.
The main problem is the villains. Yes this is based on a comic book, but is that an excuse for having such vile looking and plain bad villains. They are all horrendously bad characters and beyond irritating, although the worst is by far the boss villain played by Matt Lucas. I do like Matt Lucas, but I’ve come to realise he’s only good when he’s playing silly sketch characters. Which is what he’s doing here, but it’s out of place and far too cheesy. He doesn’t make for a menacing villain and although he’s laughable, it’s not in the way intended.
Mads Mikkelsen is the only real reason that this film is watchable. Every time he’s on screen the film becomes as enjoyable as it can be. It’s a shame really as there is potential buried in this - the plot as a whole isn’t bad, and I like a lot of the fight scenes that Duncan is in and the gory bits too. It’s just a pity they made it so damn garish and cheesy. If they’d have tried to make it a little darker, maybe a little like Sin City or something, it could actually have been quite good and have lived up to all of Mads Mikkelsens scenes.
Unless you’re desperate, I wouldn’t recommend watching this. And if you’re a Mads Mikkelsen fan, you’d be better off choosing one of his better offerings than this!
The main problem is the villains. Yes this is based on a comic book, but is that an excuse for having such vile looking and plain bad villains. They are all horrendously bad characters and beyond irritating, although the worst is by far the boss villain played by Matt Lucas. I do like Matt Lucas, but I’ve come to realise he’s only good when he’s playing silly sketch characters. Which is what he’s doing here, but it’s out of place and far too cheesy. He doesn’t make for a menacing villain and although he’s laughable, it’s not in the way intended.
Mads Mikkelsen is the only real reason that this film is watchable. Every time he’s on screen the film becomes as enjoyable as it can be. It’s a shame really as there is potential buried in this - the plot as a whole isn’t bad, and I like a lot of the fight scenes that Duncan is in and the gory bits too. It’s just a pity they made it so damn garish and cheesy. If they’d have tried to make it a little darker, maybe a little like Sin City or something, it could actually have been quite good and have lived up to all of Mads Mikkelsens scenes.
Unless you’re desperate, I wouldn’t recommend watching this. And if you’re a Mads Mikkelsen fan, you’d be better off choosing one of his better offerings than this!
Mark @ Carstairs Considers (2352 KP) rated Drawn and Buttered in Books
Feb 28, 2019
Allie is Drawn into Another Murder
It’s a couple of days before Halloween, and things have slowed down some at the Lazy Mermaid Lobster Shack. The summer tourist families are long gone, but some tourists are still in the area looking at the fall colors. However, there’s still plenty of excite going on, like the discovery of a giant lobster. Quickly dubbed Lobzilla by the community, he’s almost big enough to beat the world record. However, the morning after he’s found, he’s vanished.
If that were all Allie Larkin had on her mind, it would be one thing, but other odd things are happening in town, including a local witch who is doing everything possible to get Aunt Gully to join her coven. Then, on Halloween night, Lobzilla shows up again, only he’s next to a dead body. Can Allie figure out what is going on?
While the body doesn’t show up right away, we still have plenty of plot happening, including some sub-plots and time spent setting up suspects and motives. Everything continues to be blended together well after the murder takes place. The climax is creative and everything is explained by the time we turn the final page. I thought the sub-plot involving the witch might make the book darker than I would enjoy, but I thought it was handled perfectly. It gave the book a touch more Halloween atmosphere, but the characters treated it much like I would like to think I would. The characters have gotten sharper as the series has progressed, and that was true here again. The suspects are well drawn, Allie is a great lead, but my favorite continues to be Aunt Gully. Everything came together for a book I couldn’t put down and the strongest in the series to date.
If that were all Allie Larkin had on her mind, it would be one thing, but other odd things are happening in town, including a local witch who is doing everything possible to get Aunt Gully to join her coven. Then, on Halloween night, Lobzilla shows up again, only he’s next to a dead body. Can Allie figure out what is going on?
While the body doesn’t show up right away, we still have plenty of plot happening, including some sub-plots and time spent setting up suspects and motives. Everything continues to be blended together well after the murder takes place. The climax is creative and everything is explained by the time we turn the final page. I thought the sub-plot involving the witch might make the book darker than I would enjoy, but I thought it was handled perfectly. It gave the book a touch more Halloween atmosphere, but the characters treated it much like I would like to think I would. The characters have gotten sharper as the series has progressed, and that was true here again. The suspects are well drawn, Allie is a great lead, but my favorite continues to be Aunt Gully. Everything came together for a book I couldn’t put down and the strongest in the series to date.
Merissa (12919 KP) rated The Impact Zone (Ryder Bay #2) in Books
Mar 1, 2019
The Impact Zone (Ryder Bay #2) by Jordan Ford
The Impact Zone is the second book in the Ryder Bay series, and whilst I enjoyed my foray back to Ryder Bay, I didn't quite enjoy it as much as the first book... and I don't really know why!
Skylar is still in a coma, and Savannah is drowning in responsibilities. You find out more about Aiden and their break up through Savannah's eyes, including how she becomes friends with Harley. Savannah is a genuinely nice person, and very mature for her age as life experiences haven't always been easy. Griffin is the perfect match for her, but he isn't sure if he will stay in Ryder Bay or not, due to his own story.
With Aiden, Harley, and even Jed, playing a part in this story, I couldn't help but relax and enjoy as the story moved along. This did feel like a transitional book though, and I think that's why I didn't enjoy it as much. Griffin and Savannah get their HFN, but you are left with a major event happening right at the end, which may impact on just who Savannah is exactly.
I still thoroughly enjoyed this book, and I can't wait to continue the series, AND see how the characters continue to change and grow. I really want them to all be happy, but with some of the darker characters still in play, this isn't guaranteed! Excellent writing once again, and I'm left wanting more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Skylar is still in a coma, and Savannah is drowning in responsibilities. You find out more about Aiden and their break up through Savannah's eyes, including how she becomes friends with Harley. Savannah is a genuinely nice person, and very mature for her age as life experiences haven't always been easy. Griffin is the perfect match for her, but he isn't sure if he will stay in Ryder Bay or not, due to his own story.
With Aiden, Harley, and even Jed, playing a part in this story, I couldn't help but relax and enjoy as the story moved along. This did feel like a transitional book though, and I think that's why I didn't enjoy it as much. Griffin and Savannah get their HFN, but you are left with a major event happening right at the end, which may impact on just who Savannah is exactly.
I still thoroughly enjoyed this book, and I can't wait to continue the series, AND see how the characters continue to change and grow. I really want them to all be happy, but with some of the darker characters still in play, this isn't guaranteed! Excellent writing once again, and I'm left wanting more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
RəX Regent (349 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 7, 2019
Darker than you might expect...
Contains spoilers, click to show
The first of Walt Disney's historic features was a pleasure to watch. Beautifully animated with deceptively gentle strokes, we are delicately guided through the Brothers Grimm's fairy tale. But this is still a fairy tale and a 1930′s film, made at a time where stories were not so toned down for our children, and a healthy dose of fear and horror was not shied away from.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.