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David McK (3883 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Dec 18, 2019 (Updated Jun 16, 2020)
"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Phillip McSween (751 KP) rated The Judge (2014) in Movies
Jan 14, 2020
Suprisingly Not As Good As I Thought
A lawyer leaves his small town to make it in the big city only to have to come back to face his past and defend his father in a murder trial. The Judge could have definitely been worse, but it struck enough cords for me to never want to see it again.
Acting: 10
Beginning: 2
Characters: 10
Cinematography/Visuals: 7
The film is shot in different color tones representing the mood of the scene. When Robert Downey Jr. is just palling around the city, you see more lighter tones. However, during most of the court scenes, it’s shot in a darker and grainier light. It works for the most part, but is uneven in certain spots. I did appreciate overall what it was trying to do.
Conflict: 10
Entertainment Value: 7
At one point, I wrote in my notes: “I’m not bored, but there are definitely some glaring holes I can’t overlook.” At times, this movie seemed to fight with its own self, never really deciding who or what it wanted to be. While there were quite a few scenes I really enjoyed, there were some things lacking overall.
Memorability: 4
Pace: 5
This movie is easily thirty minutes longer than it needed to be. In some spots, they are trying too hard to force these characters down your throat that they don’t focus on moving the actual story along. It drags its feet in way too many places.
Plot: 6
Decent concept that arrived DOA due to the lack of willingness to fix simple holes. I never could settle in and just enjoy the movie because there were just so many unanswered questions from the left to the right. Overall, it made sense, but it’s very easy to pick apart.
Resolution: 7
A touching finish, although, again, would have appreciated more finite answers. More often than not, the movie seemed to take the lazy way out and the ending was no exception. Based on the number of plot holes, can’t say I was that surprised.
Overall: 68
There is a scene in The Judge where the jurors are being picked for the trial. This one scene will tell you everything you need to know about the rest of the movie. These actors have done way better in their time.
Acting: 10
Beginning: 2
Characters: 10
Cinematography/Visuals: 7
The film is shot in different color tones representing the mood of the scene. When Robert Downey Jr. is just palling around the city, you see more lighter tones. However, during most of the court scenes, it’s shot in a darker and grainier light. It works for the most part, but is uneven in certain spots. I did appreciate overall what it was trying to do.
Conflict: 10
Entertainment Value: 7
At one point, I wrote in my notes: “I’m not bored, but there are definitely some glaring holes I can’t overlook.” At times, this movie seemed to fight with its own self, never really deciding who or what it wanted to be. While there were quite a few scenes I really enjoyed, there were some things lacking overall.
Memorability: 4
Pace: 5
This movie is easily thirty minutes longer than it needed to be. In some spots, they are trying too hard to force these characters down your throat that they don’t focus on moving the actual story along. It drags its feet in way too many places.
Plot: 6
Decent concept that arrived DOA due to the lack of willingness to fix simple holes. I never could settle in and just enjoy the movie because there were just so many unanswered questions from the left to the right. Overall, it made sense, but it’s very easy to pick apart.
Resolution: 7
A touching finish, although, again, would have appreciated more finite answers. More often than not, the movie seemed to take the lazy way out and the ending was no exception. Based on the number of plot holes, can’t say I was that surprised.
Overall: 68
There is a scene in The Judge where the jurors are being picked for the trial. This one scene will tell you everything you need to know about the rest of the movie. These actors have done way better in their time.
Night Reader Reviews (683 KP) rated The Wailing Snail in Books
Jan 9, 2020
The Wailing Snail by Claire Walker is a cute little rhyming book about a chain reaction caused by a little garden snail. It reminded me of a similar book by Dr. Seuss called Because a Little Bug Went KA-CHOO! but with a much darker ending.
In a garden, a little snail wails so loudly that it causes a major chain reaction. This reaction at one point causes a cat to get mad at a bird and chase after it. Once the bird escapes it is so tired and exhausted that it goes in search of something to eat. The story then comes full circle with the bird finding the snail in the garden that started the whole thing in the first place. The snail then once again lets out a wail
I really liked the illustrations by Diane Bonham. They are cute with simple shapes and colors that ultimately do not overwhelm children. The subject matter of the page is always depicted in a way that draws full attention to it. The rhymes give the book a solid rhythm and the rhyming words being bold and all caps puts emphasis on them for learning and teaching points for new readers. What I did not like was that while the story comes full circle it dose so it a dark and almost morbid way with the bird eating the snail. The back of the book does hint at something bad happening so I might just be used to childrens books have a feel-good ending.
The target readers for this book are young children, infants to toddler age range who would enjoy having this book read to them as the rhymes make it fun. Older toddlers and/or children just starting their first few years of school may question the ending. The ending is an interesting twist for adults though. I rate this book a 2 out of 4 because in the vast amount of childrens book available I would not go out of my way to recommend this book. At the same time, I also would not discourage anyone from it either, but I would warn them about the ending. This book sits firmly as a mid-range book, not good and not bad.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/wailing-snail
In a garden, a little snail wails so loudly that it causes a major chain reaction. This reaction at one point causes a cat to get mad at a bird and chase after it. Once the bird escapes it is so tired and exhausted that it goes in search of something to eat. The story then comes full circle with the bird finding the snail in the garden that started the whole thing in the first place. The snail then once again lets out a wail
I really liked the illustrations by Diane Bonham. They are cute with simple shapes and colors that ultimately do not overwhelm children. The subject matter of the page is always depicted in a way that draws full attention to it. The rhymes give the book a solid rhythm and the rhyming words being bold and all caps puts emphasis on them for learning and teaching points for new readers. What I did not like was that while the story comes full circle it dose so it a dark and almost morbid way with the bird eating the snail. The back of the book does hint at something bad happening so I might just be used to childrens books have a feel-good ending.
The target readers for this book are young children, infants to toddler age range who would enjoy having this book read to them as the rhymes make it fun. Older toddlers and/or children just starting their first few years of school may question the ending. The ending is an interesting twist for adults though. I rate this book a 2 out of 4 because in the vast amount of childrens book available I would not go out of my way to recommend this book. At the same time, I also would not discourage anyone from it either, but I would warn them about the ending. This book sits firmly as a mid-range book, not good and not bad.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/wailing-snail
The Swimming Pool
Book
'I can't take my eyes off the water. Can you?' It's summer when Elm Hill lido opens, having stood...
Dave Mustaine recommended Unleashed in the East by Judas Priest in Music (curated)
Kristy H (1252 KP) rated This Poison Heart in Books
Jul 8, 2021
Wonderful and captivating YA fantasy
Briseis knows she has a rare gift--with just a touch, she can grow plants. But this gift also attracts attention. So when she inherits an estate in rural New York from a relative, Briseis and her moms see this as a chance to get away and perhaps learn to control her power. Upon arriving at her new home, Briseis finds it to be beautiful--and mysterious. The property is filled with secret gardens and the house itself with notes and clues about her family's past. Then the local townsfolk start showing up at Briseis' doorstep, and she realizes the house once served as an apothecary. Briseis has an uncanny knack for whipping up the healing potions everyone desires, but the more she investigates, she realizes there is a darker side to the house and its powers. One that could have dangerous consequences for Briseis and her entire family.
"I was pretty sure that growing a poisonous bush in the park wasn't what they had in mind for how I should spend my summer."
This was a completely awesome book! The story is totally engrossing. There are poisonous plants, secret gardens, Greek mythology, and a gothic vibe--what's not to love? Briseis is an amazing character. She's strong, brave, and tough; she's also bisexual and loved unconditionally by her two moms, Mom and Mo. The book offers such a great family dynamic, with an excellent attitude toward adoption. It's no big deal that Bri is bi or that she has two Moms--it's just a fact of life. How I appreciate that in a YA book.
"'Did I--did I inherit the Addams Family Mansion?'"
I've read several books lately with Greek mythology and didn't care for them, but this one broke the mold. The stories are woven in perfectly and add to the plot flawlessly. The story is completely captivating and I loved all the strong women in it. It's also part mystery, part myth, which adds to the page-turning aspect. (Be forewarned, this is book #1, so this ends on a bit of a cliffhanger.)
Overall, cannot recommend this book enough. It's a unique and mesmerizing fantasy. The fact that it's so queer inclusive is lovely. I'll be impatiently waiting for book #2. 4.5 stars.
"I was pretty sure that growing a poisonous bush in the park wasn't what they had in mind for how I should spend my summer."
This was a completely awesome book! The story is totally engrossing. There are poisonous plants, secret gardens, Greek mythology, and a gothic vibe--what's not to love? Briseis is an amazing character. She's strong, brave, and tough; she's also bisexual and loved unconditionally by her two moms, Mom and Mo. The book offers such a great family dynamic, with an excellent attitude toward adoption. It's no big deal that Bri is bi or that she has two Moms--it's just a fact of life. How I appreciate that in a YA book.
"'Did I--did I inherit the Addams Family Mansion?'"
I've read several books lately with Greek mythology and didn't care for them, but this one broke the mold. The stories are woven in perfectly and add to the plot flawlessly. The story is completely captivating and I loved all the strong women in it. It's also part mystery, part myth, which adds to the page-turning aspect. (Be forewarned, this is book #1, so this ends on a bit of a cliffhanger.)
Overall, cannot recommend this book enough. It's a unique and mesmerizing fantasy. The fact that it's so queer inclusive is lovely. I'll be impatiently waiting for book #2. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Get Out (2017) in Movies
Jul 12, 2019
ritten and directed by Jordan Peele, “Get Out” is not so much an actual horror film but more of a dark comedy. The plot is filled with political undertones, spotlighting awkward racial interactions that are shadowed by systemic inequality.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.
Debbiereadsbook (1811 KP) rated The Goblin King's Mischief in Books
Oct 29, 2024
The world building is excellent and you can digest each little new bit of information as it comes.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I thoroughly enjoyed reading this!
When Melody first met Aodh, they were but children, but they promised themselves to each other. When Melody's father found out, he was not happy, and bound Aodh memories of Melody, and took her away. Now, on the verge of being made the mistress of another king, she does something drastic to win the Goblin King's heart. The road to true love is never easy, as Melody soon finds out. Can she make Aodh see her, really SEE that she is his, in every way?
I really only have one niggle about this book! Only Melody gets a say and I really REALLY wanted to hear from Aodh as well. I think, for me, had he been given a say, this would be a 5 star read from me.
That said, what Melody does say is that she gets across all of that heartbreak she faced when her father took her away. All of the emotion she feels, when she makes the dangerous decision to outsmart the Goblin King. And the pain she feels, when Aodh pushes her away.
There is a large supporting cast, with a betrayal thrown in, coming from a very unexpected source! But given the choice this person had to make, you can see why they did it. Melody's brother did something a bit questionable, but he got the answers he needed for Melody.
It's not especially explicit, but there is much emotion here. It's more about Melody winning Aodh over, rather than getting into his bed. Although, she wants that too :0 Some ideas are a little darker, but perfectly normal for this world. Melody is promised to another king as his mistress, and her parents are very happy about that.
No real violence, either.
The world building is excellent. Not everything is thrown at you all at once, and you can digest each little new bit of information as it comes. You can immerse yourself into this world, so beautifully.
First I've read of this author, I'd like to read more.
4 very VERY good stars.
*same worded review will appear elsewhere
I thoroughly enjoyed reading this!
When Melody first met Aodh, they were but children, but they promised themselves to each other. When Melody's father found out, he was not happy, and bound Aodh memories of Melody, and took her away. Now, on the verge of being made the mistress of another king, she does something drastic to win the Goblin King's heart. The road to true love is never easy, as Melody soon finds out. Can she make Aodh see her, really SEE that she is his, in every way?
I really only have one niggle about this book! Only Melody gets a say and I really REALLY wanted to hear from Aodh as well. I think, for me, had he been given a say, this would be a 5 star read from me.
That said, what Melody does say is that she gets across all of that heartbreak she faced when her father took her away. All of the emotion she feels, when she makes the dangerous decision to outsmart the Goblin King. And the pain she feels, when Aodh pushes her away.
There is a large supporting cast, with a betrayal thrown in, coming from a very unexpected source! But given the choice this person had to make, you can see why they did it. Melody's brother did something a bit questionable, but he got the answers he needed for Melody.
It's not especially explicit, but there is much emotion here. It's more about Melody winning Aodh over, rather than getting into his bed. Although, she wants that too :0 Some ideas are a little darker, but perfectly normal for this world. Melody is promised to another king as his mistress, and her parents are very happy about that.
No real violence, either.
The world building is excellent. Not everything is thrown at you all at once, and you can digest each little new bit of information as it comes. You can immerse yourself into this world, so beautifully.
First I've read of this author, I'd like to read more.
4 very VERY good stars.
*same worded review will appear elsewhere
Debbiereadsbook (1811 KP) rated The Omega Assassin (Wolves of the Five Kingdoms #3) in Books
Oct 30, 2025
well played with the wolf twist!
I was gifted my copy of this book.
This is book 3 in the Wolves of the Five Kingdoms series, and you don't need to have read the others before this one. Helpful, but not necessary.
Casteel shifted into a silver wolf when he was scared by a snake. He is then plunged into a life he never wanted. Nero is sent to kill the one who claims to be the silver wolf of prophecy. But when their eyes connect across the courtyard, Something in Casteel's eyes make him falter and then both men are drawn into a world of power and politics that might well cost them both their lives.
I loved book 1, gave it five stars. Book 2 got four but I read it on KU and didn't write a review. This book I found to be on a par with book 3.
Casteel doesn't want this life, the High Priest Doran using all sorts of ways to "persuade" the silver wolf out. It's clear until much later in the book WHY he wants to wolf, but he makes it very clear he wants the wolf under his power. Nero offers Casteel a way out, and CAsteel would have taken it, he really would but Nero ends up being his mate and then there is all sorts of back stabbing and double crossing and I wasn't sure which was way up sometimes!
It's quite a bit darker, I think, than the other two books. Casteel suffers badly at the hands of Doran and Nero has suffered fighting for the rebellion. Once Doran grabs power, it's very clear he is not concerned about the people of this land, just what he can get out of them and he will do whatever he wants.
Not especially explicit, for a fated mates/werewolf/paranormal book but I loved that it wasn't.
What this book is about is more than the smex between these two. It's about dealing with the hand that fate dealt you, and doing what you need to do to free your people from under a madman. Even if that might get you killed.
Just a note, very well played with the wolf! Never saw that coming!
4 very VERY good stars
*same worded review will appear elsewhere
This is book 3 in the Wolves of the Five Kingdoms series, and you don't need to have read the others before this one. Helpful, but not necessary.
Casteel shifted into a silver wolf when he was scared by a snake. He is then plunged into a life he never wanted. Nero is sent to kill the one who claims to be the silver wolf of prophecy. But when their eyes connect across the courtyard, Something in Casteel's eyes make him falter and then both men are drawn into a world of power and politics that might well cost them both their lives.
I loved book 1, gave it five stars. Book 2 got four but I read it on KU and didn't write a review. This book I found to be on a par with book 3.
Casteel doesn't want this life, the High Priest Doran using all sorts of ways to "persuade" the silver wolf out. It's clear until much later in the book WHY he wants to wolf, but he makes it very clear he wants the wolf under his power. Nero offers Casteel a way out, and CAsteel would have taken it, he really would but Nero ends up being his mate and then there is all sorts of back stabbing and double crossing and I wasn't sure which was way up sometimes!
It's quite a bit darker, I think, than the other two books. Casteel suffers badly at the hands of Doran and Nero has suffered fighting for the rebellion. Once Doran grabs power, it's very clear he is not concerned about the people of this land, just what he can get out of them and he will do whatever he wants.
Not especially explicit, for a fated mates/werewolf/paranormal book but I loved that it wasn't.
What this book is about is more than the smex between these two. It's about dealing with the hand that fate dealt you, and doing what you need to do to free your people from under a madman. Even if that might get you killed.
Just a note, very well played with the wolf! Never saw that coming!
4 very VERY good stars
*same worded review will appear elsewhere
Consort (Nobel Reckoning #1)
10.0
Rate It
Book
Could a Fae really satisfy an Omega shifter’s heat? Would he risk his life for the chance to try? ...
Fantasy Romance Omegaverse