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Steven Spielberg: A Biography
Book
Steven Spielberg is responsible for some of the most successful films ever made: "Jaws", "Close...
Warhammer: Vermintide 2
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Vermintide is back – darker, bloodier and more intense than ever! Warhammer: Vermintide 2 is...
action warhammer
So You Think You Know About Britain?
Book
When it comes to immigration, the population explosion, the collapse of the family, the north-south...
Joe Goodhart (27 KP) rated X-Force, Vol. 2: Old Ghosts in Books
Nov 30, 2020
Wow, I can't believe I stopped reading this incarnation of X-FORCE around Issue 3! Mind you, I was going through personal issues, and a darker, edgier comic was more angst than I could handle at the time. However, now that I have it all in digital and I am in a better state - mentally, physically, spiritually - I couldn't have picked a better opportunity to dive back in from the beginning.
Volume Two is as good as, if not better than, the first Volume. The continuity throughout is seamless, not missing a beat, carefully tapping into old "big bads", with end-result being a high-tension, white-knuckle thrill-ride that manages to inject some humorous dialogue (Oh, Domino, you always says some snarkiest remarks sometimes, but ah, that timing! *grin*) every so often but never enough to break the mood.
Craig Kyle and Christopher Yost were the perfect choice for the writers of the series revision. They get in the characters' heads when the write, presenting us with the ones we knew rather than badly-plotted inconsistent shadows of their former selves.
Especially good, I remarked on this review of Volume One, is their treatment of X-23/Laura Kinney. She wants to be part of something, a "family" of sorts. It shows as her involvement in the team progresses. She watches out for them, tapping into techniques learned during her time in the Weapon X Project, working to ensure that everyone should remain alive, thus remaining a "family" of sorts.
Logan is still watching over from a distance, but close enough that if things get really bad, I imagine he's pull her. The way Yost and Kyle write it, I took it that Logan was still not comfortable with Cry-clops' decision for to be on the team, but as befits a father, he wants to give her the room to find herself
The only thing I didn't like about Laura/X-23 was the art. Facially? Nailed it, you seemed to be late 16, early-ish 17. However, her body was leaning towards objectification. From the noticeable breast enhancement to the bared mid-riff (Domino was not drawn as such) to the super-tight, two sizes too small uniform, I was, to say the least, disappointed that was how Marvel (and artist Mike Choi) chose to present her! X-23 illustration quibbles aside, the art overall was solid!
Again, I can't say enough good about the overall story, art, etc. If you are looking for a good X-read, look no further, for you have one right here! Enjoy.
Volume Two is as good as, if not better than, the first Volume. The continuity throughout is seamless, not missing a beat, carefully tapping into old "big bads", with end-result being a high-tension, white-knuckle thrill-ride that manages to inject some humorous dialogue (Oh, Domino, you always says some snarkiest remarks sometimes, but ah, that timing! *grin*) every so often but never enough to break the mood.
Craig Kyle and Christopher Yost were the perfect choice for the writers of the series revision. They get in the characters' heads when the write, presenting us with the ones we knew rather than badly-plotted inconsistent shadows of their former selves.
Especially good, I remarked on this review of Volume One, is their treatment of X-23/Laura Kinney. She wants to be part of something, a "family" of sorts. It shows as her involvement in the team progresses. She watches out for them, tapping into techniques learned during her time in the Weapon X Project, working to ensure that everyone should remain alive, thus remaining a "family" of sorts.
Logan is still watching over from a distance, but close enough that if things get really bad, I imagine he's pull her. The way Yost and Kyle write it, I took it that Logan was still not comfortable with Cry-clops' decision for to be on the team, but as befits a father, he wants to give her the room to find herself
The only thing I didn't like about Laura/X-23 was the art. Facially? Nailed it, you seemed to be late 16, early-ish 17. However, her body was leaning towards objectification. From the noticeable breast enhancement to the bared mid-riff (Domino was not drawn as such) to the super-tight, two sizes too small uniform, I was, to say the least, disappointed that was how Marvel (and artist Mike Choi) chose to present her! X-23 illustration quibbles aside, the art overall was solid!
Again, I can't say enough good about the overall story, art, etc. If you are looking for a good X-read, look no further, for you have one right here! Enjoy.
Neon's Nerd Nexus (360 KP) rated Judy (2019) in Movies
Oct 2, 2019
If I am a legend, then why am I so lonely?
Judy is a fabulous and dazzling look into the finally years of an all time greats life and while it maybe paint by numbers at times Judy takes the surprisingly darker and more depressing route that many other biopics dont dare to. I was gobsmacked to find after that renee zellweger played judy garland as at no stage of the movie could you tell at all. Never been a real fan of Zellweger but here she really has surpassed herself and you literally would be forgiven for believing she was the actual Judy Garland at times, an award wining performance for sure. Judy's pain/struggles are plain to see here and the way Renee manages to portray the sheer depression behind those eyes as well as the switching on of 'the act' when she steps out onto stage to perform are both saddening and admirable (the way the camera shows her eyes change really is impressive). Its clear as a person she just longs to be loved, to belong/find happiness and to live a happy life with her children who adore her and bring her joy and completeness. Seemingly forced into showbusiness at a young age she never had a real chance to discover who she really is and what she enjoys and everyone she gets close to uses her as a puppet adding to the weight on her mind. Yet somewhere in all the sadness I find it so inspirational that she still found the strength and drive to put on a confident happy face and deliver powerful performances. Maybe deep down in a way being loved by the audience was her only glimpse of feeling true real love from someone when away from her children. Cinematography really impressed me as well giving a warm glamorous look when on stage with colours and lights that simply boom off the screen and then a cold, isolated and lonely feel when off stage really giving the movie a unique and immersive atmosphere. Costumes and sets also stun and dazzle as does the music which is filmed so well you feel at times you are sat in the room. Some dialog annoyed me near the beginning and two characters ruined the tone/felt forced but other than that I really did enjoyed this movie dare I say it more than I did Rocketman and Bohemian Rhapsody. A tragic/sad story that is well worth seeing
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Debbiereadsbook (1862 KP) rated Lodrick & Godefroy (Ambrosia #1) in Books
Sep 10, 2024
loved the marked differences between Godefroy and Aldred!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the first book in the Ambrosia series, but I am reading this AFTER I already read book 2, Rowan & Aldred. I would say, because of that, they can both be read as stand alone reads, but are best enjoyed when read in order,
I loved, like LOVED book two. It was so dark and deadly and it pushed ALL my buttons. This one is not so dark, but it still pushed my buttons, just in a different way, and I loved it too!
Lodrick, as a human, is given Ambrosia, and gets addicted. It only takes one sip, after all. Lodrick is rescued from the throes pf addiction by Godefroy, the God of Peace and Harmony. He has long since given up on finding a companion, will Lodrick accept him?
What I loved about this, was how very DIFFERENT Godefroy and Aldred are, in all ways. Aldred had no desire to soothe Rowan, (at least, not at first) but Godefroy is all about soothing Lodrick, and keeping him happy.
Lodrick, however, thinks Godefroy is too much: too sweet, too kind, and too suffocating and at the worst time, he pushes Godefroy away. Neither of them knew that Godefroy would suffer as well as Lodrick.
The book comes with couple of trigger warnings.
Addiction: Lodrick becomes addicted to Ambrosia, and there is no getting over it. He can only exist as a nymph, as Godefroy's nymph, getting his fix from Godefroy and the smexy times. Lodrick knows this, but he hates it, at first.
Dub/non Con: While Lodrick is away with Godefroy at another Goddess's party, and finds himself in the middle of a rather large smexy pile. Now, at points, he does say he wants it, he needs it. But, at others, he realises the situation he finds himself in. It was difficult reading, once Lodrick realises, and I wasn't sure he was going to get out of it.
So, some darker lines, but nothing as dark as book 2 and I loved that it wasn't! It's an altogether lighter read than book 2, but not a fluffy read, at all.
And I loved it!! I think had I read this BEFORE book 2, I might not have loved it quite so much but the marked differences between Godefroy and Aldred, and also between Lodrick and Rowan make this book.
5 full and shiny stars
This is the first book in the Ambrosia series, but I am reading this AFTER I already read book 2, Rowan & Aldred. I would say, because of that, they can both be read as stand alone reads, but are best enjoyed when read in order,
I loved, like LOVED book two. It was so dark and deadly and it pushed ALL my buttons. This one is not so dark, but it still pushed my buttons, just in a different way, and I loved it too!
Lodrick, as a human, is given Ambrosia, and gets addicted. It only takes one sip, after all. Lodrick is rescued from the throes pf addiction by Godefroy, the God of Peace and Harmony. He has long since given up on finding a companion, will Lodrick accept him?
What I loved about this, was how very DIFFERENT Godefroy and Aldred are, in all ways. Aldred had no desire to soothe Rowan, (at least, not at first) but Godefroy is all about soothing Lodrick, and keeping him happy.
Lodrick, however, thinks Godefroy is too much: too sweet, too kind, and too suffocating and at the worst time, he pushes Godefroy away. Neither of them knew that Godefroy would suffer as well as Lodrick.
The book comes with couple of trigger warnings.
Addiction: Lodrick becomes addicted to Ambrosia, and there is no getting over it. He can only exist as a nymph, as Godefroy's nymph, getting his fix from Godefroy and the smexy times. Lodrick knows this, but he hates it, at first.
Dub/non Con: While Lodrick is away with Godefroy at another Goddess's party, and finds himself in the middle of a rather large smexy pile. Now, at points, he does say he wants it, he needs it. But, at others, he realises the situation he finds himself in. It was difficult reading, once Lodrick realises, and I wasn't sure he was going to get out of it.
So, some darker lines, but nothing as dark as book 2 and I loved that it wasn't! It's an altogether lighter read than book 2, but not a fluffy read, at all.
And I loved it!! I think had I read this BEFORE book 2, I might not have loved it quite so much but the marked differences between Godefroy and Aldred, and also between Lodrick and Rowan make this book.
5 full and shiny stars
Debbiereadsbook (1862 KP) rated A Plethora of Phantoms (Spirited Encounters #2) in Books
Apr 18, 2026
clean, for a MM romance!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Spirited Encounters series (although some sites have other series titles!) You don't need to have read book one before this one. They are linked only via the theme, or I didn't get any other link.
Freddie is heir to his father's title and needs to learn how to manage the estate. This is why he's moved back home. The gentleman's dressing case was an impulse buy but now he thinks the case comes with a ghost. Researching the case's history brings him into contact with Marcus, the antiques dealer he bought it from. But Marcus triggers a chain of events Freddie kept hidden for so long, he doesn't know how to get out of it. And just what is going on in the gallery??
I liked this, a lot. It's different to what I usually read and that is never a bad thing!
I liked that the secret Freddie was keeping wasn't immediately clear. I liked that it crept up on me. I wasn't overly keen on the way he treated Marcus in places, but I think given Freddie's history, it was a little understandable.
I liked the way the story of the new ghost unfolds. It took a darker turn, but I think, as the history between Treen and Kitto becomes clear, it was really the only thing that would separate them.
I wasn't sure who the gallery ghost was, not til it became clear in the book, and I liked how that was dealt with.
What I LOVED though, was Freddie's family reaction to his big reveal! They were like, "And? So long as you're happy!" Kinda took the wind out of his sails, to be honest, and I loved that. And then, when Freddie's dad has his big reveal?? I did not see that coming, nor everyone else's reaction!
This book is clean, for a MM romance. It is all closed door, even the kissing. Not my usual read, but I loved that it was. I did find the romance bit somewhat rushed. The three little words come early, and I wasn't feeling the emotional connection between Freddie and Marcus.
Again, single POV from Freddie. And of course I wanted Marcus.
The ghost storyline follows a similar plot line to the one in the first book. Timelines are different but the general story line is very similar. Just need to share the book feelings, folks.
4 very good stars
*same worded review will appear elsewhere
This is book 2 in the Spirited Encounters series (although some sites have other series titles!) You don't need to have read book one before this one. They are linked only via the theme, or I didn't get any other link.
Freddie is heir to his father's title and needs to learn how to manage the estate. This is why he's moved back home. The gentleman's dressing case was an impulse buy but now he thinks the case comes with a ghost. Researching the case's history brings him into contact with Marcus, the antiques dealer he bought it from. But Marcus triggers a chain of events Freddie kept hidden for so long, he doesn't know how to get out of it. And just what is going on in the gallery??
I liked this, a lot. It's different to what I usually read and that is never a bad thing!
I liked that the secret Freddie was keeping wasn't immediately clear. I liked that it crept up on me. I wasn't overly keen on the way he treated Marcus in places, but I think given Freddie's history, it was a little understandable.
I liked the way the story of the new ghost unfolds. It took a darker turn, but I think, as the history between Treen and Kitto becomes clear, it was really the only thing that would separate them.
I wasn't sure who the gallery ghost was, not til it became clear in the book, and I liked how that was dealt with.
What I LOVED though, was Freddie's family reaction to his big reveal! They were like, "And? So long as you're happy!" Kinda took the wind out of his sails, to be honest, and I loved that. And then, when Freddie's dad has his big reveal?? I did not see that coming, nor everyone else's reaction!
This book is clean, for a MM romance. It is all closed door, even the kissing. Not my usual read, but I loved that it was. I did find the romance bit somewhat rushed. The three little words come early, and I wasn't feeling the emotional connection between Freddie and Marcus.
Again, single POV from Freddie. And of course I wanted Marcus.
The ghost storyline follows a similar plot line to the one in the first book. Timelines are different but the general story line is very similar. Just need to share the book feelings, folks.
4 very good stars
*same worded review will appear elsewhere
LeftSideCut (3776 KP) rated The Batman (2022) in Movies
Mar 7, 2022
Like many others, I've been pretty much sold on The Batman since the first trailer dropped, to the point where I was worried that my own hype would leave me disappointed. Luckily that's not the case. Matt Reeves has crafted the definitive live action Batman experience.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
Debbiereadsbook (1862 KP) rated Mathos (The Hawks #3) in Books
Nov 21, 2021
loving this series so hard!
I was gifted my copy of this book, that I write a review was not required.
This is book 3 in The Hawks series, and you really MUST read books one, Tristan, and book 2, Val before this one. There is an on-going story arc across the series, that is not fully recapped. And you, cos I said so! I loved those books, and I loved this one too.
Mathos is a player, calls everyone darlin' and never spends more than one night with a woman. He's happy with his lot. So why then, does Lucilla push all his buttons and make him want things he never knew he wanted? She's a spoilt princess, and he just has to get her to the palace. Lucy, however, does not want to go. Her brother will kill her, and she's suffered enough. Finding out though, that Ballinor is dead and a far darker mind wishes to possess her, mean she has to trust Mathos, and his band of the Hawks.
I loved Mathos in the other books, and here he really does shine. Lucy (as Mathos begins to call her) shines also, but in an entirely different way.
Lucilla has been kept behind closed doors for so long, so she can't remember life before. Suffering at the hands of her brother and his cronies has been her life. She doesn't want to be controlled or coralled anywhere, but Mathos makes a good point. Getting to the palace will secure her future and mean she can make all the choices she wants. But Mathos creeps into her heart, and when he does what he does, you can feel how much Mathos means to her.
Mathos though, feels he does not deserve anyone, let alone a queen. No one can love him, if his own mother can't, surely? Walking away from Lucy and from his brothers was probably the hardest thing he ever did, but also the most stoopidest thing, EVER! But it's WHO that makes him see clearly for the first time in weeks that surprised me! Given as said someone has been missing since the first book, you'll understand why and I really pray that he gets some peace.
He's not next though! Tor is next and given whats said here, I'm intrigued as to what has happened between him and Keeley!
I'm loving this series, I really am! Please keep them coming, I still cannot see the bigger picture and what's going to happen!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in The Hawks series, and you really MUST read books one, Tristan, and book 2, Val before this one. There is an on-going story arc across the series, that is not fully recapped. And you, cos I said so! I loved those books, and I loved this one too.
Mathos is a player, calls everyone darlin' and never spends more than one night with a woman. He's happy with his lot. So why then, does Lucilla push all his buttons and make him want things he never knew he wanted? She's a spoilt princess, and he just has to get her to the palace. Lucy, however, does not want to go. Her brother will kill her, and she's suffered enough. Finding out though, that Ballinor is dead and a far darker mind wishes to possess her, mean she has to trust Mathos, and his band of the Hawks.
I loved Mathos in the other books, and here he really does shine. Lucy (as Mathos begins to call her) shines also, but in an entirely different way.
Lucilla has been kept behind closed doors for so long, so she can't remember life before. Suffering at the hands of her brother and his cronies has been her life. She doesn't want to be controlled or coralled anywhere, but Mathos makes a good point. Getting to the palace will secure her future and mean she can make all the choices she wants. But Mathos creeps into her heart, and when he does what he does, you can feel how much Mathos means to her.
Mathos though, feels he does not deserve anyone, let alone a queen. No one can love him, if his own mother can't, surely? Walking away from Lucy and from his brothers was probably the hardest thing he ever did, but also the most stoopidest thing, EVER! But it's WHO that makes him see clearly for the first time in weeks that surprised me! Given as said someone has been missing since the first book, you'll understand why and I really pray that he gets some peace.
He's not next though! Tor is next and given whats said here, I'm intrigued as to what has happened between him and Keeley!
I'm loving this series, I really am! Please keep them coming, I still cannot see the bigger picture and what's going to happen!
5 full and shiny stars
*same worded review will appear elsewhere