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A Castle of Sand (A Shade of Vampire #3)
A Castle of Sand (A Shade of Vampire #3)
Bella Forrest | 2014 | Paranormal, Romance, Science Fiction/Fantasy
7
7.5 (2 Ratings)
Book Rating
128 of 250
Kindle
Castle of Sand ( A Shade of Vampire book 3)
By Bella Forrest

Once read a review will be written via Smashbomb and link posted in comments

What Sofia has with Derek feels like a sandcastle; temporary and something that the waves of life and time will soon ruin...

Since the return of Gregor Novak, the island has turned several shades darker. His hatred toward Sofia and thirst for fresh blood lead to a brutal war igniting between father and son.

Meanwhile, the hunters are gaining formidable strength and resources by the day; they know that the safety of The Shade hangs entirely on its ability to remain hidden from them.

And a sinister secret lies in wait for Sofia within the bowels of an Egyptian desert ... a secret that threatens to crush her sandcastle much sooner than she could have expected.


A good read! Nothing has really jumped out of this series so far to go hey that’s a brilliant series but saying that it’s definitely a decent read! Shame we have to have a death but at least she’s not scared of letting loved characters go!
  
There's a Riot Goin' On by Sly & The Family Stone
There's a Riot Goin' On by Sly & The Family Stone
1971 | Soul
8.0 (1 Ratings)
Album Favorite

"There's A Riot Goin' On is an abstract, nihilistic, urban death funk record. Sly documents the times better than anybody – 1971: the whole civil rights movement has been crushed by the murders of Martin Luther King, Bobby Kennedy and the whole American state dismantled the Black Panther party. Sly Stone documents the dread and the suffocation of those times. His music before that was transcendent and joyous with stuff like 'Everyday People', which was basically life-affirming music. Then from about 1969, '70, he starts to become darker with these new funk sounds. Even the hit single from the record, 'Family Affair', is dark. He would have never written that four years prior. It was like the utopian idealism of the '60s had gone and America was almost at war with itself. But Sly never made this a political record – his aim was to put the American flag on the cover with no writing on it. The lyrics were internalised, it was kind of like a closed-off, looking-inward record. There's no reverb on this record and it's completely dry. There's no real joy in the record."

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