Gareth von Kallenbach (980 KP) rated Get Out (2017) in Movies
Jul 12, 2019
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.
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Laura Doe (1350 KP) rated The Deception in Books
Mar 18, 2022
Samantha and her twin sister Alison have been through a lot together, first their parents die in a terrible accident then their grandmother dies, all before they go to university. At university Samantha meets a boyfriend who she enjoys spending time with until she starts seeing red flags in their relationship. She breaks up with him only to discover he is dating her twin sister. It ends with Alison being murdered and the boyfriend being murdered in prison. Samantha then decides she needs a new start and moves away and changes her name.
The book then moves on around 10 years and we find out what Samantha has been up to, she has changed her name to Rosie, married and had a baby. She has neglected to tell her husband her past, but all of that changes when she gets a letter from one of the journalists from 10 years previously. The journalist is then murdered and the police start pointing the finger at her and her husband.
While it was enjoyable, the police parts didn’t seem to add up as they jumped to a conclusion before looking at all the evidence, including the autopsy report which wasn’t rushed through like the rest of the evidence. This didn’t ring true for me, why would all of the evidence from the house be rushed through but not the autopsy when that tells you so much about the death and how the person was murdered? Just little parts of the story niggled at me, which did stop me from enjoying it as much as I could.
I also guessed who was involved from as soon as they entered the story, although I didn’t know how they were connected but I did know that they had the trust fund money and it was only at the end when it was revealed their true identity I could see how they ended up with the trust fund.
Thank you to Bloodhound Books and Gillian Jackson for my copy of this book to read and review.