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Lucy Buglass (45 KP) rated Rare Beasts (2019) in Movies
Oct 14, 2019
Directorial debuts are tough, and it gives people a chance to establish their personal style. Sadly for me, Billie Piper’s first film had a style that didn’t sit well with me at all. She was heavily involved in the project; directing, writing and starring in it, but her unique first film is perhaps a bit too quirky.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
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Debbiereadsbook (1472 KP) rated Charisma Check (Dungeons and Dating #6) in Books
May 27, 2023
saved the best til last, I reckon!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Dungeons and Dating series, and I strongly recommend you read all 5 books previous to this one. Not strictly necessary, but it will give you a better view of Jasper, and how he is with everyone else, and of this amazing group of people. And you know, cos I SAID SO!
Jasper doesn't do commitment, he thinks he's too broken. So crushing after the straight owner of his fav cafe is a safe bet, cos ain't nothing gonna happen. Then, though, Matt turns up at a shibari lesson and is paired with Jasper. Which sets off all sorts of chain reactions from the both of them.
Oh Jasper, Jasper Jasper! I've been waiting, so very impatiently for Jasper to tell his tale, cos all through the other books, he SAYS he's happy with his lot, not having to commit to anyone, just hooking up as and when, but deep down, DEEP down, Jasper needed someone to love him. It comes out in all the other books, and here? Oh my days!
Jasper has crushed on Matt for a couple of years and while Matt looked forward to seeing Jasper every day, he was straight and in a relationship. Then that ends, the lesson occurs and Matt begins to question everything about his previous relationships and why they didn't work. Maybe, just maybe, it wasn't that he needed to be more dominant, like all the girlfriends asked for, but the opposite?
Loved the progression of Matt and Jasper, how well they fit together and moved things along. Jasper was always gonna say yes to Matt, but Matt wasn't sure what he was asking for, til Jasper said or did JUST what Matt needed. And I loved that, while there was some questioning of his sexual preferences by Matt, once he decided that he'd had it all wrong, he was ALL in with Jasper.
But then, Jasper does what he does and I was reading in bed, and I must have said out loud, "oh Jasper, you IDIOT!" cos my partner was, who is Jasper and what has he done?? And I rarely react verbally when reading, so it shows how powerfully what he did affected me, let alone Matt!
And then, against Jasper and Matt's story, we have the Tabletop tavern and what's happening there. Granted, Jasper leaves it late, but once he gets his head out his ass and goes to war, they pull that off wonderfully!
So, now, I'm sad. I'm sad cos all these wonderful people are partnered up and I am so going to miss them! There are lots of people here, with the battle to save the buildings from developers, people I don't recall meeting before. People with interesting hints about and I wonder if we'll get a follow up? I'd love one!
So, 6 books, 5 of those are 5 star reads, and one slipping to 4, but a series I strongly recommend.
5 full and shiny, but kinda sad, stars
*same worded review will appear elsewhere
This is the final book in the Dungeons and Dating series, and I strongly recommend you read all 5 books previous to this one. Not strictly necessary, but it will give you a better view of Jasper, and how he is with everyone else, and of this amazing group of people. And you know, cos I SAID SO!
Jasper doesn't do commitment, he thinks he's too broken. So crushing after the straight owner of his fav cafe is a safe bet, cos ain't nothing gonna happen. Then, though, Matt turns up at a shibari lesson and is paired with Jasper. Which sets off all sorts of chain reactions from the both of them.
Oh Jasper, Jasper Jasper! I've been waiting, so very impatiently for Jasper to tell his tale, cos all through the other books, he SAYS he's happy with his lot, not having to commit to anyone, just hooking up as and when, but deep down, DEEP down, Jasper needed someone to love him. It comes out in all the other books, and here? Oh my days!
Jasper has crushed on Matt for a couple of years and while Matt looked forward to seeing Jasper every day, he was straight and in a relationship. Then that ends, the lesson occurs and Matt begins to question everything about his previous relationships and why they didn't work. Maybe, just maybe, it wasn't that he needed to be more dominant, like all the girlfriends asked for, but the opposite?
Loved the progression of Matt and Jasper, how well they fit together and moved things along. Jasper was always gonna say yes to Matt, but Matt wasn't sure what he was asking for, til Jasper said or did JUST what Matt needed. And I loved that, while there was some questioning of his sexual preferences by Matt, once he decided that he'd had it all wrong, he was ALL in with Jasper.
But then, Jasper does what he does and I was reading in bed, and I must have said out loud, "oh Jasper, you IDIOT!" cos my partner was, who is Jasper and what has he done?? And I rarely react verbally when reading, so it shows how powerfully what he did affected me, let alone Matt!
And then, against Jasper and Matt's story, we have the Tabletop tavern and what's happening there. Granted, Jasper leaves it late, but once he gets his head out his ass and goes to war, they pull that off wonderfully!
So, now, I'm sad. I'm sad cos all these wonderful people are partnered up and I am so going to miss them! There are lots of people here, with the battle to save the buildings from developers, people I don't recall meeting before. People with interesting hints about and I wonder if we'll get a follow up? I'd love one!
So, 6 books, 5 of those are 5 star reads, and one slipping to 4, but a series I strongly recommend.
5 full and shiny, but kinda sad, stars
*same worded review will appear elsewhere
Kristy H (1252 KP) rated All I Ever Wanted in Books
Mar 20, 2019
Fun, enjoyable book with great characters
Callie Grey is turning thirty, and her life simply isn't going as planned. She's not married--or even dating--and now her boss, Mark, whom she's loved for years, is marrying Muriel, a perfect specimen from California. Even worse, Muriel is honing in on Callie's territory at the advertising agency where she works. Her mother runs the family business: a funeral home, where Callie's thirtieth birthday was held (sharing space with a wake). Her father, meanwhile, is trying to win her mother back, despite the fact that she hates him for cheating on her--when Callie was eight. Hester, her sister, despises all men due to said cheating incident. And no matter how hard she tries, Callie can't get over Mark and the five weeks they "dated." Still, it seems like maybe that could change when she meets Ian, the town's new sulky but handsome veterinarian. But can Callie put the past behind her to find her own happiness? And is Ian ready to move on himself?
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
Whatchareadin (174 KP) rated The Boyfriend Swap in Books
Apr 9, 2019
Robyn and Sydney are similar in many ways. They are both successful in their careers. Robyn is a music teacher and Sydney is a lawyer. They both have boyfriends that are very attractive. They also both don't want to take the boyfriends home with them for the holidays. For Robyn, her family is tired of seeing her with artsy men who have no future. For Sydney, she is tired of her father monopolizing the holiday with shop talk. The holidays are supposed to be fun, not judgmental and hostile. So, even though they've just met, Sydney comes up with brilliant idea, swap boyfriends for the holiday. It's just a few days, what's the harm? When Robyn finds out Sydney is dating her childhood crush, will she be able to hold it together? And how will her family handle this? Is this swap really such a good idea?
Thank you to Meredith Schorr, NetGalley, and Henery Press for the opportunity to read and review this book.
First of all, I'm not sure this is something I would have ever been able to do. To trade boyfriends at all, but with someone I don't even know. I'm not sure it would work out for me. It's been a while since I've read a book quite like this. It was cute and quirky and I can easily see this being made into a movie.
Robyn's Story
For Robyn, whenever she brings home a guy who is good to her, she has fun with, and is artsy like her parents, they let her know that he is not the right guy for her. She needs a guy with a steady job someone with a 401K and a savings account. Robyn and her boyfriend Perry have been together for almost a year, and they have a lot of fun together. But is he really, "The One"?
Bringing home Will is going to shock the hell out of her family. He was her childhood crush and now he's pretending to be her boyfriend. Will she be able to keep up the farce over the few days they spend with her family or will the secret be revealed before it's even started?
Sydney's Story
Sydney has to bring home a date for Christmas. If not her parents will try to set her up with some hideous guy she would never be interested in, but would be good for business. And she doesn't want to bring home Will. Will is a lawyer just like Sydney, and like Sydney's father. If she brings him home, all her father will do the entire time is try to recruit him to their law firm, and Sydney doesn't want to subject him to that. She also likes keeping her personal life to herself.
When Sydney brings Perry to the family dinner, she is surprised at how well her family likes him. This was not how she had planned this to go. And then when Perry deviates from her script, it makes things even worse. Will they be able to make it through the holiday without killing each other.
This book was a funny, romantic read that had me routing for one character to the end. This is the first book I have read by Meredith Schorr, but it won't be my last. I look forward to reading more of her books.
Thank you to Meredith Schorr, NetGalley, and Henery Press for the opportunity to read and review this book.
First of all, I'm not sure this is something I would have ever been able to do. To trade boyfriends at all, but with someone I don't even know. I'm not sure it would work out for me. It's been a while since I've read a book quite like this. It was cute and quirky and I can easily see this being made into a movie.
Robyn's Story
For Robyn, whenever she brings home a guy who is good to her, she has fun with, and is artsy like her parents, they let her know that he is not the right guy for her. She needs a guy with a steady job someone with a 401K and a savings account. Robyn and her boyfriend Perry have been together for almost a year, and they have a lot of fun together. But is he really, "The One"?
Bringing home Will is going to shock the hell out of her family. He was her childhood crush and now he's pretending to be her boyfriend. Will she be able to keep up the farce over the few days they spend with her family or will the secret be revealed before it's even started?
Sydney's Story
Sydney has to bring home a date for Christmas. If not her parents will try to set her up with some hideous guy she would never be interested in, but would be good for business. And she doesn't want to bring home Will. Will is a lawyer just like Sydney, and like Sydney's father. If she brings him home, all her father will do the entire time is try to recruit him to their law firm, and Sydney doesn't want to subject him to that. She also likes keeping her personal life to herself.
When Sydney brings Perry to the family dinner, she is surprised at how well her family likes him. This was not how she had planned this to go. And then when Perry deviates from her script, it makes things even worse. Will they be able to make it through the holiday without killing each other.
This book was a funny, romantic read that had me routing for one character to the end. This is the first book I have read by Meredith Schorr, but it won't be my last. I look forward to reading more of her books.
Kristy H (1252 KP) rated I Let You Go in Books
Feb 1, 2018
One rainy evening, an accident occurs on a quiet neighborhood street. Walking home from school with his mother, young Jacob is hit by a car, and killed. Even worse, the car quickly backs up and drives away, leaving Jacob's mother shattered and Detective Inspector Ray Stevens and his team, particularly eager young DC Kate, to seek out answers.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Emma Montague is an Englishwoman living in the U.S. She left behind her parents as soon as she could: feeling trapped by her mother's snobbery and outgoing personality, so different from Emma's quiet and introverted self. But life in the high-powered banking world in New York City isn't exactly for Emma either. She finds everyone so false: women who only care about clothes and finding a man, too many nights at bars, and pressure to use dating apps. Her one long-term relationship winds up nowhere, and so Emma finds herself on the move again: this time to the beach town of Westport, CT. She takes a break from banking and finds herself renting a house in this seaside town. Emma quickly finds herself falling for landlord, Dominic, a bartender in Westport. A father to six-year-old Jesse, Dominic seems to be the opposite of Emma in every way. Emma isn't sure that the two could ever really be together, but she can't seem to stop her heart from falling for Dominic. Are they meant to be?
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
Heather Cranmer (2721 KP) rated After Always in Books
Sep 22, 2018
Interesting Plot (3 more)
Beautiful Prose
Likable Characters
Held my Attention Throughout
Pacing all over the place (2 more)
Ending was too easy
Needed more character background story info
A Decent Spooky Read
There was something about the synopsis about After Always by Barbara J. Hancock that caught my attention, so when the opportunity came about to review it, I jumped at the chance. I'm glad I did.
I felt like the pacing was a little all over the place in After Always. There were some places where the pacing dragged, and in other places, the pacing sped up too quickly where I was lost about what was going on. However, there were also some places where the pacing was perfect. Regardless, After Always held my attention throughout.
I enjoyed the plot. Lydia gets sent to an old inn for music lessons after her boyfriend dies in a tragic accident in the hopes she will start to heal. Lydia had been to the inn before with her mother when she was three. However, there is something sinister afoot at the inn. Lydia, alone with the intriguing Michael, must figure out what it is before it claims them both as well as the inn. Along the way, we learn more about Lydia's relationship with Tristan which isn't exactly what it appeared to be. I didn't feel that there were any major plot twists. Perhaps there are a few minor ones. This doesn't make the plot any less enjoyable though. I had many questions, but they were all answered towards the end of the book. I did feel like the ending was a bit too easy. I won't elaborate because I don't want to give any spoilers away.
The world building was written very well. The author, Barbara J. Hancock, is a master with words. I enjoyed reading about the world Miss Hancock had created for her characters. It was easy to imagine myself as a character in After Always. I could easily imagine the inn where all the action takes place.
I liked the characters in After Always. However, I would have enjoyed reading more about the background of Lydia. I would have liked to see how she was right before her relationship with Tristan. I would have also liked to read more about her relationship with Tristan. Lydia does speak about their relationship, but I found myself craving more information about it. I would have also liked to read more about Octavia's and Jericho's relationship a bit more. It would have been interesting to read more about the courting days between them as well as how their marriage was at the beginning. We do get a glimpse at Michael's family history which was nice. My favorite character in After Always was Hannah. I just felt like I could relate to her the most even if she isn't mentioned as much throughout the book.
Trigger warnings include dating abuse, death, violence, ghostly possession, and very mild swearing in a few places throughout the book.
Overall, After Always is a decent spooky read. It is written beautifully and has an interesting plot as well as likable characters. I would recommend After Always by Barbara J. Hancock to those aged 15+
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(Thank you to Netgalley for providing me with an eBook of After Always by Barbara J. Hancock in exchange for an honest and unbiased review.)
I felt like the pacing was a little all over the place in After Always. There were some places where the pacing dragged, and in other places, the pacing sped up too quickly where I was lost about what was going on. However, there were also some places where the pacing was perfect. Regardless, After Always held my attention throughout.
I enjoyed the plot. Lydia gets sent to an old inn for music lessons after her boyfriend dies in a tragic accident in the hopes she will start to heal. Lydia had been to the inn before with her mother when she was three. However, there is something sinister afoot at the inn. Lydia, alone with the intriguing Michael, must figure out what it is before it claims them both as well as the inn. Along the way, we learn more about Lydia's relationship with Tristan which isn't exactly what it appeared to be. I didn't feel that there were any major plot twists. Perhaps there are a few minor ones. This doesn't make the plot any less enjoyable though. I had many questions, but they were all answered towards the end of the book. I did feel like the ending was a bit too easy. I won't elaborate because I don't want to give any spoilers away.
The world building was written very well. The author, Barbara J. Hancock, is a master with words. I enjoyed reading about the world Miss Hancock had created for her characters. It was easy to imagine myself as a character in After Always. I could easily imagine the inn where all the action takes place.
I liked the characters in After Always. However, I would have enjoyed reading more about the background of Lydia. I would have liked to see how she was right before her relationship with Tristan. I would have also liked to read more about her relationship with Tristan. Lydia does speak about their relationship, but I found myself craving more information about it. I would have also liked to read more about Octavia's and Jericho's relationship a bit more. It would have been interesting to read more about the courting days between them as well as how their marriage was at the beginning. We do get a glimpse at Michael's family history which was nice. My favorite character in After Always was Hannah. I just felt like I could relate to her the most even if she isn't mentioned as much throughout the book.
Trigger warnings include dating abuse, death, violence, ghostly possession, and very mild swearing in a few places throughout the book.
Overall, After Always is a decent spooky read. It is written beautifully and has an interesting plot as well as likable characters. I would recommend After Always by Barbara J. Hancock to those aged 15+
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(Thank you to Netgalley for providing me with an eBook of After Always by Barbara J. Hancock in exchange for an honest and unbiased review.)
Carma (21 KP) rated Moonlight Over Manhattan in Books
Jun 17, 2019
Do one thing every day that scares you. I think that is the best advice we could give ourselves on a daily basis. How many times have we just went status quo and always wondered what if. Harriet Knight is status quo. She is an average girl, with an average life, with average problems. But the month between Thanksgiving and Christmas she decides to challenge herself daily. No more status quo, start living outside the box. The plan is going worse than expected though and then she finds herself on the internet dating site date from hell. The best way she can think of to end said date is to jump out of the bathroom window. That is how we meet Harriet.
Harriet is a dog walker/pet sitter along with her twin sister Fliss. The started their own company and it has really taken off. Her sister has recently moved out of their apartment to live in the Hamptons with Seth (read Holiday in the Hamptons, you won’t regret it). Harriet finds herself alone for the first time in a very long time. After jumping out the bathroom window she heads to the ER to get her ankle checked and in walks Dr. Ethan Black.
Ethan Black is all ER all the time. He puts his very heart and soul in to his daily life and enjoys going to work everyday. Maybe the reason his marriage failed is because he puts 100% into his job. 100% means 0% left over for anything else. He is quite happy in his every day routine until his sister calls with an emergency. He'll do anything for his sister, well maybe anything.
Harriet agrees to change locations for one of her customers because an emergency takes them out of town. Her regular client "Madi" is staying with her “uncle”, a busy doctor, and needs to get her daily walk there instead of home. Harriet and Ethan meet again and realize they need each other to navigate this new normal. Can Ethan still put his heart and soul into work, but make a relationship work. Can Harriet realize she is great the way she is and "challenge Harriet" is a perfect way to get the happy ever after she craves.
I loved Harriet, more than any single main female character I can think of for a while. She is an every woman, self-conscience, has a stutter, awkward, shy. Being a dog walker/pet sitter myself I feel like Harriet (minus the stutter but just as awkward). I also loved revisiting the O’Neil family in Vermont. The way the author paints the scenery each and every time, makes me want to jump in the car and head to Vermont immediately. One of the other things I enjoy about Sarah Morgan novels is the English phrases that inevitably make their way into the writing. There are usually 3 or 4 common English phrases that don’t quite translate to US actions. I enjoy finding them though, and if not immediately known how they translate, finding the answer. None are every so strange though that it affects the flow of the story.
Even though I received this book in exchange for an honest review, it is another great novel from Sarah Morgan, as if I expected anything less. I am adding this to my From Manhattan with Love shelf immediately, hope you do the same right now.
Harriet is a dog walker/pet sitter along with her twin sister Fliss. The started their own company and it has really taken off. Her sister has recently moved out of their apartment to live in the Hamptons with Seth (read Holiday in the Hamptons, you won’t regret it). Harriet finds herself alone for the first time in a very long time. After jumping out the bathroom window she heads to the ER to get her ankle checked and in walks Dr. Ethan Black.
Ethan Black is all ER all the time. He puts his very heart and soul in to his daily life and enjoys going to work everyday. Maybe the reason his marriage failed is because he puts 100% into his job. 100% means 0% left over for anything else. He is quite happy in his every day routine until his sister calls with an emergency. He'll do anything for his sister, well maybe anything.
Harriet agrees to change locations for one of her customers because an emergency takes them out of town. Her regular client "Madi" is staying with her “uncle”, a busy doctor, and needs to get her daily walk there instead of home. Harriet and Ethan meet again and realize they need each other to navigate this new normal. Can Ethan still put his heart and soul into work, but make a relationship work. Can Harriet realize she is great the way she is and "challenge Harriet" is a perfect way to get the happy ever after she craves.
I loved Harriet, more than any single main female character I can think of for a while. She is an every woman, self-conscience, has a stutter, awkward, shy. Being a dog walker/pet sitter myself I feel like Harriet (minus the stutter but just as awkward). I also loved revisiting the O’Neil family in Vermont. The way the author paints the scenery each and every time, makes me want to jump in the car and head to Vermont immediately. One of the other things I enjoy about Sarah Morgan novels is the English phrases that inevitably make their way into the writing. There are usually 3 or 4 common English phrases that don’t quite translate to US actions. I enjoy finding them though, and if not immediately known how they translate, finding the answer. None are every so strange though that it affects the flow of the story.
Even though I received this book in exchange for an honest review, it is another great novel from Sarah Morgan, as if I expected anything less. I am adding this to my From Manhattan with Love shelf immediately, hope you do the same right now.