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    Ciara

    Ciara

    David Harrower

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    Book

    'I'm taking your eyes', he'd say, 'and keeping them safe.' 'I'm taking your ears and keeping them...

    Festen

    Festen

    David Eldridge

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    Book

    Helge, the patriarch of a chain of restaurants, is celebrating his sixtieth birthday and everyone is...

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Matthew Krueger (10051 KP) rated Escape From L.A. (1996) in Movies

Feb 20, 2021  
Escape From L.A. (1996)
Escape From L.A. (1996)
1996 | Action, Adventure, Sci-Fi
3
6.6 (25 Ratings)
Movie Rating
The CGI (0 more)
Snake Why
Escape From L.A.- is just not good. The CGI is awful, like really bad. Their should of never been a sequel to "Escape From New York", and why wait for 15 years to make a sequel. The only good thing is Kurt Russell as Snake.

The plot: In 2013, the United States president (Cliff Robertson) is exiling all citizens who don't conform to his hyper-conservative views to Los Angeles, which became an island after a huge earthquake. But, when the president's daughter nabs the detonator to her dad's apocalyptic weapon and sneaks into L.A. to be with the rebel leader she loves, the government taps commando-turned-crook Snake Plissken (Kurt Russell) to retrieve the young woman. And, if he doesn't succeed quickly, he'll be executed.

Its not worth watching.
  
40x40

J.A. Bayona recommended The Executioner (1970) in Movies (curated)

 
The Executioner (1970)
The Executioner (1970)
1970 | Action, Mystery
3.0 (1 Ratings)
Movie Favorite

"I wanted to mention a Spanish film because I’m Spanish. Criterion just released — I think this week — they just released The Executioner. Not many people know that film but it’s been considered the best Spanish movie ever. It’s black and white, it was made in 1963, and it’s a black comedy about the death penalty. It’s about this guy who falls in love with the daughter of an executioner and how, somehow — we find one thing: that he’s becoming more into the position of the father of his girlfriend, and eventually he becomes an executioner. That was shown during the Franco regime under a cruel, ferocious censorship regime. It’s as funny as depressing. It’s a very unique film, and it’s considered probably one of the more important Spanish films ever."

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