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    Optical Inquisitor 17+

    Optical Inquisitor 17+

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    Its the year 1988. Acid wash jeans are in. Our hero, Tommy Rissken has been betrayed by his friends...

The Mask of Zorro (1998)
The Mask of Zorro (1998)
1998 | Action, Romance
8
7.7 (10 Ratings)
Movie Rating
Late 90's action comedy movie that acts as a sort of sequel to the old Zorro movies of old; with 'that mysterious masked man dressed all in black' who is here played by two different actors: by Sir Anthony Hopkins (the elder Zorro), and by a pre Puss In Boots Antonio Banderas (lets face it, Puss In Boots pretty much is a feline Zorro ...) as his younger protege.

It's also slightly surprising that this got a PG rating, with a strong vein of revenge running throughout it (the elder Zorro's quest to avenge the death of his wife, and to get his revenge on the man who stole his daughter and raised her as his own) alongside his younger protege's quest for revenge on the soldier who killed his brother.

Taking in horse chases, stunts, lots of swordplay, romance and even El Dorado, this is a genuinely enjoyable throwback to the less serious, less po faced movies of old than seems to be the current trend. (It's also better than the sequel)
  
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Awix (3310 KP) rated Edge of Darkness (2010) in Movies

May 5, 2020 (Updated May 6, 2020)  
Edge of Darkness (2010)
Edge of Darkness (2010)
2010 | Drama, Mystery, Thriller
The legendary TV mini-series is retooled for the big screen as a bog-standard Mel Gibson revenge thriller. A detective's daughter is killed, and his investigations lead him to discover she was a target of forces within the military-industrial complex operating above the law.

As well as two-thirds of the running time and most of the plot, the movie version of Edge of Darkness also cheerfully dispenses with virtually everything that made the TV show so memorable: theoretically a fiendishly convoluted thriller, it also contained an environmentalist subtext, an incest subtext, a subtext about Anglo-US relations, even some borderline SF & fantasy elements. All of this is gone and just replaced with Mel Gibson looking intense and beating people up. As a result it is very hard to care about what's happening, although the illogicality of much of it does manage to cut through (someone poisoning someone else and then deciding to shoot them as well is practically a motif). Ray Winstone is not bad as Jedburgh, but given the source material the rest of it is unforgivably lousy.