"Again, her whole catalogue is amazing. I love her music back to front. This is her hit record, as it were, not that it was a proper hit unfortunately. It's been with me for a while and I love it so much. We brought a few pieces of music to listen to while my wife was giving birth to our daughter and this was one of them. That gives an indication of how embedded in my life it is. The tone and mood it sets... She was deep into that sense of spiritual connectedness and universal love. I understand how people who aren't necessarily spiritual might see it as a foolish hippy diversion, but for me, this unlocks the potential of what music can do. At the time it was married to a political agenda, same for all these spiritual free jazz records, and I feel that it's a really unfortunate thing that people don't seem to be able to articulate that so well in the contemporary music world. This is an analysis and that's not why I love it, that's because when I put it on it's my favourite thing to be listening to. But it also stands up to analysis - there's so many reasons to love this music."

"It was my daughter Tiffany who made me see the beauty of this film—she loved it so much as a child, and I think in many ways it spoke to her on the difficult choice for women artists between art and love, a calling of career and the calling of the heart. The Technicolor restoration of the film is stunning. This was one of the early titles in the Criterion Collection, and it’s just gorgeous. The DVD production was helped along with the loving hands (certainly one of my favorite pair of hands on earth) of film editor Thelma Schoonmaker, Michael Powell’s widow.There’s fantastic commentary with cinematographer Jack Cardiff and Ian Christie, as well as Martin Scorsese, a close, dear friend of Powell’s. And actress Moira Shearer gives such a wonderful account of the feelings of awe and fear of the dancers around working with living ballet legend Leonide Massine . . . and how in spite of this, she and Massine came to get on like a house on fire. He would fill her with the most amazing tales of his life in the last true golden age of ballet with the great dance impresario Sergei Diaghilev—I cannot even imagine what a thrill these hours of conversation must have been!"