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Lyndsey Gollogly (2893 KP) rated Beneath the Stands ( Sugarlake 2) in Books
Apr 7, 2024
66 of 220
Kindle
Beneath the Stands ( Sugarlake 2)
My Emily McIntire
⭐️⭐️⭐️
Elliot Carson left Sugarlake and has never looked back. Revered as the next big thing in basketball, Eli’s a star until an injury ends his career, sending him spiraling with no direction.
But he won’t go home.
He can’t.
Instead, he accepts a coaching gig at Florida Coast University, determined to leave his past behind. But fate has other plans when Becca, his sister’s best friend, shows up as a student and, even worse, becomes the new team manager.
Rebecca Sanger is the preacher’s daughter and the town's disappointment. When she ignores her family’s demands to come home, she’s cut off and needs a job so she can stay enrolled at FCU. She thought she had everything figured out, until Eli Carson—the person she hates more than anything in the world—ends up being her new boss.
Forced together, Becca and Eli’s hatred turns to heat, and they start an affair. But disaster quickly strikes, ripping them apart.
Years pass, and Becca’s back home, under her parent’s thumb, and living a mundane life. When Eli shows up out of the blue with a fiancée in tow, Becca is tasked with planning their wedding.
There’s only one problem.
Becca still loves Eli.
And he hates her.
A pretty decent read especially as lately I’ve struggled with romance. It was interlinked with book one so if you haven’t read it you will need to. It was good seeing conclusion to one story as well as it leading to the next. Flowed well and was a nice hit of that spice. It’s good to read a bit of spicy romance now and again.
Kindle
Beneath the Stands ( Sugarlake 2)
My Emily McIntire
⭐️⭐️⭐️
Elliot Carson left Sugarlake and has never looked back. Revered as the next big thing in basketball, Eli’s a star until an injury ends his career, sending him spiraling with no direction.
But he won’t go home.
He can’t.
Instead, he accepts a coaching gig at Florida Coast University, determined to leave his past behind. But fate has other plans when Becca, his sister’s best friend, shows up as a student and, even worse, becomes the new team manager.
Rebecca Sanger is the preacher’s daughter and the town's disappointment. When she ignores her family’s demands to come home, she’s cut off and needs a job so she can stay enrolled at FCU. She thought she had everything figured out, until Eli Carson—the person she hates more than anything in the world—ends up being her new boss.
Forced together, Becca and Eli’s hatred turns to heat, and they start an affair. But disaster quickly strikes, ripping them apart.
Years pass, and Becca’s back home, under her parent’s thumb, and living a mundane life. When Eli shows up out of the blue with a fiancée in tow, Becca is tasked with planning their wedding.
There’s only one problem.
Becca still loves Eli.
And he hates her.
A pretty decent read especially as lately I’ve struggled with romance. It was interlinked with book one so if you haven’t read it you will need to. It was good seeing conclusion to one story as well as it leading to the next. Flowed well and was a nice hit of that spice. It’s good to read a bit of spicy romance now and again.
Thicker Than Water (Redwater Demons #1)
10.0
Rate It
Book
“Hate is learned, hunter. And I see you were a very good student.” “Thanks. I try.” ...
Debbiereadsbook (1444 KP) rated Dragon of Denmark in Books
Jan 18, 2025
these vikings are violent!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
Skarde is the illegitimate son of the Danish King, Harald. Ylva is the illegitimate daughter of the Viking Duke of Normandy, Richard the Fearless. Thrown together in a marriage of based only on political power and sheer strength in numbers, the two are left to navigate the seas of their new marriage. But there are other forces at work, and they must tread carefully.
For the most part, I did enjoy this.
There is much description about how both Skarde and Ylva lived, separately and then together. I liked the way their marriage grew, and how they came to know each other better, in truth, rather than the image they had of each other before.
It isn't overly explicit, but there is violence. These are Vikings, after all, fighting for the things and people they love.
I liked that both Skarde and Ylva have a say, along with some other characters who I did not expect to hear from! So I really did enjoy that, hearing from the bad guy!
There are great descriptions about the runes, and what they mean, along with the herbs and plants, and the Gods that these people pray to. This is what I felt was a bit too much. The explanation of things is repeated, over and over and it really did get a bit annoying being told who was the God of what, and what certain gems did.
BUT
I did enjoy the tale, and it is the first I've read of this author. I liked the way she told her tale.
4 very good stars
*same worded review will appear elsewhere
Skarde is the illegitimate son of the Danish King, Harald. Ylva is the illegitimate daughter of the Viking Duke of Normandy, Richard the Fearless. Thrown together in a marriage of based only on political power and sheer strength in numbers, the two are left to navigate the seas of their new marriage. But there are other forces at work, and they must tread carefully.
For the most part, I did enjoy this.
There is much description about how both Skarde and Ylva lived, separately and then together. I liked the way their marriage grew, and how they came to know each other better, in truth, rather than the image they had of each other before.
It isn't overly explicit, but there is violence. These are Vikings, after all, fighting for the things and people they love.
I liked that both Skarde and Ylva have a say, along with some other characters who I did not expect to hear from! So I really did enjoy that, hearing from the bad guy!
There are great descriptions about the runes, and what they mean, along with the herbs and plants, and the Gods that these people pray to. This is what I felt was a bit too much. The explanation of things is repeated, over and over and it really did get a bit annoying being told who was the God of what, and what certain gems did.
BUT
I did enjoy the tale, and it is the first I've read of this author. I liked the way she told her tale.
4 very good stars
*same worded review will appear elsewhere
Lindsay (1760 KP) rated The Protector (Mifflin County Mystery #1) in Books
Feb 18, 2025
We find out that his sister has mysteriously disappeared. Everyone does not know where she is or what happened to her. Each member of the family is dealing with her disappearance in different ways. Rosa is missing, and no one has heard from her.
As months go on, how will each member react and deal with their loss? Will Rosa's mother ever stop pinning for her daughter? Will Norman accept that he may not be able to find his sister? Will he be able to move on with life? Each sibling is dealing with their sibling Rosa a bit differently. But can they come to peace with Rosa's disappearance and not contact them? No one knows what happened, and Rosa's boyfriend seems to be suspected, at least by Norman, as her boyfriend was the last to see her.
Norman seems obsessed with his sister's disappearance. Will he be able to keep his relationship with his girlfriend, or will his sister's disappearance be what makes them drift apart? Can Norman find peace if he never finds out where his sister has gone?
Norman seems to be learning about something, though something happens to his girlfriend's horse. Will Norman and Salina make it? Salina hopes that she and Norman will get married soon. Will Norman find peace and contentment? He seems to need to learn that he may be unable to solve or fix every problem. He may need to see that and learn that lesson.
Wanda does an excellent job writing a mystery. She explores all the emotions that go through a person or family when someone goes missing without anyone knowing. Did Rosa leave on her own, or did she not? Does her boyfriend know where Rosa is or what happened to her that night?
As months go on, how will each member react and deal with their loss? Will Rosa's mother ever stop pinning for her daughter? Will Norman accept that he may not be able to find his sister? Will he be able to move on with life? Each sibling is dealing with their sibling Rosa a bit differently. But can they come to peace with Rosa's disappearance and not contact them? No one knows what happened, and Rosa's boyfriend seems to be suspected, at least by Norman, as her boyfriend was the last to see her.
Norman seems obsessed with his sister's disappearance. Will he be able to keep his relationship with his girlfriend, or will his sister's disappearance be what makes them drift apart? Can Norman find peace if he never finds out where his sister has gone?
Norman seems to be learning about something, though something happens to his girlfriend's horse. Will Norman and Salina make it? Salina hopes that she and Norman will get married soon. Will Norman find peace and contentment? He seems to need to learn that he may be unable to solve or fix every problem. He may need to see that and learn that lesson.
Wanda does an excellent job writing a mystery. She explores all the emotions that go through a person or family when someone goes missing without anyone knowing. Did Rosa leave on her own, or did she not? Does her boyfriend know where Rosa is or what happened to her that night?
The Ballad of Mary Kearney
Book
"I am dead, my Mary; the man who loved you body and soul lies in some dishonorable grave." In...
Historical Fiction Irish History Women's Fiction
Hazel (1853 KP) rated How to Stop Time in Books
Jun 30, 2017
Favourite book of 2017 so far
This eBook was provided by the publisher via NetGalley in exchange for an honest review
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
Kristy H (1252 KP) rated A Spark Of Light in Books
Mar 12, 2019
Serious subject but great characters & story
It starts off as a typical day at the Center, a women's reproductive health care clinic in Mississippi. For Hugh McElroy, it's his 40th birthday, and a day that he hopes will pass by quietly and quickly. But everything changes in a moment when an armed shooter enters the Center--shooting employees and patients on sight. Hugh, a negotiator for the police, is immediately called to the scene. Once there, he comes to the horrifying realization that his sister, Bex, and his only daughter, fifteen-year-old, Wren, are inside. Hugh tries to keep this information to himself, determined to save the people he loves the most. Meanwhile, many inside the clinic are struggling to stay alive, while the shooter is trying to come to terms with the reasons that brought him to the clinic in the first place.
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Smashbomb (4687 KP) created a post in Smashbomb AMA
Mar 26, 2019 (Updated Mar 26, 2019)
Movie Metropolis (309 KP) rated Contagion (2011) in Movies
Jun 11, 2019
Steven Soderbergh has produced some fine films in his time as an established director; Ocean’s Eleven was a sublime mix of dark humour and action, whilst Ocean’s Twelve and Thirteen remained decent but not exactly pulse-racing. Here, it seems Soderbergh sticks to what he knows best, how to deliver a brilliantly shot, gripping film. Here we have, Contagion.
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/