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The Making Room for Madness in Mental Health: The Psychoanalytic Understanding of Psychotic Communication
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In this book, Marcus Evans argues that in addition to providing a helpful treatment for patients who...
Kristy H (1252 KP) rated Today Will be Different in Books
Feb 1, 2018
Eleanor wakes up with the resolution that today will indeed be different. She will be a better person, a better mother, and a better wife. She will pay more focused attention to her son, Timby. She will have sex with her surgeon husband, Joe. She will go to her poetry and yoga classes. She will wear real clothes. She will pleasantly lunch with a friend she doesn't quite care for. But it doesn't take long for Eleanor's plans to quickly derail, as a series of mishaps rapidly start to add up: Timby is sick, it appears as if Joe is no longer going to work (and lying about it), and Eleanor's lunch date isn't what it seems, either.
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Gaspar Noe recommended 2001: A Space Odyssey (1968) in Movies (curated)
Phillip McSween (751 KP) rated Run Lola Run (1999) in Movies
Nov 2, 2020
Heart-racing!
If someone asked me to describe Run Lola Run in a phrase or a few words, I would say, “Think Groundhog Day if it were a heist movie.” Though not quite on the same level as Groundhog Day, Run Lola Run definitely provides its share of intriguing moments. The plot: Lola has twenty minutes to come up with the money her boyfriend lost or he will be killed by gangsters.
Acting: 10
Very believable performances all around. Franka Potente is great as Lola, really helping to add to the overall desperation of the story. As leads go, I was very impressed with how she kept me engaged in the story with her great command of the role. What she had to do was not easy in the slightest. I won’t go into detail as to why for fear of ruining the movie, but let’s just say she was asked to do a lot in a short amount of time.
Beginning: 5
Characters: 6
With everything happening at such a fast clip, they definitely didn’t waste time on character development. While this alone wouldn’t have been enough to propel this movie to high-quality status, it certainly would have helped. Without stronger characters, I felt like the movie lacked in true substance. Sure it was fun, but the end result didn’t leave room for me to care because I didn’t have strong characters to care about.
Cinematography/Visuals: 10
Conflict: 10
Time is the conflict here and that concept is used extremely well. Every moment feels dire and extreme. You honestly don’t know what’s going to happen next. The movie does an excellent job of keeping you guessing. Expect a lot of strong moments that will keep your heart racing!
Entertainment Value: 7
Memorability: 3
Personally, the movie didn’t do enough to stick out in my memory bank. Not that it wasn’t decent, but that was the problem for me: It was just decent. There were no over-the-top scenes that blew me away. I would be happy watching this once…and never again.
Pace: 10
Full use was made of the 81-minute runtime. Run Lola Run keeps you engaged from beginning to end. For what it’s worth, I don’t recall many dull parts, if any.
Plot: 2
Resolution: 10
Satisfying ending to tie the story up nicely. It was good, almost frustratingly so. If the story had been that level of quality, I would be in love with this movie.
Overall: 73
Don’t get me wrong, I can totally see why so many people are enamored with Run Lola Run. Unfortunately for me it was just ok. I would certainly recommend a one-time watch, but it doesn’t hold up as a classic for me.
Acting: 10
Very believable performances all around. Franka Potente is great as Lola, really helping to add to the overall desperation of the story. As leads go, I was very impressed with how she kept me engaged in the story with her great command of the role. What she had to do was not easy in the slightest. I won’t go into detail as to why for fear of ruining the movie, but let’s just say she was asked to do a lot in a short amount of time.
Beginning: 5
Characters: 6
With everything happening at such a fast clip, they definitely didn’t waste time on character development. While this alone wouldn’t have been enough to propel this movie to high-quality status, it certainly would have helped. Without stronger characters, I felt like the movie lacked in true substance. Sure it was fun, but the end result didn’t leave room for me to care because I didn’t have strong characters to care about.
Cinematography/Visuals: 10
Conflict: 10
Time is the conflict here and that concept is used extremely well. Every moment feels dire and extreme. You honestly don’t know what’s going to happen next. The movie does an excellent job of keeping you guessing. Expect a lot of strong moments that will keep your heart racing!
Entertainment Value: 7
Memorability: 3
Personally, the movie didn’t do enough to stick out in my memory bank. Not that it wasn’t decent, but that was the problem for me: It was just decent. There were no over-the-top scenes that blew me away. I would be happy watching this once…and never again.
Pace: 10
Full use was made of the 81-minute runtime. Run Lola Run keeps you engaged from beginning to end. For what it’s worth, I don’t recall many dull parts, if any.
Plot: 2
Resolution: 10
Satisfying ending to tie the story up nicely. It was good, almost frustratingly so. If the story had been that level of quality, I would be in love with this movie.
Overall: 73
Don’t get me wrong, I can totally see why so many people are enamored with Run Lola Run. Unfortunately for me it was just ok. I would certainly recommend a one-time watch, but it doesn’t hold up as a classic for me.
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Whatchareadin (174 KP) rated Tryin' To Sleep In the Bed You Made in Books
May 10, 2018
Tryin' to Sleep in the Bed You Made is a story of three friends. It traverses their lives from childhood to adults. And we get to see all the fun, joy, and pain that goes along with it.
Pat, Gail, Marcus, and Freddie are inseparable. They are classmates and best friends. One day when Freddie finds a gun and decides to share it with the rest of the group, the most tragic thing happens. This changes the lives of the other three forever. Pat is taken from her mother and temporarily put into foster care until Gail and her family take her in. Marcus, who was Freddie's brother feels he has to fulfill Freddie's life dreams instead of pursuing his own.
As they graduate high school and spread their wings to find new things, they are torn in different directions and their friendship is never the same.
I love reading books about friendship. Friendship lost and found. It makes me feel good on the inside and that is exactly how this book made me feel. It made me laugh and it made me cry, but overall, it made me want to call all of my friends and rekindle what we once had.
The DeBerry/Grant team are great writers. This is the second book I have read by them and I can't wait to read the next.
Pat, Gail, Marcus, and Freddie are inseparable. They are classmates and best friends. One day when Freddie finds a gun and decides to share it with the rest of the group, the most tragic thing happens. This changes the lives of the other three forever. Pat is taken from her mother and temporarily put into foster care until Gail and her family take her in. Marcus, who was Freddie's brother feels he has to fulfill Freddie's life dreams instead of pursuing his own.
As they graduate high school and spread their wings to find new things, they are torn in different directions and their friendship is never the same.
I love reading books about friendship. Friendship lost and found. It makes me feel good on the inside and that is exactly how this book made me feel. It made me laugh and it made me cry, but overall, it made me want to call all of my friends and rekindle what we once had.
The DeBerry/Grant team are great writers. This is the second book I have read by them and I can't wait to read the next.
Awix (3310 KP) rated Creed II (2018) in Movies
Dec 8, 2018 (Updated Dec 8, 2018)
Eighth movie in the Rocky series is well-nigh miraculous, not for being a well-made sports drama (though it is that) but for revisiting some of the characters and events of Rocky IV (the silliest of these films) and still producing a credible, involving story. Donnie Creed wins the world title, but is challenged by Viktor Drago, the son of the man who killed his father umpty-tump years ago. What follows is a classical story of hubris, comeuppance, and redemption, with powerful themes of parental responsibility, legacy, and what it means to have the heart of a fighter. Plus lengthy sequences of beefy men bashing the living daylights out of each other, and the odd training montage too.
Really quite good in every department: the fights are as predictable as ever, but the storytelling really makes you feel them, and you care about the characters so much it doesn't really matter anyway. Carl Weathers must still be off somewhere muttering bitterly to himself about the fact that (one presumes) he's not making any money off these things, but Stallone does his latter-day character actor thing, Jordan carries the film well, and Tessa Thompson makes the most of a slightly underwritten part. Almost certainly the best movie in the filmography of Dolph Lundgren (this is not saying much) or Brigitte Nielson (this is probably saying even less).
Really quite good in every department: the fights are as predictable as ever, but the storytelling really makes you feel them, and you care about the characters so much it doesn't really matter anyway. Carl Weathers must still be off somewhere muttering bitterly to himself about the fact that (one presumes) he's not making any money off these things, but Stallone does his latter-day character actor thing, Jordan carries the film well, and Tessa Thompson makes the most of a slightly underwritten part. Almost certainly the best movie in the filmography of Dolph Lundgren (this is not saying much) or Brigitte Nielson (this is probably saying even less).
Carma (21 KP) rated For Their Child's Sake in Books
Jun 17, 2019
Sam and Tara have fought the good fight to keep their marriage together. Over a year ago Tara had enough and told Sam he couldnt come home anymore. His addiction had destroyed their family and she had to protect their child. Sam walked away and into rehab and now wants his family back.
Tara never stopped loving Sam but that doesnt mean she is ready to just give in and let him back home again. When a playground accident forces them back together again, as a family, will she be able to hold strong to her convictions?
Sam has been waiting for an opportunity to prove to Tara that he is a changed man. Moving back into the house with his 2 favorite girls is just that moment. He will do whatever it takes to prove he is now able to take care of his family the way he should have been all along.
Sam, Tara and Marley navigate their new normal, while trying to put all the pieces of their family back together again. Return to Stonerock in this powerful story that addresses current day situations like addiction and amnesia. I voluntarily read and reviewed an advance reader copy, all opinions expressed are my own. Return to Stonerock with this family working on their second chance.
Tara never stopped loving Sam but that doesnt mean she is ready to just give in and let him back home again. When a playground accident forces them back together again, as a family, will she be able to hold strong to her convictions?
Sam has been waiting for an opportunity to prove to Tara that he is a changed man. Moving back into the house with his 2 favorite girls is just that moment. He will do whatever it takes to prove he is now able to take care of his family the way he should have been all along.
Sam, Tara and Marley navigate their new normal, while trying to put all the pieces of their family back together again. Return to Stonerock in this powerful story that addresses current day situations like addiction and amnesia. I voluntarily read and reviewed an advance reader copy, all opinions expressed are my own. Return to Stonerock with this family working on their second chance.