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Phillip McSween (751 KP) rated After the Dark (2014) in Movies
Jan 13, 2018
Nope
Ever drank an open soda that's been sitting in the fridge too long? That's kind of like what happens to the premise of After the Dark. Due to its lack of reality (will expand on that in a moment), there are no real stakes and we all know what happens to Phillip McSween when he watches a film with no stakes. I turn green...
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Whatchareadin (174 KP) rated Letter to My Daughter in Books
May 10, 2018
Maya Angelou has long been one of my favorite authors. I have even performed her poetry during my high school day in regional speech & debate tournaments. [b:I Know Why the Caged Bird Sings|13214|I Know Why the Caged Bird Sings|Maya Angelou|https://d.gr-assets.com/books/1327957927s/13214.jpg|1413589] was her first book that I read as an adolescent. Her words are always inspiring and listening to her read [b:Letter to My Daughter|4016515|Letter to My Daughter|Maya Angelou|https://d.gr-assets.com/books/1320448534s/4016515.jpg|4062985] was incredible. Reading her books always leave me feeling refreshed and alive, but hearing the emotion in her voice while she was reading her words, gives the book even more enjoyable. Hearing her voice crack as she talks about being beaten and raped almost brought me to tears. It made me feel a deeper connection to Ms. Angelou.
It's ironic that this book is called <u>Letter to My Daughter</u> when Maya Angelou doesn't have a daughter. She claims women such as Oprah Winfrey, Rosa Johnson Butler, Valerie Simpson, Brenda Crisp, and Frances Berry allowed her to be a mother to them. This book goes through different aspects of Maya Angelou's life from childhood living with her grandmother, to becoming an undeveloped woman who thought sex would bring in her breasts. And it did, but they were filled with milk.
We as women go through many struggles in life. A lot of the time, we put ourselves on the back burner in order to take care of those around us. In this book, Maya Angelou proves to us that no matter the struggle, if we work hard and put ourselves first, we can accomplish anything. She had it just as hard, actually harder than any of us and look at all she had done in this world.
I recommend this book to all the women I know. It will leave you feeling empowered, strong and on top of the world.
It's ironic that this book is called <u>Letter to My Daughter</u> when Maya Angelou doesn't have a daughter. She claims women such as Oprah Winfrey, Rosa Johnson Butler, Valerie Simpson, Brenda Crisp, and Frances Berry allowed her to be a mother to them. This book goes through different aspects of Maya Angelou's life from childhood living with her grandmother, to becoming an undeveloped woman who thought sex would bring in her breasts. And it did, but they were filled with milk.
We as women go through many struggles in life. A lot of the time, we put ourselves on the back burner in order to take care of those around us. In this book, Maya Angelou proves to us that no matter the struggle, if we work hard and put ourselves first, we can accomplish anything. She had it just as hard, actually harder than any of us and look at all she had done in this world.
I recommend this book to all the women I know. It will leave you feeling empowered, strong and on top of the world.
Sam (74 KP) rated The Poet X in Books
Mar 27, 2019
I actually didn’t flick through the book before buying it, so I didn’t realise that the whole story is told through poems. I was a bit unsure with this to begin with because I tend to struggle quite a bit with understanding poetry, but I was glad to see that this was really easy to understand!
I wish I’d had this when I decided that I really hated poetry throughout school and college because I feel that this teaches how form and structure can change the mood a poem better than any teacher can explain it to you. The form is constantly changing throughout the book and it always reflects the poet’s mood, which I found fascinating.
I do feel that the format did hold the plot back a bit, mainly because the plot had room for development but I felt that it was held back by being written in poetry format. There were a few parts that remained ambiguous because of the format meaning that events were sometimes lacking in detail.
I loved X, she’s strong and won’t let anyone tell her what to do, and she really just needs some love. However, it did annoy me how Aman took her back straight away after the way she treated him. I found that part frustrating because she acted horribly to him, but he seemed to just not care. I also wondered how she even had friends with the way she treated people around her. I understand that she had family problems, but she was absolutely horrible to some of her friends but they still stuck by her.
Even though I did get frustrated by these things, it didn’t stop me from enjoying the novel. The format made it fun and I did somehow finish it all in one day because it had me hooked.
It’s definitely worth reading, especially if you are into poetry – or even if you’re not!
I wish I’d had this when I decided that I really hated poetry throughout school and college because I feel that this teaches how form and structure can change the mood a poem better than any teacher can explain it to you. The form is constantly changing throughout the book and it always reflects the poet’s mood, which I found fascinating.
I do feel that the format did hold the plot back a bit, mainly because the plot had room for development but I felt that it was held back by being written in poetry format. There were a few parts that remained ambiguous because of the format meaning that events were sometimes lacking in detail.
I loved X, she’s strong and won’t let anyone tell her what to do, and she really just needs some love. However, it did annoy me how Aman took her back straight away after the way she treated him. I found that part frustrating because she acted horribly to him, but he seemed to just not care. I also wondered how she even had friends with the way she treated people around her. I understand that she had family problems, but she was absolutely horrible to some of her friends but they still stuck by her.
Even though I did get frustrated by these things, it didn’t stop me from enjoying the novel. The format made it fun and I did somehow finish it all in one day because it had me hooked.
It’s definitely worth reading, especially if you are into poetry – or even if you’re not!
Sensitivemuse (246 KP) rated The Huntress in Books
Jun 6, 2019
Great story with engrossing characters
I loved reading this one! A great blend of action, intrigue and romance complete with a cast of likable characters. Each one with their story to tell and it’s told well. For some background information it would help to read up on the subject of the Night Witches and their exploits during World War II (which is a fascinating subject on its’ own)
Of all the stories to read, Nina’s naturally, is the most interesting. She’s a wild child, does her own thing and doesn’t care about norms, conventions, and rules. She does her own thing but joins up with her squad not because of the love of her land and country but because she loves to fly. It’s her passion and it shows. I love reading about Nina because of her free spirited attitude and her drive. It’s what keeps her going.
The plot is free flowing and the chapters goes back and forth time-wise, and changes perspective depending on the character. Besides Nina, Jordan’s point of view is also interesting. She’s also got an independent streak in her and it’s nice to see her go on her own path based on her decisions. It’s unheard of back then in the day (we’re talking about 1950’s here) so it’s nice to read.
The writing is excellent and it grabs your attention from page one. I rather wish there was a small glossary to see what Nina says in Russian (although I’m sure it’s rather colorful language) but other than that small bit, the characters are engaging, and it’s nice how they all come together in the last third of the book.
The Author’s Note is also good for explaining what she’s done historical speaking wise. If you are stickler for history perhaps this isn’t for you - it’s more character and story driven. Still an engrossing read and greatly recommended!
Of all the stories to read, Nina’s naturally, is the most interesting. She’s a wild child, does her own thing and doesn’t care about norms, conventions, and rules. She does her own thing but joins up with her squad not because of the love of her land and country but because she loves to fly. It’s her passion and it shows. I love reading about Nina because of her free spirited attitude and her drive. It’s what keeps her going.
The plot is free flowing and the chapters goes back and forth time-wise, and changes perspective depending on the character. Besides Nina, Jordan’s point of view is also interesting. She’s also got an independent streak in her and it’s nice to see her go on her own path based on her decisions. It’s unheard of back then in the day (we’re talking about 1950’s here) so it’s nice to read.
The writing is excellent and it grabs your attention from page one. I rather wish there was a small glossary to see what Nina says in Russian (although I’m sure it’s rather colorful language) but other than that small bit, the characters are engaging, and it’s nice how they all come together in the last third of the book.
The Author’s Note is also good for explaining what she’s done historical speaking wise. If you are stickler for history perhaps this isn’t for you - it’s more character and story driven. Still an engrossing read and greatly recommended!
Evie is a listless teenager in California, drifting through life, when she spots a group of girls in the park one day. Evie is immediately captivated, especially by Suzanne, an older girl with long black hair. She soon becomes ensnared by the girls and drawn back to their ranch, where she meets their leader, Russell, a would-be musician who has an entire group under his thrall. While the ranch is decrepit, and its inhabitants often hungry, Evie finds it a welcome alternative to life at home with her mother, or her boring best friend friend. She also finds herself more and more enthralled with Suzanne. But as Evie gets drawn into the group, it's hard for her to see the darkness surrounding her new friends--and what it may lead to.
I tend to either read "It" books immediately, or shy away from them. I was hesitant to read this one for a while, but finally caved while on vacation. While I found it an interesting read, it didn't live up to the incredible hype that swirled around the novel. I found Evie a lackluster character--and while part of that is the point, and what allows her to be drawn into Russell and Suzanne's web, I just found myself lacking any empathy for her whatsoever. The story itself goes seemingly nowhere for a good 2/3 of the book, only picking up near the end (yet, Evie isn't really involved in the novel's major plot impetus - it's very strange).
The juxtaposition of Evie looking back on her life, telling the story of her teenage years is an interesting one, but we don't get much further development about her present life. Overall, I enjoyed Cline's writing style and pieces of the book, but was disappointed in the novel as a whole. I didn't care about the characters or much of the plot, nor did I find the story as captivating as I'd hoped, based on all the raving reviews. Still, it was a fairly quick and interesting read.
I tend to either read "It" books immediately, or shy away from them. I was hesitant to read this one for a while, but finally caved while on vacation. While I found it an interesting read, it didn't live up to the incredible hype that swirled around the novel. I found Evie a lackluster character--and while part of that is the point, and what allows her to be drawn into Russell and Suzanne's web, I just found myself lacking any empathy for her whatsoever. The story itself goes seemingly nowhere for a good 2/3 of the book, only picking up near the end (yet, Evie isn't really involved in the novel's major plot impetus - it's very strange).
The juxtaposition of Evie looking back on her life, telling the story of her teenage years is an interesting one, but we don't get much further development about her present life. Overall, I enjoyed Cline's writing style and pieces of the book, but was disappointed in the novel as a whole. I didn't care about the characters or much of the plot, nor did I find the story as captivating as I'd hoped, based on all the raving reviews. Still, it was a fairly quick and interesting read.
Bong Mines Entertainment (15 KP) rated Lie to Me - Single by Veronica Fusaro in Music
Jun 17, 2019
Veronica Fusaro is a 22-year-old singer-songwriter from Thun, Switzerland. Not too long ago, she released a music video for her “lie to me” single.
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
My rating: 3.5
<i>I won a copy for free through Totally Random Books on Facebook</i>
<i>Crusher</i> is the first installment and debut novel in a young adult thriller series by Irish born author Niall Leonard. Set in present day London it follows Finn Maguire, an illiterate, 17-year old drop out with no GCSEs, after the murder of his stepfather. Being marked as the prime suspect by the police, Finn is determined to discover who the real murdered was, and just as importantly, what their motive was.
As the story unfolds Finn pursues multiples of potential killers. Could it be someone his father knew? As an ex-actor many people knew him. Or was he writing about something someone would rather no become public knowledge? Perhaps London’s biggest gangster, Joseph McGovern, had something to do with it? As Finn gets involved with these people he finds he has put him self in danger of being killed as well.
Leonard writes well and the story is fast paced and engaging however there was an inconsistency in the narrative. Towards the beginning Finn tells the reader “I put in my password and the laptop grunted and groaned… The cops hadn’t asked for my password… Obviously they’d managed to bypass it some how.” However in the following chapter Finn talks about the same laptop: “Eventually the desktop appeared with a tinny fanfare. I’d never bothered with a password… I found it a huge pain in the arse to enter one.” Hmm, that does not quite add up!
Another issue with this novel is that Finn is meant to be an uneducated, ex-drug dealer however he comes across as more of a semi-polite but witty average teenager who is able to take care of himself. The character portrayal becomes slightly more accurate towards the conclusion of the book, but some may find it difficult to picture Finn the way Leonard intended readers to.
Despite these complaints it is a good read. Many young adults would enjoy it.
<i>I won a copy for free through Totally Random Books on Facebook</i>
<i>Crusher</i> is the first installment and debut novel in a young adult thriller series by Irish born author Niall Leonard. Set in present day London it follows Finn Maguire, an illiterate, 17-year old drop out with no GCSEs, after the murder of his stepfather. Being marked as the prime suspect by the police, Finn is determined to discover who the real murdered was, and just as importantly, what their motive was.
As the story unfolds Finn pursues multiples of potential killers. Could it be someone his father knew? As an ex-actor many people knew him. Or was he writing about something someone would rather no become public knowledge? Perhaps London’s biggest gangster, Joseph McGovern, had something to do with it? As Finn gets involved with these people he finds he has put him self in danger of being killed as well.
Leonard writes well and the story is fast paced and engaging however there was an inconsistency in the narrative. Towards the beginning Finn tells the reader “I put in my password and the laptop grunted and groaned… The cops hadn’t asked for my password… Obviously they’d managed to bypass it some how.” However in the following chapter Finn talks about the same laptop: “Eventually the desktop appeared with a tinny fanfare. I’d never bothered with a password… I found it a huge pain in the arse to enter one.” Hmm, that does not quite add up!
Another issue with this novel is that Finn is meant to be an uneducated, ex-drug dealer however he comes across as more of a semi-polite but witty average teenager who is able to take care of himself. The character portrayal becomes slightly more accurate towards the conclusion of the book, but some may find it difficult to picture Finn the way Leonard intended readers to.
Despite these complaints it is a good read. Many young adults would enjoy it.
ClareR (5674 KP) rated The Foundling in Books
Jan 14, 2020
Gothic historical fiction - just my cup of tea!
The Foundling is set in Georgian London, and is packed full of secrets. No-one in it appears to be telling the truth.
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
Gareth von Kallenbach (977 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.