
ClareR (5879 KP) rated The Foundling in Books
Jan 14, 2020
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!

Gareth von Kallenbach (980 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.

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