Search
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
! My Talking Lady Dog - Virtual Pet
Games, Entertainment and Stickers
App
Adopt My Talking Lady Dog, an adorable VIRTUAL PET for girls and boys, and have fun playing with...
BankofMarquis (1832 KP) rated Antebellum (2020) in Movies
Oct 12, 2020
Monae shines - the rest falls flat
One of the films that I circled on my calendar back in the beginning of 2020 was a trippy looking "Civil War anachronism" film (my term) ANTEBELLUM starring Janelle Monae. I'm a sucker for these kinds of films, so was a little sad that I couldn't see it in the theater, but was thrilled when this "horror film" debuted on pay-per-view in time for Halloween.
I now know why the producers of this film decided to get this out now vs. waiting to release it theatrically sometime in 2021.
Billed as "Jordan Peel's GET OUT meets an M. Night Shyamalan film", ANTEBELLUM is a movie told in 3 acts. In the first act, Janelle Monae's character (who is given the slave name Eden) is brought into a Southern, Antebellum, plantation. This part of the film shows the desperation and despair that slaves lived in at a time that they had no rights and were under the whims of their White Slave Owners. The character of Eden is fiesty and is constantly looking to escape, but...eventually...is worn down by her masters and capitulates...to a point. This is the most successful part of this film, but has been better covered in other films like 12 YEARS A SLAVE.
The 2nd part of this movie takes place in "modern day" and concerns a successful author, Veronica Henley (also played by Monae). This character specializes in books and motivational speeches designed to empower the African-American woman. This part of the movie highlights Monae's appeal as a screen presence and she overcomes some weak writing to rise above. This part of the film, ultimately, falls flat for me, but I was curious as to how these 2 very different pieces of this movie fit together.
The 3rd part of this movie answers that question. If only, it answered it better....for pieces of this part of the movie works well...but others fall very, very flat resulting, ultimately, in a less than satisfying film-going experience that could have used some further work.
Monae's performance (for the most part) shines in this movie. She handles both characters that she is playing in a sharp, charismatic way. I could really buy that she is a popular "motivational" speaker (in the modern part of the movie). I could also see the fire in her spirit during the "Antebellum" part. What I didn't buy (and a weakness in the script doesn't help this part) is her "capitulation" to her slave owners.
And...that's about if for performances that stood out. All of the white actors playing the slave owners (mainly Eric Lange, Jena Malone and Jack Huston) are capital "E" evil. While this is probably historically accurate, they weren't evil enough - or multi-dimensional enough - to keep my attention. Compounding that issue is that the other characters in the "modern part" of the film are very generic and forgettable.
And then we get to the 3rd part of this film - where the first 2 parts are melded together.
It is one of those types of storytelling tropes that either you "go with it" or you don't. If you don't, the movie will lose you right there. If you do (and I did), then it is an interesting place to go and blends the first 2 parts of the film "well enough". My problem is that I didn't care enough about the characters to care about what happens.
I lay the blame of this on filmmakers Gerard Bush and Christopher Renz. They co-wrote and co-directed this movie. I had never heard of them, or (I don't think) I've encountered their work before, but upon reading up on them, they are listed as "Visionary Filmmakers Bush+Renz". If they are visionaries, they sure didn't bring much vision here. It was all pretty straightforward and could have used some other kind of "visionary" to lift this movie to a higher level.
You know, like Jordan Peele or even M. Night Shyamalan.
Letter Grade C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
I now know why the producers of this film decided to get this out now vs. waiting to release it theatrically sometime in 2021.
Billed as "Jordan Peel's GET OUT meets an M. Night Shyamalan film", ANTEBELLUM is a movie told in 3 acts. In the first act, Janelle Monae's character (who is given the slave name Eden) is brought into a Southern, Antebellum, plantation. This part of the film shows the desperation and despair that slaves lived in at a time that they had no rights and were under the whims of their White Slave Owners. The character of Eden is fiesty and is constantly looking to escape, but...eventually...is worn down by her masters and capitulates...to a point. This is the most successful part of this film, but has been better covered in other films like 12 YEARS A SLAVE.
The 2nd part of this movie takes place in "modern day" and concerns a successful author, Veronica Henley (also played by Monae). This character specializes in books and motivational speeches designed to empower the African-American woman. This part of the movie highlights Monae's appeal as a screen presence and she overcomes some weak writing to rise above. This part of the film, ultimately, falls flat for me, but I was curious as to how these 2 very different pieces of this movie fit together.
The 3rd part of this movie answers that question. If only, it answered it better....for pieces of this part of the movie works well...but others fall very, very flat resulting, ultimately, in a less than satisfying film-going experience that could have used some further work.
Monae's performance (for the most part) shines in this movie. She handles both characters that she is playing in a sharp, charismatic way. I could really buy that she is a popular "motivational" speaker (in the modern part of the movie). I could also see the fire in her spirit during the "Antebellum" part. What I didn't buy (and a weakness in the script doesn't help this part) is her "capitulation" to her slave owners.
And...that's about if for performances that stood out. All of the white actors playing the slave owners (mainly Eric Lange, Jena Malone and Jack Huston) are capital "E" evil. While this is probably historically accurate, they weren't evil enough - or multi-dimensional enough - to keep my attention. Compounding that issue is that the other characters in the "modern part" of the film are very generic and forgettable.
And then we get to the 3rd part of this film - where the first 2 parts are melded together.
It is one of those types of storytelling tropes that either you "go with it" or you don't. If you don't, the movie will lose you right there. If you do (and I did), then it is an interesting place to go and blends the first 2 parts of the film "well enough". My problem is that I didn't care enough about the characters to care about what happens.
I lay the blame of this on filmmakers Gerard Bush and Christopher Renz. They co-wrote and co-directed this movie. I had never heard of them, or (I don't think) I've encountered their work before, but upon reading up on them, they are listed as "Visionary Filmmakers Bush+Renz". If they are visionaries, they sure didn't bring much vision here. It was all pretty straightforward and could have used some other kind of "visionary" to lift this movie to a higher level.
You know, like Jordan Peele or even M. Night Shyamalan.
Letter Grade C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Calorie Counter Pal: Carbs Steps & Fitness Tracker
Health & Fitness and Medical
App
Please e-mail at admin@healthgoal360.com, if you have a question or difficulty using the app. ...
Acanthea Grimscythe (300 KP) rated Little Darlings in Books
Feb 3, 2019
I looked at Melanie Golding’s debut novel, Little Darlings, several times on NetGalley before I decided to click the read now button, and after spending the whole day reading it, I’m certainly glad I did. I’m not a mother myself, but Golding’s prose brings to life the very real concerns that any parent faces: the fear of losing their children. In this beautifully written book, readers are introduced to a deliciously dark fairytale, alongside the ultimate horror a parent can encounter.
Lauren Tranter is a new mother to beautiful twin boys. Cautious and brimming with worries common to becoming a parent, she finds herself quickly in a predicament: a woman has shown up at the maternity ward, demanding Lauren’s children in exchange for her own. When Lauren refuses, things quickly become murky and, when her children go missing at the park, her life is turned upside down.
I have a bit of a tumultuous relationship with a few of the characters in this book, and it’s a bit difficult to really nail down how I feel about them. For the most part, I absolutely adore Lauren–perhaps because I feel she’s portrayed exceptionally. Her husband, on the other hand, I can’t stand. Arrogant and self-centered, all Patrick seems to care about is himself. The detective, Jo Harper, falls squarely in between these two. Coming off as unlikable early on, she quickly finds her way into the reader’s heart with her go get ’em attitude. In part, it’s because of her noble desire to get to the bottom of things: to determine whether or not Lauren is mad, or if there might be some truth to what the new mother is saying.
Golding’s command of language lends a dark atmosphere to her novel. With excerpts from tales on changelings spaced throughout the book, she creates a deeply disturbing reality, where as a reader I found myself questioning everything. She simultaneously makes both sides of the plot’s story, that is Lauren’s side and the side conducting the investigation into the attempted abduction of her children, equally believable. I’m still asking questions, even after finishing the book. Oh, and the things uncovered toward the end of the book adds a delicious twist on top of Lauren’s plight.
Little Darlings is a wonderful read, and I read the majority of it in one sitting. It starts out a bit slowly, but once things begin picking up, Golding’s style drives the story forward at break-neck speed. After reading this, I was thrilled to discover it’s already been optioned for a film and I eagerly await its release. This book is definitely a must read for fans of psychological thrillers.
I’d like to thank NetGalley and Crooked Lane Books for providing me with a free copy of this book in exchange for an honest review.
Lauren Tranter is a new mother to beautiful twin boys. Cautious and brimming with worries common to becoming a parent, she finds herself quickly in a predicament: a woman has shown up at the maternity ward, demanding Lauren’s children in exchange for her own. When Lauren refuses, things quickly become murky and, when her children go missing at the park, her life is turned upside down.
I have a bit of a tumultuous relationship with a few of the characters in this book, and it’s a bit difficult to really nail down how I feel about them. For the most part, I absolutely adore Lauren–perhaps because I feel she’s portrayed exceptionally. Her husband, on the other hand, I can’t stand. Arrogant and self-centered, all Patrick seems to care about is himself. The detective, Jo Harper, falls squarely in between these two. Coming off as unlikable early on, she quickly finds her way into the reader’s heart with her go get ’em attitude. In part, it’s because of her noble desire to get to the bottom of things: to determine whether or not Lauren is mad, or if there might be some truth to what the new mother is saying.
Golding’s command of language lends a dark atmosphere to her novel. With excerpts from tales on changelings spaced throughout the book, she creates a deeply disturbing reality, where as a reader I found myself questioning everything. She simultaneously makes both sides of the plot’s story, that is Lauren’s side and the side conducting the investigation into the attempted abduction of her children, equally believable. I’m still asking questions, even after finishing the book. Oh, and the things uncovered toward the end of the book adds a delicious twist on top of Lauren’s plight.
Little Darlings is a wonderful read, and I read the majority of it in one sitting. It starts out a bit slowly, but once things begin picking up, Golding’s style drives the story forward at break-neck speed. After reading this, I was thrilled to discover it’s already been optioned for a film and I eagerly await its release. This book is definitely a must read for fans of psychological thrillers.
I’d like to thank NetGalley and Crooked Lane Books for providing me with a free copy of this book in exchange for an honest review.
MaryAnn (14 KP) rated Secrets (Beauties from Ashes, #1) in Books
Mar 5, 2019
Every girl has a secret she hopes the light will never find–but the demons already have.
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
ClareR (5674 KP) rated You Will Be Safe Here in Books
May 12, 2019
History that affects the present.
At first glance, you would wonder why this book starts off in a South African concentration camp in 1901, and then goes on to follow a boy whose parents pay for him to go to the New Dawn Safari Training Camp. It does become clear: the title tells us what the British army said to the women and children as they entered Bloemfontein, and what Willem and his parents are told before he goes to New Dawn. They are all lied to.
My dad told me about the concentration camps during the Boer war as I went off to study German at university. He’d read about the history part of the course I’d be studying, and WW2 was missing. He thought it important that I should know that the National Socialists had got all of their ‘best’ ideas from the British (“everyone should shoulder their share of guilt”). I admit I didn’t know this much detail though.
The descriptions in this book are heartbreaking. Cruelty disguised as safe-keeping. New Dawn is cruelty disguised as (re)education. As I attempted to empathise with Will’s mother, I couldn’t help but judge her - how could a mother NOT protect her child? How could she be so easily influenced to give him to someone else to ‘make him a man’? She thinks that this IS protecting him though. The world is a harsh place, and those who are different are not always accepted by their peers (I have two sons, one of whom is disabled. I’ve always worried about how he will be accepted by other children - unfounded worries so far, as it turns out.).
The old adage ‘cruel to be kind’ is just that though: old, outdated. The new world order should be about tolerance and understanding, something that is totally lacking in some of the characters of this book (and out in the real world, too). ADHD is NEVER cured with cruelty. Respect is never gained through starvation and deprivation.
This book is written with such care and understanding: I could imagine the sights and sounds of both camps, smell the cigarette smoke of Willem’s grandmother. I felt so much for Sarah van der Watt and her son and Willem. People put into impossible circumstances. The way we find out about what happens to Sarah and her son is devastating: Willem and his class visit Bloemfontein concentration camp, and Fredericks story is part of their history lesson. This was so cleverly done, and although seemingly detached by the years that had passed, its only one hundred pages or so for the reader.
This is such a moving story, and it shows that history really can affect the present day. I can’t recommend reading this book enough.
My dad told me about the concentration camps during the Boer war as I went off to study German at university. He’d read about the history part of the course I’d be studying, and WW2 was missing. He thought it important that I should know that the National Socialists had got all of their ‘best’ ideas from the British (“everyone should shoulder their share of guilt”). I admit I didn’t know this much detail though.
The descriptions in this book are heartbreaking. Cruelty disguised as safe-keeping. New Dawn is cruelty disguised as (re)education. As I attempted to empathise with Will’s mother, I couldn’t help but judge her - how could a mother NOT protect her child? How could she be so easily influenced to give him to someone else to ‘make him a man’? She thinks that this IS protecting him though. The world is a harsh place, and those who are different are not always accepted by their peers (I have two sons, one of whom is disabled. I’ve always worried about how he will be accepted by other children - unfounded worries so far, as it turns out.).
The old adage ‘cruel to be kind’ is just that though: old, outdated. The new world order should be about tolerance and understanding, something that is totally lacking in some of the characters of this book (and out in the real world, too). ADHD is NEVER cured with cruelty. Respect is never gained through starvation and deprivation.
This book is written with such care and understanding: I could imagine the sights and sounds of both camps, smell the cigarette smoke of Willem’s grandmother. I felt so much for Sarah van der Watt and her son and Willem. People put into impossible circumstances. The way we find out about what happens to Sarah and her son is devastating: Willem and his class visit Bloemfontein concentration camp, and Fredericks story is part of their history lesson. This was so cleverly done, and although seemingly detached by the years that had passed, its only one hundred pages or so for the reader.
This is such a moving story, and it shows that history really can affect the present day. I can’t recommend reading this book enough.
Kristy H (1252 KP) rated The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series in Books
Feb 13, 2018
This book picks up, time-wise, after the last of Stieg Larsson's Millennium books ended. Mikael Blomkvist is struggling - his career is being debated in the press and his beloved Millennium magazine is floundering. He receives a tip from a source about a story. Mikael reluctantly follows up, but becomes more intrigued when it sounds like the story might involve Lisbeth Salander. Mikael immediately gets sucked into a plot of intrigue with implications far beyond his greatest expectations.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
Diverse casting (no, seriously.) (6 more)
STRONG WOMEN
Subverting stereotypes all day long
Excellent soundtrack
Ambiguous "villain"
Representation
The seamless blending of tech and tradition
BEST. MARVEL. MOVIE.
Contains spoilers, click to show
OH my god. This was definitely the best Marvel movie yet. Chadwick Boseman was absolutely amazing as T'Challa. (Warning, SPOILERS AHEAD.)
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.