"For me it is one of the most brilliant Mafia movies. Moreover it's the incarnation of the mythical erotic-romantic-tragic relationship between men and women. Beginning with love and ending with death. Isn't it the best description of this endless men-and-women love-hate system? And it's one of the best films about family as well. The protecting nest as miserable, dark shelter from an even darker existence of solitude."

"After the sudden death of her father, Helen Macdonald managed her grief by taming a goshawk. The wild un-language of grief finds expression here. And there’s more; our relationship with creatures not us. How we read the past without re-writing it. How we learn to love – and why we might not want to do that. Painful, remarkable, redemptive, this book hovers over my heart and suddenly drops on it. Caught."

"My friend Leila Arab turned me on to them. I love their songs, especially Full Moon (Death Classic) and Guillotine. Intense rapping, lyrics and lush beats. It's all good. They stand out because they're visceral, but also the global, fresh mix of a black English guy and a white Cali drummer and punk and hip-hop. Mostly I don't listen to experimental rap but in between there are gems, the same with all music genres."

"My friend Leila Arab turned me on to them. I love their songs, especially Full Moon (Death Classic) and Guillotine. Intense rapping, lyrics and lush beats. It's all good. They stand out because they're visceral, but also the global, fresh mix of a black English guy and a white Cali drummer and punk and hip-hop. Mostly I don't listen to experimental rap but in between there are gems, the same with all music genres."