"I know, I know… indie cred is now out the window. But what can I say? Mark and I saw this film at Christmas 1994 in a movie theater, and I laughed so hard I sweat out 5 lbs of water weight and got rock hard abs in the process. We took a camping road trip to the mountains and almost froze to death because of it. I’ve seen it probably 20-plus times and it just makes me so happy every time."

"It’s not often that a writer makes me laugh out loud, but [David] Sedaris does. He brings me to tears. It’s to the point where I can’t read his writing in public because people think I’m having some kind of meltdown. In this collection of essays, [When You Are Engulfed in Flames] he has a way of finding humour in the strangest and most painful moments, like a week with a creepy baby-sitter, or the death of his mother."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."

"I enjoy reading epic stories from ancient history and in recent years have been reading abridged versions aloud to my kids. This epic poem was found on a series of ancient tablets from Mesopotamia written down over 4,000 years ago, and involves the central character Gilgamesh, an excessive and oppressive leader, and his arduous journey in pursuit of the secrets of immortality. His character evolves through his personal voyage towards accepting death, and you encounter so many tales that you recognize from history."

"Two great films about the search for meaning in the face of death. The scenes in which the main characters come to terms with their existence—the scene on the swing in the park with the snow falling in Ikiru, and the final scene in Wild Strawberries, where the main character calls across time to his parents and the past—are so powerful and beautiful. It saddens me that most modern-day films don’t approach this level of art and emotion."

"Two great films about the search for meaning in the face of death. The scenes in which the main characters come to terms with their existence—the scene on the swing in the park with the snow falling in Ikiru, and the final scene in Wild Strawberries, where the main character calls across time to his parents and the past—are so powerful and beautiful. It saddens me that most modern-day films don’t approach this level of art and emotion."