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Murder Takes the Stage
Murder Takes the Stage
Colleen Cambridge | 2024 | Mystery
8
8.0 (1 Ratings)
Book Rating
A Brutal Crime
A producer is interested in turning one of Agatha Christie’s stories into a play, so housekeeper Phyllida Bright has reluctantly returned to London. She’s hoping she can stay in the rented house supervising the household staff. But that’s before Archibald Allston is found dead in an armchair on stage, and Phyllida is asked to figure out if foul play was involved. She grows more suspicious when the actor playing Benvolio in a production of Romeo and Juliette is bludgeoned to death on the balcony the next day. Can Phyllida discover what is happening before another death occurs?

Fans will know we’ve been given hints about Phyllida’s past before, but we get some answers in this book, which I enjoyed. Enough of the staff come along for the trip, so that part feels like a normal part of the series. And I’m curious to see what some of the developments mean for future books. The mystery was a little focused on events over actual deduction, but there was still enough here to keep me entertained. The ending, while being a little over dramatic, was also satisfying. Fans will be happy with this entry in the series.
  
Many of us will have seen the photographs and moving images of those 2 little girls at the head of a line of survivors walking out of Auschwitz and many of us, me included, would have asked ourselves "I wonder who they are, where they came from, how they survived that nightmare and where are they now?"; this book sheds light on all those questions and introduces you to a very brave little girl.

Full review can be found here - http://readingstuffnthings.blogspot.co.uk/2015/04/surviving-angel-of-death-story-of.html, thank you.
  
The Boss Baby (2017)
The Boss Baby (2017)
2017 | Animation, Comedy, Family
Cutesy but boring
Critic review by Tom Huddleston - Timeout

Read full review: https://www.timeout.com/london/film/the-boss-baby

‘The Boss Baby’ is one of those snarky, post ‘Shrek’ cartoons that desperately wants to appeal to parents as well as kids, but its snappy, pop-culture-referencing script feels workshopped to death (there’s a running joke about Gandalf that’s bafflingly unfunny). Undemanding kids might get a kick out of its jazzy, restless visual style and poo jokes, but grown-ups may well find themselves taking some impromptu nap time.