"Every song on the Pretenders’ self-titled debut is so good. The energy is superb; it's a band playing at the peak of their powers. Unfortunately they didn't really last - they buckled under the pressure, under their own personal demons. However this record is just amazing. You put it on and the energy and vibe and Chrissie Hynde’s lyrics and singing are pretty powerful and undeniable. Chrissie Hynde is one of my favourite female artists in rock music with one of the most gorgeous voices in rock. I know that Shirley adores her and cites her as one of her influences - some lyrics of Shirley's in one of our songs, 'Special', is a total nod to Chrissie."

"Horror is my favorite genre, and Ari Aster’s debut is one of the scariest movies I’ve ever seen. I caught it at an advance screening in Vancouver, and had to sleep with the hotel lights on afterwards – something I haven’t had to do since 2002. I was traumatized. I wondered if the movie might be too brutal. The only way to find out, of course, was to drag as many friends as I could to see it when it opened a few weeks later. Maybe it was thanks to my loudly screaming chums, but this time around I couldn’t stop laughing. What a wicked movie. I can’t wait to rewatch it every October for the rest of my life."

"In fact, the whole John Cassavetes: Five Films set. This is the starter kit for anyone who wonders about the roots of the American independent film movement. Seeing Cassavetes’s debut, the politically charged love story Shadows, is like watching the birth of a giant. Meanwhile, Faces and A Woman Under the Influence are searing portraits of the blinding pain true love can bring when a marriage ends up tearing a family apart. The Killing of a Chinese Bookie and Opening Night, on the other hand, are noirish sagas of death and business. Plus, Charles Kiselyak’s moving documentary A Constant Forge offers up the proper historical and cultural perspective on one of American cinema’s true visionaries."

"This reminds me of childhood. It was a US release that took songs from their debut, Three Imaginary Boys, along with singles from the time. I could often hear it coming through the walls of my brother’s room. And that definitely had a big effect on how I remember that period. I don’t know what it was in particular that grabbed my attention; there was just something really enticing and compelling about it. We each had little hi-fi systems in our rooms and when he went out I’d just sort of nick or borrow it, take it into my room along with other stuff like The Smiths and Siouxsie & The Banshees."