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Allan Arkush recommended If.... (1968) in Movies (curated)

 
If.... (1968)
If.... (1968)
1968 | Drama
7.5 (2 Ratings)
Movie Favorite

"I was at NYU film school when I first saw If…. The second time was the very next day, when I brought friends and classmates to share this extraordinary movie experience. I have always harbored fantasies of blowing up my high school, but until If…. I never realized that I was not the only one. Obviously If…. was a huge influence on Rock ’n’ Roll High School. In the mid-1980s, I wrote an article about high school movies for American Film magazine in which I opined that If…. was the greatest of them all. A month later, I received a lovely letter from Lindsay Anderson, my hero (I also love O Lucky Man!). We corresponded for several years, finally meeting at the Telluride Film Festival. He called me “a movie brat typical of my generation” for preferring The Searchers to She Wore a Yellow Ribbon. (I treasure his criticism.) Wrapped in a scarf, Malcolm McDowell is as riveting and charismatic as ever in his screen debut. I showed the movie to my teenage daughters, who only know Malcolm as Linderman on Heroes, and it impressed a whole new generation of rebellious teens. If….’s DVD extras, especially “O Lucky Malcolm,” really capture the spirit of the man and the movie."

Source
  
The Yin and the Yang of Mr. Go (1970)
The Yin and the Yang of Mr. Go (1970)
1970 | Thriller
3
3.0 (1 Ratings)
Movie Rating
'It'll make you think of Dr No!' promises the poster for this almost indescribable comedy-thriller written and directed by Burgess Meredith. It didn't make me think of Dr No: it made me think of what it must be like to take hallucinogenic drugs while suffering from a bad case of the flu. The details of the plot are almost enough to defeat the English language - suffice to say that the key turning point in the story comes when the Buddha (who also narrates the story) uses his mystic powers to turn villainous Chinese-Mexican Mr Go (James Mason - yes, it's James Mason trying to play a Chinese-Mexican) into a benevolent philanthropist.

It's not just that the film is bizarre and incoherent, with plenty of gratuitous nudity, and European actors cheerfully playing Asian characters: it's also that the production values are incredibly primitive. It's almost like watching pornography without the sex (or so I would imagine). Not one element of this film is robust enough to elevate it into 'so bad it's funny' territory. It's just bad. That said, Jeff Bridges made his film debut in it, which presumably goes to show that even the least promising starts can lead to a distinguished career. But even so - for masochists and the troubled only.