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 Booksmart (2019)
Booksmart (2019)
2019 | Comedy
"Superbad" For A New Generation
Booksmart is a 2019 coming-of-age comedy directed by Olivia Wilde from a screenplay by Emily Halpern, Sarah Haskins, Susanna Fogel, and Katie Silberman. It was produced by Annapurna Pictures and Gloria Sanchez Productions and distributed by United Artists Releasing. The movie stars Jessica Williams, Will Forte, Lisa Kudrow, and Jason Sudeikis.


Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) are high school seniors and best friends. Molly confronts some of her peers when she overhears them making fun of her in the bathroom and tells them how she got into a good school. They, however, reveal that despite partying, they too got into good colleges. Angered, Molly tells Amy that they should have enjoyed their time in high school more and convinces her to go to an end-of-year party. Determined to make up for lost time, they decide to cram four years of fun into one night.


This movie was hilariously funny and full of funny relatable characters. It reminded me a lot of Superbad, but a female version. The main characters had awesome chemistry and you wind up liking them right away and the situations they find themselves in border on the absurd. This film definitely delivers on the laughs but it also makes some solid points about friendship and acceptance. It's full of femininity being that both the main characters, the director, and writers were all women, but I'm sure anyone would think this film is humorous. Olivia Wilde did an amazing job in her directorial debut.
  
E.T. The Extra-Terrestrial (1982)
E.T. The Extra-Terrestrial (1982)
1982 | Sci-Fi

"This is the first movie that moved me to tears. I saw this in the theater with my mother when I was eight years old. I was a pretty lonely kid, who made friends slowly when I made them at all. So when I saw this masterwork in a darkened room, surrounded by strangers, spellbound by the flickering world onscreen that painted a devastating portrait of childhood loneliness, it felt like someone had ripped out my insides. I was sobbing in my mom’s arms, aware on some level that what I was watching was completely fake, but on another level was more real than anything I had ever felt or understood. It was the first time I became consciously aware of the power of film to make us feel something. Something I wasn’t even aware of was roiling around inside me. E.T. introduced me to the profound and melancholic truth that love and pain go hand in hand, that love both gives us strength and makes us vulnerable. But, above all, it made me understand that love heals us and gives our lives meaning. E.T. introduced me to an idea that, over thirty years later, would beat at the heart of my directing debut. An eight-year-old me wasn’t prepared for any of that. But watching this movie, clutching my mother’s arm, an overwhelming feeling of empathy washed over me, and it reminded me that I wasn’t alone after all. Someone out there felt just like I did. “Ouch” indeed."

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