Search
Search results
Mark @ Carstairs Considers (2145 KP) rated Molten Death in Books
Apr 3, 2024 (Updated Apr 3, 2024)
Valerie Face a Hot Problem on Vacation in Hawaii
Valerie Corbin and her wife, Kristen, are spending a couple of weeks in Hilo, staying with Kristen’s friend Isaac. They have arrived just as a lava flow is really gaining steam, so they decide to go out and see it early their first Saturday morning on the island. When Valerie wanders away from the other two, she sees part of a body being buried in the molten lava. She can’t get anyone to take her seriously, even Kristen and Isaac. Certainly, the police aren’t taking it seriously without any proof. Can Valerie figure out what really happened?
Author Leslie Karst lives part time in Hilo, so I wasn’t surprised that she chose this as the setting for her new series. Her knowledge showed in how she brought the setting to life. And who doesn’t want a Hawaiian vacation? The plot was very inventive, and I appreciated Valerie’s good motive for getting involved. We had some nice twists before a great climax. I did struggle with Valerie’s relationship with Kristen because they were so at odds for much of the book. I think if this hadn’t been my introduction to them, I would have been okay with this sub-plot. Overall, I liked the series regulars by the end, and Valerie’s darker baggage made her an interesting character. We do get some Pigeon and Hawai’ian mixed into the dialogue. A couple times it was a bit overwhelming, but for the most part, I could figure it out from the context. We get six Hawaiian recipes at the end. The inventive plot will make this series debut a winner for mystery fans.
Author Leslie Karst lives part time in Hilo, so I wasn’t surprised that she chose this as the setting for her new series. Her knowledge showed in how she brought the setting to life. And who doesn’t want a Hawaiian vacation? The plot was very inventive, and I appreciated Valerie’s good motive for getting involved. We had some nice twists before a great climax. I did struggle with Valerie’s relationship with Kristen because they were so at odds for much of the book. I think if this hadn’t been my introduction to them, I would have been okay with this sub-plot. Overall, I liked the series regulars by the end, and Valerie’s darker baggage made her an interesting character. We do get some Pigeon and Hawai’ian mixed into the dialogue. A couple times it was a bit overwhelming, but for the most part, I could figure it out from the context. We get six Hawaiian recipes at the end. The inventive plot will make this series debut a winner for mystery fans.
Debbiereadsbook (1154 KP) rated Hidden Rooms in Books
May 3, 2024
4 very VERY good stars
Independent reviewer for Archaeolibrarian via BookSirens, I was gifted my copy of this book.
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
Zuky the BookBum (15 KP) rated Zodiac in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/june-29th-2016
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Bong Mines Entertainment (15 KP) rated Wishful Thinking by Augustine in Music
Jun 17, 2019
Augustine is a 22-year-old singer-songwriter, producer, and multi-instrumentalist from Sweden. Not too long ago, he released a lovely debut EP, entitled, “Wishful Thinking”, which reveals his deepest fears.
“The first song I released as an artist that changed so much about my life. It’s a memory of the contrasts in a relationship, thinking that it’s a bit scary if the current moment is the highlight of your life. You are high on life but so afraid to lose the feeling that you somehow lose yourself instead.” – Augustine
‘Luzon’ is Augustine’s debut single. Shortly after its release, it skyrocketed to #1 on Hype Machine.
The likable tune contains a lighthearted storyline, beautiful falsetto vocals, and cinematic instrumentation flavored with an alternative-pop aroma.
Augustine – “Viola”
“I was a little angry with the world when I wrote ‘Viola’. Much of that anger was due to feelings of anxiety, guilt, and other boring things. The line ‘I’ll be your biggest disappointment if you sum up the years of adolescence’ is really about being scared of not being enough.” – Augustine
‘Viola’ contains a relatable narrative, likable vocals, and warm instrumentation pulsating with mellotron tones and distinctive drums.
Augustine – “Wishful Thinking”
“I’m weak for synth-pop songs that are so big that you just lose yourself in them. So I wanted to try one myself. ‘Wishful Thinking’ is a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.” – Augustine
The title track “Wishful Thinking” tells a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.
This reminiscence is juxtaposed with exhilarating energy which builds throughout the song, emulating a windows-down late night drive and overwhelming liberation.
‘Wishful Thinking’ contains a relatable storyline, pleasing vocals, and enjoyable instrumentation which takes listeners on a bombastic synth-pop thrill ride.
The likable tune reveals Augustine’s penchant for massive synth-based productions like Lana Del Rey‘s “Summertime Sadness” and Future Islands’ “Seasons”.
Augustine – “A Scent of Lily”
“This was initially an attempt to write a pop song, with inspiration from the chorus of Ariana Grande’s ‘Into You’. ‘Lily’ eventually became much more alternative. It’s about powerlessness in a relationship, when you buy into everything about the other person, to the point that you stop thinking your own sensible thoughts.” – Augustine
‘A Scent of Lily’ is another critically acclaimed tune which made Augustine one of 2019’s most talked about new artists.
Like “Luzon”, it peaked at #1 on Hype Machine. Also, it placed Augustine in a conversational comparison with iconic voices like Bon Iver, Mark Foster, James Blake, and Ezra Koenig.
‘A Scent of Lily’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with electro-pop and modern dance elements.
Augustine – “Slacks”
“The most personal song of the EP. It’s about how a lovely relationship didn’t last because of the distance. We moved to different cities, and I became so self-absorbed. I started suffering from agoraphobia that made it hard for me to even go outside. A little crazy in hindsight.” – Augustine
‘Slacks’ possesses a bittersweet storyline, heartfelt vocals, and stripped instrumentation perfumed with a nostalgic scent.
Get acquainted with Augustine’s “Wishful Thinking” EP by streaming it via Spotify.
“Hearing the EP from a distance, it became clear that this music grew out many years of me being afraid of being a disappointment to others. All the lyrics were inspired by being afraid of people, the world and leaving things behind.” – Augustine
All five songs featured on “Wishful Thinking” are collaborations between Augustine and producers Rassmus Björnson and Agrin Rahmani (LÉON, Skott).
https://www.bongminesentertainment.com/augustine-wishful-thinking/
“The first song I released as an artist that changed so much about my life. It’s a memory of the contrasts in a relationship, thinking that it’s a bit scary if the current moment is the highlight of your life. You are high on life but so afraid to lose the feeling that you somehow lose yourself instead.” – Augustine
‘Luzon’ is Augustine’s debut single. Shortly after its release, it skyrocketed to #1 on Hype Machine.
The likable tune contains a lighthearted storyline, beautiful falsetto vocals, and cinematic instrumentation flavored with an alternative-pop aroma.
Augustine – “Viola”
“I was a little angry with the world when I wrote ‘Viola’. Much of that anger was due to feelings of anxiety, guilt, and other boring things. The line ‘I’ll be your biggest disappointment if you sum up the years of adolescence’ is really about being scared of not being enough.” – Augustine
‘Viola’ contains a relatable narrative, likable vocals, and warm instrumentation pulsating with mellotron tones and distinctive drums.
Augustine – “Wishful Thinking”
“I’m weak for synth-pop songs that are so big that you just lose yourself in them. So I wanted to try one myself. ‘Wishful Thinking’ is a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.” – Augustine
The title track “Wishful Thinking” tells a twisted love story about looking back at something with both regret and lack. But mostly with a fear of forgetting how a certain person is, looks and sounds.
This reminiscence is juxtaposed with exhilarating energy which builds throughout the song, emulating a windows-down late night drive and overwhelming liberation.
‘Wishful Thinking’ contains a relatable storyline, pleasing vocals, and enjoyable instrumentation which takes listeners on a bombastic synth-pop thrill ride.
The likable tune reveals Augustine’s penchant for massive synth-based productions like Lana Del Rey‘s “Summertime Sadness” and Future Islands’ “Seasons”.
Augustine – “A Scent of Lily”
“This was initially an attempt to write a pop song, with inspiration from the chorus of Ariana Grande’s ‘Into You’. ‘Lily’ eventually became much more alternative. It’s about powerlessness in a relationship, when you buy into everything about the other person, to the point that you stop thinking your own sensible thoughts.” – Augustine
‘A Scent of Lily’ is another critically acclaimed tune which made Augustine one of 2019’s most talked about new artists.
Like “Luzon”, it peaked at #1 on Hype Machine. Also, it placed Augustine in a conversational comparison with iconic voices like Bon Iver, Mark Foster, James Blake, and Ezra Koenig.
‘A Scent of Lily’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with electro-pop and modern dance elements.
Augustine – “Slacks”
“The most personal song of the EP. It’s about how a lovely relationship didn’t last because of the distance. We moved to different cities, and I became so self-absorbed. I started suffering from agoraphobia that made it hard for me to even go outside. A little crazy in hindsight.” – Augustine
‘Slacks’ possesses a bittersweet storyline, heartfelt vocals, and stripped instrumentation perfumed with a nostalgic scent.
Get acquainted with Augustine’s “Wishful Thinking” EP by streaming it via Spotify.
“Hearing the EP from a distance, it became clear that this music grew out many years of me being afraid of being a disappointment to others. All the lyrics were inspired by being afraid of people, the world and leaving things behind.” – Augustine
All five songs featured on “Wishful Thinking” are collaborations between Augustine and producers Rassmus Björnson and Agrin Rahmani (LÉON, Skott).
https://www.bongminesentertainment.com/augustine-wishful-thinking/
Sophia (Bookwyrming Thoughts) (530 KP) rated Black Bird of the Gallows in Books
Jan 23, 2020
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
"I'm going to sleep!” says reviewer, as she furiously types on the keyboard. The next time she looks up, an hour has passed, leaving her with one less hour of sleep and an 8 am class looming closer.
Obviously, I am a complete night owl because all of my decent reviews (aka my usual self and not some half hearted attempt of I THINK THIS IS A REVIEW BUT MY BRAIN IS CRYING SO I GIVE UP *presses schedule*) are all written after all the other souls in the house are sleeping soundly.
<b>There's only one other soul 99% of the time.</b>
Also, I read this weeks ago and completely forgot about the release date being last week, so I started writing other reviews and reading other books and poor Meg Kassel’s debut just sat there crying at me silently, “Are you going to review me?”
<h3 style="text-align: center;"><b>Five Things about Black Bird of the Gallows</b></h3>
At the same time, I had high expectations for Kassel’s debut novel, I also didn't, for some weird and odd reason my brain won't conjure up (the brain is strange, very strange). Here are some things to be aware of before/when picking up the book:
<b>Death is a theme, but used differently </b>- the few novels I've read with a death theme always have something in common: there's probably a grim reaper, and the grim reaper collects souls. Kassel uses a similar theme, but <b>it's not the exact same theme</b>. Honestly, I'm curious if this has mythology ties - is it okay if I kind of regret dropping myth and folklore senior year? I sacrificed it for college credit in speech instead (that's okay, right?).
<b>I am in love with gorgeous lines, and Kassel delivers</b> - I mean, they're not enough that I want to <i>draw </i>them (this is a rare thing to happen), but there are lovely lines and descriptions! And there's humor. I think I enjoyed the humor more often.
<blockquote class="tr_bq">Suddenly, I notice the light steam coming off his skin—the same coming from my mouth when I speak. It feels like I’m sitting next to an attractive, boy-shaped wood stove.</blockquote>
<b>There's a music aspect</b> - As a once upon a violin player, music is important! Okay, maybe not important in my life as much as books are, but music books are cute. Music plays a major role in <i>Black Bird of the Gallows</i> when it comes to character development. When we first meet Angie, she's not as confident with her music as she eventually becomes later in the book.
<b>
</b> <b>Birds! (Okay, Crows)</b> - It's probably a bad idea for me to read another book involving birds after <i>Shatter Me</i>, but I'm fine with birds in this one. The crows are also one of my favorite parts of the book - the crows aren't directly involved with death, but they play a role as well.
<b>It gets dark </b>- <i>Black Bird of the Gallows </i>might be less dark at the beginning, but it gets dark, VERY dark near the end. (Secretly my evil little heart likes this. I'm worried.)
Overall: <i>Black Bird of the Gallows</i> is perfect for those who enjoy books about death but are looking for something different than what we usually see.
<a href="https://bookwyrmingthoughts.com/black-bird-of-gallows-by-meg-kassel-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
"I'm going to sleep!” says reviewer, as she furiously types on the keyboard. The next time she looks up, an hour has passed, leaving her with one less hour of sleep and an 8 am class looming closer.
Obviously, I am a complete night owl because all of my decent reviews (aka my usual self and not some half hearted attempt of I THINK THIS IS A REVIEW BUT MY BRAIN IS CRYING SO I GIVE UP *presses schedule*) are all written after all the other souls in the house are sleeping soundly.
<b>There's only one other soul 99% of the time.</b>
Also, I read this weeks ago and completely forgot about the release date being last week, so I started writing other reviews and reading other books and poor Meg Kassel’s debut just sat there crying at me silently, “Are you going to review me?”
<h3 style="text-align: center;"><b>Five Things about Black Bird of the Gallows</b></h3>
At the same time, I had high expectations for Kassel’s debut novel, I also didn't, for some weird and odd reason my brain won't conjure up (the brain is strange, very strange). Here are some things to be aware of before/when picking up the book:
<b>Death is a theme, but used differently </b>- the few novels I've read with a death theme always have something in common: there's probably a grim reaper, and the grim reaper collects souls. Kassel uses a similar theme, but <b>it's not the exact same theme</b>. Honestly, I'm curious if this has mythology ties - is it okay if I kind of regret dropping myth and folklore senior year? I sacrificed it for college credit in speech instead (that's okay, right?).
<b>I am in love with gorgeous lines, and Kassel delivers</b> - I mean, they're not enough that I want to <i>draw </i>them (this is a rare thing to happen), but there are lovely lines and descriptions! And there's humor. I think I enjoyed the humor more often.
<blockquote class="tr_bq">Suddenly, I notice the light steam coming off his skin—the same coming from my mouth when I speak. It feels like I’m sitting next to an attractive, boy-shaped wood stove.</blockquote>
<b>There's a music aspect</b> - As a once upon a violin player, music is important! Okay, maybe not important in my life as much as books are, but music books are cute. Music plays a major role in <i>Black Bird of the Gallows</i> when it comes to character development. When we first meet Angie, she's not as confident with her music as she eventually becomes later in the book.
<b>
</b> <b>Birds! (Okay, Crows)</b> - It's probably a bad idea for me to read another book involving birds after <i>Shatter Me</i>, but I'm fine with birds in this one. The crows are also one of my favorite parts of the book - the crows aren't directly involved with death, but they play a role as well.
<b>It gets dark </b>- <i>Black Bird of the Gallows </i>might be less dark at the beginning, but it gets dark, VERY dark near the end. (Secretly my evil little heart likes this. I'm worried.)
Overall: <i>Black Bird of the Gallows</i> is perfect for those who enjoy books about death but are looking for something different than what we usually see.
<a href="https://bookwyrmingthoughts.com/black-bird-of-gallows-by-meg-kassel-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Bob Mann (459 KP) rated Sweetheart (2021) in Movies
Sep 20, 2021
Great ensemble cast (1 more)
Sensitive and moving writing by Marley Morrison
A Gregory's Girl for the 21st Century
When I was in my late teen's, Bill Forsyth's "Gregory's Girl" perfectly epitomised the angst of the school years' emotions I'd left behind me. And I was very much heterosexual. With "Sweetheart", Marley Morrison in an astonishing feature debut delivers a "Gregory's Girl" for today's much more sexually fluid times.
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
BankofMarquis (1832 KP) rated The Lost Daughter (2021) in Movies
Feb 17, 2022
Strong Acting and Direction
The nice thing about being fanatical about catching all of the Oscar Nominated films in the “Major” categories is that it forces me to watch films that, normally, my interests would not gravitate towards - and, most of the time, I am rewarded and my mind and emotions are expanded because of this.
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
365Flicks (235 KP) rated V.S. (2019) in Movies
Nov 20, 2019
That is the synopsis for VS. on the IMDB. I am here to tell you that this movie is so so much more than this. This is one of the most powerful, thought provoking, superbly acted, respectfully told and emotionally driven movies I personally have had the pleasure of seeing in quite some time. I will get into the plot and subject matter now in a minute, but up front I would like to admit that this movie spoke to my heart and broke through a wall I didn’t think needed broken through. Yes a low budget independent movie from a debut director about the underground battle rap scene in Britain reduced this 34 year old man to being about 10 again (and not in a Jurassic park seeing dinosaurs on screen for the first time nostalgia kind of way).
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Beckie Shelton (40 KP) rated Close To Me in Books
Oct 6, 2017 (Updated Oct 31, 2017)
Really enjoyed Close To Me by Amanda Reynolds, wasn't sure what to expect this being a debut author but I certainly wasn't disappointed.
Close To Me tells the story of Jo Harding after she falls down stairs hitting her head and losing her memory of the past year.
On coming home things feel different and disjointed, Jo feels there is an undercurrent of deceit, secrets being kept from her by her husband and children and as she unravels the mysteries of the past year things escalate to a shocking conclusion.
So this was a great psychological read, it kept my interest and pulled me in, the writing was superb, and the storyline very easy to follow.
Close to me is told in two parts, real-time and snippets of the past year, though it has a slow build this is not a bad thing as you get to understand Jo's life and how she is the person she is.
The characters here felt real and human, some you could sympathise with others not so much.
If I had to pick my least favourite person in this, it would have to be the daughter I found her very self-centred and immature, but she's a product of her overindulged upbringing.
I myself have grown up children there is no way on this planet I would be paying for their accommodation.
what a right spoilt brat Sash is.
Close to me delves into the dynamics of family and the resulting aftermath when things ultimately implode.
I did kind of guess where this was going but it didn't detract from my overall enjoyment reading this.
Would I recommend this? Hell Yeah!!!
It was an engaging read.
Thank you to NetGalley, publisher and the author for providing me with an arc of Close to me
This is my own honest unbiased opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Close To Me tells the story of Jo Harding after she falls down stairs hitting her head and losing her memory of the past year.
On coming home things feel different and disjointed, Jo feels there is an undercurrent of deceit, secrets being kept from her by her husband and children and as she unravels the mysteries of the past year things escalate to a shocking conclusion.
So this was a great psychological read, it kept my interest and pulled me in, the writing was superb, and the storyline very easy to follow.
Close to me is told in two parts, real-time and snippets of the past year, though it has a slow build this is not a bad thing as you get to understand Jo's life and how she is the person she is.
The characters here felt real and human, some you could sympathise with others not so much.
If I had to pick my least favourite person in this, it would have to be the daughter I found her very self-centred and immature, but she's a product of her overindulged upbringing.
I myself have grown up children there is no way on this planet I would be paying for their accommodation.
what a right spoilt brat Sash is.
Close to me delves into the dynamics of family and the resulting aftermath when things ultimately implode.
I did kind of guess where this was going but it didn't detract from my overall enjoyment reading this.
Would I recommend this? Hell Yeah!!!
It was an engaging read.
Thank you to NetGalley, publisher and the author for providing me with an arc of Close to me
This is my own honest unbiased opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Goddess in the Stacks (553 KP) rated The Thinking Woman's Guide to Real Magic in Books
Jan 12, 2018
This book is FANTASTIC. I was enthralled from start to finish, and frantically looked up the author to make sure she is writing a sequel. (She is, thank goodness!) I absolutely loved the main character, Nora, and the acerbic magician Aruendiel. Even while cheering for the opposite side, I even enjoyed reading about Raclin and Ilissa, the villains of the novel.
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com