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Purple Phoenix Games (2266 KP) rated Saboteur in Tabletop Games
Jun 12, 2019
Okay, so Saboteur isn’t one of the newest or shiniest board games on the market at the moment. Here’s the thing, it doesn’t need to be. It is profoundly unique, and well, scratched a BIG itch at its debut. I cannot think, off the top of my head, of a board game that is so immensely strategic, yet quick, super thrilling, and engaging for all ages.
As I said, this game may be small, it may be older, but it is mighty. If you like that element of a “sabotage character” in board games, then you will love Saboteur. The best part of this game is that being the “sabotage character” isn’t difficult to learn or teach. I remember playing rounds of “The Resistance: Avalon” or “The Resistance” thinking “what the heck am I really supposed to do?” before really understanding the sabotagey (I am making a new word here) role. At times I felt even a little incompetent because I was stuck in this role all by myself. This is where Saboteur REALLY shines! Not only is the sabotage role easy to learn, you get sabotagey FRIENDS to help you out. It only gets better with more and more players too!
So, what is this great little game all about? Well, each player is dealt a role card which is either a regular old (yes, they all have long white beards) dwarf, or a saboteur dwarf (they look slightly more sinister than the rest). Of course, our good dwarfs are on an honest quest to find some gold. (Nothing could go wrong right!?) As our dwarf friends begin to dig further into the cave of golden wonders (in the form of cards seen in the illustration below), they have to navigate to one of 3 specified cards with only 1 truly holding their golden prize. All the while our Saboteur friends, which are not revealed until the end of the game, are making attempts to play pathways and tricks to divert the good dwarves away from the treasure. The winning conditions are simple. If the good dwarves find the gold, they win. If the Saboteurs prevent the good dwarves from finding the gold, they win. Each role is then awarded with gold chunks, which they will keep for a cumulative score after 3 rounds of play. As I said, simple, but SOOOO much fun! I think the most exciting part for our game group has always been turning over the cards at the end of each round to see who the Saboteurs really were.
I think I speak for us all when I say that the excitement level and ease of teaching for this one are through the roof. If there are any drawbacks, it is the quality of the cards themselves. You will want to sleeve them…..trust us. Your game group will be begging to play multiple games in a row, lending to not so sterling looking cards. They get scratched after only a few plays. So, with the money you will save on this cheap little gem, do yourself a favor and splurge the extra $5 and get a nice stack of sleeves! The other drawback you may find frustrating is at the end when you are revealing roles to find out that someone who you thought was a Saboteur was actually a regular dwarf all along with really unfortunate card draws! Such is life, right!? Anyway, until next time, happy gaming everyone!
Purple Phoenix Games gives this a 20 / 24.
https://purplephoenixgames.wordpress.com/2018/12/24/saboteur-review/
As I said, this game may be small, it may be older, but it is mighty. If you like that element of a “sabotage character” in board games, then you will love Saboteur. The best part of this game is that being the “sabotage character” isn’t difficult to learn or teach. I remember playing rounds of “The Resistance: Avalon” or “The Resistance” thinking “what the heck am I really supposed to do?” before really understanding the sabotagey (I am making a new word here) role. At times I felt even a little incompetent because I was stuck in this role all by myself. This is where Saboteur REALLY shines! Not only is the sabotage role easy to learn, you get sabotagey FRIENDS to help you out. It only gets better with more and more players too!
So, what is this great little game all about? Well, each player is dealt a role card which is either a regular old (yes, they all have long white beards) dwarf, or a saboteur dwarf (they look slightly more sinister than the rest). Of course, our good dwarfs are on an honest quest to find some gold. (Nothing could go wrong right!?) As our dwarf friends begin to dig further into the cave of golden wonders (in the form of cards seen in the illustration below), they have to navigate to one of 3 specified cards with only 1 truly holding their golden prize. All the while our Saboteur friends, which are not revealed until the end of the game, are making attempts to play pathways and tricks to divert the good dwarves away from the treasure. The winning conditions are simple. If the good dwarves find the gold, they win. If the Saboteurs prevent the good dwarves from finding the gold, they win. Each role is then awarded with gold chunks, which they will keep for a cumulative score after 3 rounds of play. As I said, simple, but SOOOO much fun! I think the most exciting part for our game group has always been turning over the cards at the end of each round to see who the Saboteurs really were.
I think I speak for us all when I say that the excitement level and ease of teaching for this one are through the roof. If there are any drawbacks, it is the quality of the cards themselves. You will want to sleeve them…..trust us. Your game group will be begging to play multiple games in a row, lending to not so sterling looking cards. They get scratched after only a few plays. So, with the money you will save on this cheap little gem, do yourself a favor and splurge the extra $5 and get a nice stack of sleeves! The other drawback you may find frustrating is at the end when you are revealing roles to find out that someone who you thought was a Saboteur was actually a regular dwarf all along with really unfortunate card draws! Such is life, right!? Anyway, until next time, happy gaming everyone!
Purple Phoenix Games gives this a 20 / 24.
https://purplephoenixgames.wordpress.com/2018/12/24/saboteur-review/
Zuky the BookBum (15 KP) rated The Witchfinder's Sister in Books
Mar 15, 2018
<i><b>I think now that to be close to someone can be to underestimate them. Grow too close, and you do not see what they are capable of; or you do not see it in time.</b></i>
<i>The Witchfinder’s Sister</i> is based on true life witch hunter Matthew Hopkins that grew to fame during the English Civil War around East Anglia, hunting and killing “witches”. This book isn’t non-fiction, it’s fiction based around non-fiction! I love these sorts of books that create their own stories from something that was very much real. Not only does it make for good reading, they also bring in some true history facts, so you’re being educated on the subject as you read.
High praise goes to Underdown for this novel. I feel like historical fiction can be hard genre to get right, and considering this is a <i>debut</i> novel, I’m amazed at how well put together and beautiful this has turned out to be! I love reading historical fiction, every once in awhile, and this is the sort of book that keeps my love for the genre burning.
The writing in this novel was haunting and beautiful. Nine times out of ten, it was exactly as you would have imagined the 17th Century to be, but I felt there were a few slips that made the book feel modern. For example, would a lady in 1645 say the phrase <i><b>“shitting herself”</b></i>? Correct me if I’m wrong, but that feels like a reasonably modern phrase to me.
I loved our main character, Alice. Me and my mum were talking about historical fiction novels and how we find it hard to understand why women make the decisions they make in these books, because we’re so used to having some equality and independence. But I noted that in this book, even though Alice is inferior to her brother and his counterparts, she is still a risk taker; going against her brother's wishes & sneaking around. I liked that she was strong and a little rebellious, it was so much easier to connect with her because of this.
On the other hand. I <i>hated</i> Matthew. He was a despicable character. I can rarely hate a character in a book, even if I’m supposed to. I tend to find the good in them at some point, or have some sort of sympathy for them, but I absolutely despised Matthew. Well done to Underdown for creating such a hate-inducing character. It’s quite a hard feat, but she managed it perfectly. The same goes for Mary Phillips.
The tension was built so well in this novel, you could feel the mystery growing and growing with every page and I loved it! Though the story moved reasonably slowly, the book was still absolutely riveting and I found it extremely hard to put down when I knew it was time to get some rest.
I am so, so excited to read more from Underdown. This was an amazingly well put together and researched.
<i>Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.</i>
<i>The Witchfinder’s Sister</i> is based on true life witch hunter Matthew Hopkins that grew to fame during the English Civil War around East Anglia, hunting and killing “witches”. This book isn’t non-fiction, it’s fiction based around non-fiction! I love these sorts of books that create their own stories from something that was very much real. Not only does it make for good reading, they also bring in some true history facts, so you’re being educated on the subject as you read.
High praise goes to Underdown for this novel. I feel like historical fiction can be hard genre to get right, and considering this is a <i>debut</i> novel, I’m amazed at how well put together and beautiful this has turned out to be! I love reading historical fiction, every once in awhile, and this is the sort of book that keeps my love for the genre burning.
The writing in this novel was haunting and beautiful. Nine times out of ten, it was exactly as you would have imagined the 17th Century to be, but I felt there were a few slips that made the book feel modern. For example, would a lady in 1645 say the phrase <i><b>“shitting herself”</b></i>? Correct me if I’m wrong, but that feels like a reasonably modern phrase to me.
I loved our main character, Alice. Me and my mum were talking about historical fiction novels and how we find it hard to understand why women make the decisions they make in these books, because we’re so used to having some equality and independence. But I noted that in this book, even though Alice is inferior to her brother and his counterparts, she is still a risk taker; going against her brother's wishes & sneaking around. I liked that she was strong and a little rebellious, it was so much easier to connect with her because of this.
On the other hand. I <i>hated</i> Matthew. He was a despicable character. I can rarely hate a character in a book, even if I’m supposed to. I tend to find the good in them at some point, or have some sort of sympathy for them, but I absolutely despised Matthew. Well done to Underdown for creating such a hate-inducing character. It’s quite a hard feat, but she managed it perfectly. The same goes for Mary Phillips.
The tension was built so well in this novel, you could feel the mystery growing and growing with every page and I loved it! Though the story moved reasonably slowly, the book was still absolutely riveting and I found it extremely hard to put down when I knew it was time to get some rest.
I am so, so excited to read more from Underdown. This was an amazingly well put together and researched.
<i>Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.</i>
BankofMarquis (1832 KP) rated The Florida Project (2017) in Movies
Feb 18, 2018
Not Strong Enough To Keep My Attention
THE FLORIDA PROJECT is one of those "slice of life" films, shot on a low budget that doesn't really have a plot but exposes the audience to 2 hours of what it would be like to live the life of someone - usually a disaffected fringe group. There is no real plot, so the film needs to hang itself onto how interesting the characters - and the situation they find themselves - are.
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated One of us is Lying in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
Hazel (1853 KP) rated The Sun is Also a Star in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Following the success of her debut novel, Nicola Yoon’s second book, <i>The Sun is also a Star</i>, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, <i>The Sun is also a Star</i>, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
<i>The Sun is also a Star</i> has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Following the success of her debut novel, Nicola Yoon’s second book, <i>The Sun is also a Star</i>, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, <i>The Sun is also a Star</i>, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
<i>The Sun is also a Star</i> has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Hazel (1853 KP) rated A Song for Issy Bradley in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>A Song for Issy Bradley</i> is the captivating debut novel of talented author Carys Bray. Set in modern day Britain this heart-breaking story shows a family’s struggle to overcome the loss of their youngest child whilst also adhering to the strict rules of their Mormon religion.
It begins with seven-year-old Jacob’s birthday and Mum, Claire, is rushing around with last minute party preparations, whilst her husband, Bishop Ian, is off attending to his religious duties. Although Claire is aware that Issy is feeling poorly she does not realize how serious it is until much later - too much later. After being rushed to hospital with meningitis Issy’s prognosis is not good. Despite Ian’s blessings and prayers no miracle occurs and Issy passes away the following day.
The main storyline is about how the characters cope with this shockingly sudden loss. Claire hides herself away from everyone by remaining in bed for weeks and ignoring her duties and her family’s pleas. Ian, worried that Claire is not grieving in the proper Mormon way, throws himself even deeper into religion by focusing on what is expected of him as a Bishop rather than concentrating on his children’s needs.
Zipporah, the eldest, is expected to become the woman of the house until Claire returns to “normal”. As well as studying for her exams and doing the housework, Ian insists she attend all church events for people her age. Alone she worries about love, marriage and falling into sin; she would really like to be able to talk to her Mum. Alma, on the other hand, is becoming more and more rebellious. Not only does he have a stupid name (Alma was named after a prophet in the book of Mormon) his ambition to become a professional footballer is not conducive to living the gospel. Although he makes jokes and rude remarks about religious ideas there is still a part of him that believes, and despite his attitude it is clear he is deeply affected by Issy’s death.
Jacob’s reaction is the most heart wrenching of all. Being so young he believes everything he is told especially the bible stories he hears at church. If Jesus can bring people back to life, perhaps Issy can live again? He puts his faith in God and waits in vain for his sister’s miraculous return.
The story is shown through each of these five character’s point of views, which is interesting as the reader gets a chance to see how each person’s actions affect the others and gives a greater insight into character developments. It is gratifying to witness, albeit slowly, the family pick themselves up and begin to work together and carry on.
As to be expected with a story about Mormons there is a large amount of bible quotation. Many are from the Book of Mormon but there are numerous biblical references that Christians of all denominations will appreciate. The author was raised as a Mormon so it can only be assumed that all the details are accurate. Non-believers, however, should not be put off from reading this beautiful book: it is the way in which people deal with loss that is important and there is no preaching at the reader or attempts to convert.
This novel is highly recommended for female and male readers alike, particularly those who enjoy emotionally charged stories; and, of course, those interested in religion will love this book too.
<i>A Song for Issy Bradley</i> is the captivating debut novel of talented author Carys Bray. Set in modern day Britain this heart-breaking story shows a family’s struggle to overcome the loss of their youngest child whilst also adhering to the strict rules of their Mormon religion.
It begins with seven-year-old Jacob’s birthday and Mum, Claire, is rushing around with last minute party preparations, whilst her husband, Bishop Ian, is off attending to his religious duties. Although Claire is aware that Issy is feeling poorly she does not realize how serious it is until much later - too much later. After being rushed to hospital with meningitis Issy’s prognosis is not good. Despite Ian’s blessings and prayers no miracle occurs and Issy passes away the following day.
The main storyline is about how the characters cope with this shockingly sudden loss. Claire hides herself away from everyone by remaining in bed for weeks and ignoring her duties and her family’s pleas. Ian, worried that Claire is not grieving in the proper Mormon way, throws himself even deeper into religion by focusing on what is expected of him as a Bishop rather than concentrating on his children’s needs.
Zipporah, the eldest, is expected to become the woman of the house until Claire returns to “normal”. As well as studying for her exams and doing the housework, Ian insists she attend all church events for people her age. Alone she worries about love, marriage and falling into sin; she would really like to be able to talk to her Mum. Alma, on the other hand, is becoming more and more rebellious. Not only does he have a stupid name (Alma was named after a prophet in the book of Mormon) his ambition to become a professional footballer is not conducive to living the gospel. Although he makes jokes and rude remarks about religious ideas there is still a part of him that believes, and despite his attitude it is clear he is deeply affected by Issy’s death.
Jacob’s reaction is the most heart wrenching of all. Being so young he believes everything he is told especially the bible stories he hears at church. If Jesus can bring people back to life, perhaps Issy can live again? He puts his faith in God and waits in vain for his sister’s miraculous return.
The story is shown through each of these five character’s point of views, which is interesting as the reader gets a chance to see how each person’s actions affect the others and gives a greater insight into character developments. It is gratifying to witness, albeit slowly, the family pick themselves up and begin to work together and carry on.
As to be expected with a story about Mormons there is a large amount of bible quotation. Many are from the Book of Mormon but there are numerous biblical references that Christians of all denominations will appreciate. The author was raised as a Mormon so it can only be assumed that all the details are accurate. Non-believers, however, should not be put off from reading this beautiful book: it is the way in which people deal with loss that is important and there is no preaching at the reader or attempts to convert.
This novel is highly recommended for female and male readers alike, particularly those who enjoy emotionally charged stories; and, of course, those interested in religion will love this book too.
Hazel (1853 KP) rated H2O (The Rain, #1) in Books
Dec 7, 2018
<i>Thank you to NetGalley and Pan Macmillan for providing a proof copy to read and review.</i>
The world has already had to deal with worldwide pandemics spread by animals and birds such as swine flu and bird flu. What if there was a fatal disease in the rain? How would humanity cope? This is what Virginia Bergin explores in her debut novel aptly titled <i>The Rain</i>. If anyone were to come into contact with the rain, even a single drop, or contaminated water they would have an immediate reaction and be dead in less than three hours. Fifteen-year-old Ruby Morris, who has so far managed to survive this disaster, narrates the story starting from the first day that the disease arrived in Britain.
Ruby describes the losses of her friends and immediate family, the surprising improvement with her relationship with her stepfather Simon. She explains at length the things she had to face in order to survive, firstly with Simon and then with a particularly nerdy boy from school.
Despite hints from the title (and the blurb, of course) it is a long time before Ruby reveals what has actually happened. She talks to the reader as if they are experiencing the same thing and therefore know what she is referring to. Whilst this was probably an attempt to create suspense and to encourage the reader to keep reading it was slightly galling. What was really wanted was for Ruby to get to the point so that she and her audience would be on the same wavelength.
Whilst some readers may be able to relate to the main character: a teenage girl who loves to spend time with her friends and going to parties but has strict parents (and/or step-parents) who never let her do any of those things, which means she cannot easily have the thing she most desires – a boyfriend; she is actually a rather annoying, snobbish brat. She’s the kind of person that could be described as a “clueless bully”, a selfish girl who mostly, if not only, cares about appearances. Even in the face of the potential end of the world, or at least mankind, she is constantly worrying about the way she looks and what she wears, and is thrilled that she can break into expensive shops and take whatever make-up or clothing she wishes. There was probably a point in this character flaw – the exploration of how not only a young person copes on there own in dire situations, but someone of this particular mindset – however it was exasperating to read. She did change a little over the course of the story but not enough for her to become a likable character.
<i>The Rain</i> is more appropriate for young adult readers due to the nature of the main character, however it does deal with rather disturbing themes such as death and violence. Having said that there is nothing to stop older readers from enjoying the novel. It is an interesting concept, which, although highly unlikely to occur, will make people question how they would behave in the given situation. Would they be one of the first to die, or would they be in supermarkets fighting for the quickly disappearing food and drink? It is a thought-provoking idea!
The world has already had to deal with worldwide pandemics spread by animals and birds such as swine flu and bird flu. What if there was a fatal disease in the rain? How would humanity cope? This is what Virginia Bergin explores in her debut novel aptly titled <i>The Rain</i>. If anyone were to come into contact with the rain, even a single drop, or contaminated water they would have an immediate reaction and be dead in less than three hours. Fifteen-year-old Ruby Morris, who has so far managed to survive this disaster, narrates the story starting from the first day that the disease arrived in Britain.
Ruby describes the losses of her friends and immediate family, the surprising improvement with her relationship with her stepfather Simon. She explains at length the things she had to face in order to survive, firstly with Simon and then with a particularly nerdy boy from school.
Despite hints from the title (and the blurb, of course) it is a long time before Ruby reveals what has actually happened. She talks to the reader as if they are experiencing the same thing and therefore know what she is referring to. Whilst this was probably an attempt to create suspense and to encourage the reader to keep reading it was slightly galling. What was really wanted was for Ruby to get to the point so that she and her audience would be on the same wavelength.
Whilst some readers may be able to relate to the main character: a teenage girl who loves to spend time with her friends and going to parties but has strict parents (and/or step-parents) who never let her do any of those things, which means she cannot easily have the thing she most desires – a boyfriend; she is actually a rather annoying, snobbish brat. She’s the kind of person that could be described as a “clueless bully”, a selfish girl who mostly, if not only, cares about appearances. Even in the face of the potential end of the world, or at least mankind, she is constantly worrying about the way she looks and what she wears, and is thrilled that she can break into expensive shops and take whatever make-up or clothing she wishes. There was probably a point in this character flaw – the exploration of how not only a young person copes on there own in dire situations, but someone of this particular mindset – however it was exasperating to read. She did change a little over the course of the story but not enough for her to become a likable character.
<i>The Rain</i> is more appropriate for young adult readers due to the nature of the main character, however it does deal with rather disturbing themes such as death and violence. Having said that there is nothing to stop older readers from enjoying the novel. It is an interesting concept, which, although highly unlikely to occur, will make people question how they would behave in the given situation. Would they be one of the first to die, or would they be in supermarkets fighting for the quickly disappearing food and drink? It is a thought-provoking idea!
Louise (64 KP) rated Beautiful Broken Things in Books
Jul 2, 2018
This is Sara Barnard's debut novel and a good one at that! Beautiful broken things is an emotional rollercoaster, you are literally up and down on this suspenseful ride, With friendship, self discovery, school, family and abuse this novel certainly packs a punch!
Caddy has been best friends with Rosie for over 10 years despite attending different schools. Calling each other throughout the week and spending the weekends together they couldn't be closer, until Caddy is introduced to Suzanne a new girl from Rosie's school. Jealous of Rosie's new friendship she doesn't instantly take to her, Suzanne is pretty, bold, exciting and totally different from what Caddy is used to. Slowly Suzanne starts to reveal things about herself and the issues that she is hiding from her friends. With this new found knowledge Caddy suddenly sees Suzanne in a different light and wants to help her but also be involved in this interesting girls life and so their friendship blossoms but threatens to break them all apart for good.
Caddy goes to Esther's which is an all girls private school, she is on a tight leash with her parents, paying thousands of pounds per term for her education they are expecting A grades. With all work and no play nothing significant has happened in Caddy's life, she makes a vow for that to end this year and Suzanne is there to help. People around caddy don't think their friendship is a good idea as Suzanne is 'troubled' and leading her astray. Caddy is very naive and hasn't really be involved with boys or been to house parties but with her new-found friend and wanting to fit in she gets more involved and really comes out of her shell.
Suzanne is beautiful, funny and also a "troubled" teenager, living with her aunt starts speculation as to why this is. With a history of abuse, Suzanne is broken and is what people would call a bad influence, she drinks, she goes around with any boy who will have her and when things get tough she runs away. As she becomes friends with Caddy she is pulling her towards her way of life. Caddy would never have dreamt of climbing out of her window in the middle of the night or randomly catching a train without knowing the destination. But in her bid to help Suzanne she feels she has to be with her every step of the way.
This book explores the true meaning of friendship and love between teenage girls. This is a coming of age story with no romance involved and scarily realistic. It portrays mental health and teenagers sensitively and honest.
I loved that this book was set in the UK it felt so more relatable and exciting when your hometown gets referenced in the book.
There things that let down the book for me were the details of the abuser, there wasn't really any detail whether the abuser had been arrested or why Suzanne had or hadn't reported the abuser. It was sort of just glimpsed over this and neither Caddy nor Rosie questioned it which I thought was a little odd. Caddy was very annoying at points and was making some stupid decisions,I felt like shaking her and telling her to stop! JUST STOP!
I definitely recommend this book if you are looking for a realistic portrayal of mental health in young adults.
I rated this 4 out of 5 stars
Caddy has been best friends with Rosie for over 10 years despite attending different schools. Calling each other throughout the week and spending the weekends together they couldn't be closer, until Caddy is introduced to Suzanne a new girl from Rosie's school. Jealous of Rosie's new friendship she doesn't instantly take to her, Suzanne is pretty, bold, exciting and totally different from what Caddy is used to. Slowly Suzanne starts to reveal things about herself and the issues that she is hiding from her friends. With this new found knowledge Caddy suddenly sees Suzanne in a different light and wants to help her but also be involved in this interesting girls life and so their friendship blossoms but threatens to break them all apart for good.
Caddy goes to Esther's which is an all girls private school, she is on a tight leash with her parents, paying thousands of pounds per term for her education they are expecting A grades. With all work and no play nothing significant has happened in Caddy's life, she makes a vow for that to end this year and Suzanne is there to help. People around caddy don't think their friendship is a good idea as Suzanne is 'troubled' and leading her astray. Caddy is very naive and hasn't really be involved with boys or been to house parties but with her new-found friend and wanting to fit in she gets more involved and really comes out of her shell.
Suzanne is beautiful, funny and also a "troubled" teenager, living with her aunt starts speculation as to why this is. With a history of abuse, Suzanne is broken and is what people would call a bad influence, she drinks, she goes around with any boy who will have her and when things get tough she runs away. As she becomes friends with Caddy she is pulling her towards her way of life. Caddy would never have dreamt of climbing out of her window in the middle of the night or randomly catching a train without knowing the destination. But in her bid to help Suzanne she feels she has to be with her every step of the way.
This book explores the true meaning of friendship and love between teenage girls. This is a coming of age story with no romance involved and scarily realistic. It portrays mental health and teenagers sensitively and honest.
I loved that this book was set in the UK it felt so more relatable and exciting when your hometown gets referenced in the book.
There things that let down the book for me were the details of the abuser, there wasn't really any detail whether the abuser had been arrested or why Suzanne had or hadn't reported the abuser. It was sort of just glimpsed over this and neither Caddy nor Rosie questioned it which I thought was a little odd. Caddy was very annoying at points and was making some stupid decisions,I felt like shaking her and telling her to stop! JUST STOP!
I definitely recommend this book if you are looking for a realistic portrayal of mental health in young adults.
I rated this 4 out of 5 stars
Goddess in the Stacks (553 KP) rated The Book of M in Books
Sep 7, 2018
What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don't remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
Daniel Boyd (1066 KP) rated A Star Is Born (2018) in Movies
Oct 19, 2018 (Updated Oct 19, 2018)
Bradley Cooper's direction (2 more)
Both lead performances
Great original songs
Better Than Expected
Contains spoilers, click to show
I have dragged my other half to see plenty of stuff recently that she has sat through because I wanted to see it, so I thought it was about time that I let her drag me to something that she fancied seeing. I'm pretty glad that she did.
I expected A Star Is Born to be full of cheesy dialogue and crappy pop songs and I didn't know what to expect from Bradley Cooper's first time in the director's chair. Thankfully, my uncertainty and doubt was proven wrong. This is an absolutely fantastic directorial debut from Cooper. There were several parts in the movie where it felt similar to a Clint Eastwood directed movie, the influence that Clint obviously had on Cooper when they worked together for American Sniper has clearly paid off here. The cinematography is brilliant throughout the film and he gets a lot out of his actors too.
Considering Cooper is an actor, he plays an exceptionally convincing rock star as Jackson Maine. His voice is phenomenal and if all of the guitar playing was done by him, then that was impressive also. Likewise, considering Lady Gaga's background is as a singer and not an actress, she did a pretty great job in this role as Ally - even if she is playing a character very similar to herself. Sam Elliot is also fantastic, (as he always is,) as Jack's older brother and I reckon could be in for an Oscar shout for best supporting role.
In order to talk about the main negative I had with the film, I am going to have to spoil the way that it ends. So SPOILERS from this point on, you have been warned.
I know that Jackson didn't commit suicide just because of what Ally's sleazy agent said to him at the end of the movie, but I only know that because I had to fill in the blanks myself. The way that the movie presents it, is as if the agent tells Jack that he's an embarrassment to Ally and that's what makes him want to hang himself, which to me isn't justification enough to have a character take their own life, especially a character like Jackson Maine. The argument could be made that it wasn't what the agent said that led to Jack's suicide, but because he said out loud the way that Jack sees himself. As a burden and embarrassment to Ally. Although, if this was the case I feel like the movie could have driven it home a bit more. Like I said, I know that there was more to the character's decision to end his life than that, but the movie doesn't show it, instead making it look as if he decided to hang himself because of a smarmy wee prick's obnoxious comments.
Overall, this film was far better than it had any right to be. Although, the movie is funny in parts, overall it takes itself more seriously than I expected it too and I think that it is better for it. It may not win best picture, but I reckon it deserves a nomination, as does Bradley Cooper for best director.
I expected A Star Is Born to be full of cheesy dialogue and crappy pop songs and I didn't know what to expect from Bradley Cooper's first time in the director's chair. Thankfully, my uncertainty and doubt was proven wrong. This is an absolutely fantastic directorial debut from Cooper. There were several parts in the movie where it felt similar to a Clint Eastwood directed movie, the influence that Clint obviously had on Cooper when they worked together for American Sniper has clearly paid off here. The cinematography is brilliant throughout the film and he gets a lot out of his actors too.
Considering Cooper is an actor, he plays an exceptionally convincing rock star as Jackson Maine. His voice is phenomenal and if all of the guitar playing was done by him, then that was impressive also. Likewise, considering Lady Gaga's background is as a singer and not an actress, she did a pretty great job in this role as Ally - even if she is playing a character very similar to herself. Sam Elliot is also fantastic, (as he always is,) as Jack's older brother and I reckon could be in for an Oscar shout for best supporting role.
In order to talk about the main negative I had with the film, I am going to have to spoil the way that it ends. So SPOILERS from this point on, you have been warned.
I know that Jackson didn't commit suicide just because of what Ally's sleazy agent said to him at the end of the movie, but I only know that because I had to fill in the blanks myself. The way that the movie presents it, is as if the agent tells Jack that he's an embarrassment to Ally and that's what makes him want to hang himself, which to me isn't justification enough to have a character take their own life, especially a character like Jackson Maine. The argument could be made that it wasn't what the agent said that led to Jack's suicide, but because he said out loud the way that Jack sees himself. As a burden and embarrassment to Ally. Although, if this was the case I feel like the movie could have driven it home a bit more. Like I said, I know that there was more to the character's decision to end his life than that, but the movie doesn't show it, instead making it look as if he decided to hang himself because of a smarmy wee prick's obnoxious comments.
Overall, this film was far better than it had any right to be. Although, the movie is funny in parts, overall it takes itself more seriously than I expected it too and I think that it is better for it. It may not win best picture, but I reckon it deserves a nomination, as does Bradley Cooper for best director.