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BankofMarquis (1832 KP) rated The Dark Knight (2008) in Movies
Apr 16, 2018
Not a Masterpiece, but has a Masterful performance
With the DARK KNIGHT, Christopher Nolan kicks his movie's up a notch. His previous films were critical - but not necessarily commercial - successes. With the 2nd of his Batman trilogy, Nolan swings for the seats and in more ways than one, hits a home run.
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Dean Gregory (18 KP) rated Scotland Yard in Tabletop Games
Jun 5, 2019
Clever asymmetrical gameplay (2 more)
Strategic
Beginner rules available for younger players
Catch Me If You Can
Scotland Yard is an asymmetrical game of deduction and deception, depending on which role you take. Mister X must move in secret to stay out of the reach of the law long enough to escape London (22 turns), while the detectives must work together to trap and capture him.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
Chris Sawin (602 KP) rated Paprika (2006) in Movies
Jun 19, 2019
The DC Mini was created to not only record and watch a person's dreams, but to actually enter them as well. It was created by Kosaku Tokita at the Foundation for Psychiatric Research and was meant to be a form of therapy to help people find the purpose of manic disorders and other manias such as fear or anxiety issues. But when the DC Mini is stolen and the same dream is being implanted into people while they're awake with chaotic results, then the research foundation takes it upon themselves to try and find out who is behind all of this. Tokita, along with Atsuko Chiba and Torataro Shima, are on the case. But who is Paprika and how does Detective Toshimi Konakawa fit into the equation?
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Gareth von Kallenbach (977 KP) rated Constantine (2005) in Movies
Aug 14, 2019
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
Darren (1599 KP) rated 22 Bullets (2013) in Movies
Jul 2, 2019
Story: 22 Bullets starts when retired Mafia godfather Charly Mattei (Reno) is ambushed by multiply gun man who riddle his body with bullets, 22 in his body and somehow, he survives the attack. The man behind the attack Tony Zacchia (Merad) wants the job finished so he can take the control he wants over the business, while detective Marie Goldman (Fois) has her own scores to settle with Mafia who were behind her husband’s and fellow cops’ death.
Charly brings his trusted friends back together to go into a full-blown war with Tony which see the bodies piling up, until he can get his hands-on Tony himself.
Characters – Charly Mattei is the retired Mafia godfather that walked away from the business with strict rules on how it will continue, he gets left for dead by the new boss who wants to play by his own rules. Now the bear has been poked he will seek revenge on everyone who tried to eliminate him, no matter how many bodies get left in his way, he knows this is the only way to keep his family safe. Tony Zacchia has taken over the business, he doesn’t want to play by the same rules though, he needs to take care of Charly before changing the rules and after that attempts fails, he starts to throw waves of men as Charly to finish the job. Martin is the closest friend to Charly, he will help make the connections to who else was involved in the assassination attempt. Marie Goldman is a cop that lost her husband to the Mafia, she has wanted to take them down for years now and this will be her best chance after she get put in the middle of the blood war.
Performances – Jean Reno is fantastic in the leading role of the film, he brings back the type of performance we saw in Leon where he is the cold-hearted killer with the heart of gold. Kad Merad, Jean-Pierre Darroussin are both good in the supporting role, though it can be easy to mix the two up. Marina Fios is good as the detective trying to get to the bottom of everything with her own tragic back past.
Story – The story here follows a former Mafia Godfather that goes on a revenge mission against the new godfather after he failed to have his assassinated bring France into a battle for power between the two leading sides in the war. This does play out like a revenge thriller with plenty of bullets, we have seen this done most recently with John Wick and this follows the same tone and body numbers you would be seeing in this one. The added side story of the cop wanting to final takedown the person who killed her husband adds to everything making this feel like a three-way war between the sides. The does play out how you would imagine which is great to see and the story doesn’t hold back either.
Action/Crime – The action is brutal when it comes to the bullet wound, even if certain moments can become overkill when it comes to the bullets flying. The crime world shown gives us an insight into the world in and out of the world with people wanting out or control.
Settings – The film is set in Marseille which shows us a new type of city for a crime film to take place in, we have all the locations you would imagine for a Mafia film.
Scene of the Movie – Dinner meeting.
That Moment That Annoyed Me – Sometimes overkill.
Final Thoughts – This is an enjoyable action revenge thriller, that puts Jean Reno front and centre on a bloody rampage, one well worth watching for the action fans.
Overall: Enjoyable Action Film.
Charly brings his trusted friends back together to go into a full-blown war with Tony which see the bodies piling up, until he can get his hands-on Tony himself.
Characters – Charly Mattei is the retired Mafia godfather that walked away from the business with strict rules on how it will continue, he gets left for dead by the new boss who wants to play by his own rules. Now the bear has been poked he will seek revenge on everyone who tried to eliminate him, no matter how many bodies get left in his way, he knows this is the only way to keep his family safe. Tony Zacchia has taken over the business, he doesn’t want to play by the same rules though, he needs to take care of Charly before changing the rules and after that attempts fails, he starts to throw waves of men as Charly to finish the job. Martin is the closest friend to Charly, he will help make the connections to who else was involved in the assassination attempt. Marie Goldman is a cop that lost her husband to the Mafia, she has wanted to take them down for years now and this will be her best chance after she get put in the middle of the blood war.
Performances – Jean Reno is fantastic in the leading role of the film, he brings back the type of performance we saw in Leon where he is the cold-hearted killer with the heart of gold. Kad Merad, Jean-Pierre Darroussin are both good in the supporting role, though it can be easy to mix the two up. Marina Fios is good as the detective trying to get to the bottom of everything with her own tragic back past.
Story – The story here follows a former Mafia Godfather that goes on a revenge mission against the new godfather after he failed to have his assassinated bring France into a battle for power between the two leading sides in the war. This does play out like a revenge thriller with plenty of bullets, we have seen this done most recently with John Wick and this follows the same tone and body numbers you would be seeing in this one. The added side story of the cop wanting to final takedown the person who killed her husband adds to everything making this feel like a three-way war between the sides. The does play out how you would imagine which is great to see and the story doesn’t hold back either.
Action/Crime – The action is brutal when it comes to the bullet wound, even if certain moments can become overkill when it comes to the bullets flying. The crime world shown gives us an insight into the world in and out of the world with people wanting out or control.
Settings – The film is set in Marseille which shows us a new type of city for a crime film to take place in, we have all the locations you would imagine for a Mafia film.
Scene of the Movie – Dinner meeting.
That Moment That Annoyed Me – Sometimes overkill.
Final Thoughts – This is an enjoyable action revenge thriller, that puts Jean Reno front and centre on a bloody rampage, one well worth watching for the action fans.
Overall: Enjoyable Action Film.
Bob Mann (459 KP) rated Knives Out (2019) in Movies
Dec 4, 2019
If they were to give it a go, this movie should justifiably be Rian's redemption from the harshest of his previous critics. For this is a really entertaining film. I found myself smiling with glee through a sizable proportion of the running time.
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
BankofMarquis (1832 KP) rated Knives Out (2019) in Movies
Jan 3, 2020
Original and Quirky...enough
KNIVES OUT was one of the films I had circled on my calendar as a "must see". It seemed to be a perfect antidote to the CGI-Fest films that are very prevalent in the multi-plex today. So...when life got in the way and I couldn't get to this film for about a month, I tried (and succeeded) in not getting this movie spoiled for me in my various Social Media feeds.
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Kiss Kiss, Bang Bang (2005) in Movies
Jun 18, 2019
In the early to mid-2000s, Robert Downey Jr wasn’t one of the highest paid actors in the world. He was busy attempting to rebuild his career after five years of constant struggles with various drugs, being in and out of rehab, and even spent at least a year and a half incarcerated. With all of the films Downey did in that period, including Gothika, A Guide to Recognizing Your Saints, A Scanner Darkly, Zodiac, and Charlie Bartlett, perhaps none are as memorable as Shane Black’s directorial debut and neo-noir black comedy Kiss Kiss Bang Bang.
Harry Lockhart (Downey) is a thief that finds himself in a peculiar situation. After almost being apprehended by the police while breaking into a toy store, Harry stumbles into an audition and impresses everyone when his reading cuts a little too deep and is strangely accurate to Harry’s current situation. Now seen as some sort of acting prodigy, Harry finds himself in Los Angeles awaiting his screen test. He’s introduced to Gay Perry (Val Kilmer), a gay detective that’s hired to bestow his detective wisdom on Harry for his new on-screen role.
But before character development can truly begin, Harry is re-introduced to Harmony (Michelle Monaghan); a childhood friend and the girl-next-door-type who Harry considers to be the one that got away. However, Harry’s newfound luck is short-lived. While tagging along with Perry during one of his cases, the two of them witness two men in ski masks drive a car off a cliff and into a lake. They discover a woman with a broken neck in the trunk and the realization dawns on them that this is bigger than either of them could have ever imagined. With multiple cases suddenly being connected to one another and clues coming together to form bigger pieces of the puzzle, maybe Harry, Perry, and Harmony meeting each other is fate and not just a coincidence.
While Kiss Kiss Bang Bang is a noir film on the surface, it also has that buddy cop dynamic that Shane Black perfected with the likes of the Lethal Weapon films and The Nice Guys. The film has elements of mystery, comedy, action, and thriller genres for an overall experience that is entertaining on a variety of levels. Harry guides you as the narrator throughout the majority of the film and there are some intriguing storytelling techniques utilized to help get Harry’s perspective across. There’s a sequence where Harry realizes he’s forgotten to tell the audience an important piece of information and the film reel acts like it’s about to run off track before it pauses showing what looks like the film paused between two frames of a film reel. Kiss Kiss Bang Bang has a few elements like this that capitalizes on Harry’s quirks while he narrates that gives the film and the story a refreshing ambience.
This is Robert Downey Jr’s favorite film of his entire filmography and it’s difficult to argue with that. At a time when Downey was trying to rebound, stay sober, and prove that he was still a talented actor, Kiss Kiss Bang Bang benefits from all of his strengths. As Harry, Downey portrays nearly every emotion imaginable and this performance reminds you why he has always been held in such high regard. Unlike Iron Man 3 which seems to depreciate in repeat viewings, Kiss Kiss Bang Bang holds up extremely well for a film that is 10+ years old and should be considered as one of Shane Black’s strongest films in general and to date.
The one downside was the way the film was released theatrically. The film didn’t expand to more theaters after its opening weekend and underperformed at the box office, but did well overseas and was a big hit once it was released on DVD. The Gay Perry character is considered to be the first openly gay character to headline a major motion picture in Hollywood and Val Kilmer is in top form in the role. The chemistry he has with Robert Downey Jr is overwhelmingly entertaining while Perry’s agitation with Harry’s incompetence as a detective is hilariously brought to light by Kilmer’s memorable performance.
John Ottman’s score is the unseen cast member of Kiss Kiss Bang Bang that helps cement the noir vibe the film is aiming for. The jazz-infused compositions invoke a sense of mystery and intrigue in the viewer that sets the tone of the film perfectly. For proof of this, look no further than the film’s opening credits which simultaneously feel like an homage to other noir films while also offering something completely new.
Kiss Kiss Bang Bang isn’t as overlooked as it used to be, but it still doesn’t seem to have the reputation it deserves. The film is entertaining on so many levels and the performances from the cast are exceptional. The music is superb and the story constantly captivates; Shane Black couldn’t have dreamed of a better directorial debut.
Kiss Kiss Bang Bang is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. The film is also free on Amazon Prime if you have Cinemax with Prime Video Channels. It is currently available on DVD for $8.49, Blu-ray for $16.99, and Multi-Format Blu-ray for $14.42 on Amazon. On eBay, the DVD is currently running $4.66 pre-owned and $4.50 brand new with free shipping and a brand new Blu-ray is $15.98 with free shipping.
Harry Lockhart (Downey) is a thief that finds himself in a peculiar situation. After almost being apprehended by the police while breaking into a toy store, Harry stumbles into an audition and impresses everyone when his reading cuts a little too deep and is strangely accurate to Harry’s current situation. Now seen as some sort of acting prodigy, Harry finds himself in Los Angeles awaiting his screen test. He’s introduced to Gay Perry (Val Kilmer), a gay detective that’s hired to bestow his detective wisdom on Harry for his new on-screen role.
But before character development can truly begin, Harry is re-introduced to Harmony (Michelle Monaghan); a childhood friend and the girl-next-door-type who Harry considers to be the one that got away. However, Harry’s newfound luck is short-lived. While tagging along with Perry during one of his cases, the two of them witness two men in ski masks drive a car off a cliff and into a lake. They discover a woman with a broken neck in the trunk and the realization dawns on them that this is bigger than either of them could have ever imagined. With multiple cases suddenly being connected to one another and clues coming together to form bigger pieces of the puzzle, maybe Harry, Perry, and Harmony meeting each other is fate and not just a coincidence.
While Kiss Kiss Bang Bang is a noir film on the surface, it also has that buddy cop dynamic that Shane Black perfected with the likes of the Lethal Weapon films and The Nice Guys. The film has elements of mystery, comedy, action, and thriller genres for an overall experience that is entertaining on a variety of levels. Harry guides you as the narrator throughout the majority of the film and there are some intriguing storytelling techniques utilized to help get Harry’s perspective across. There’s a sequence where Harry realizes he’s forgotten to tell the audience an important piece of information and the film reel acts like it’s about to run off track before it pauses showing what looks like the film paused between two frames of a film reel. Kiss Kiss Bang Bang has a few elements like this that capitalizes on Harry’s quirks while he narrates that gives the film and the story a refreshing ambience.
This is Robert Downey Jr’s favorite film of his entire filmography and it’s difficult to argue with that. At a time when Downey was trying to rebound, stay sober, and prove that he was still a talented actor, Kiss Kiss Bang Bang benefits from all of his strengths. As Harry, Downey portrays nearly every emotion imaginable and this performance reminds you why he has always been held in such high regard. Unlike Iron Man 3 which seems to depreciate in repeat viewings, Kiss Kiss Bang Bang holds up extremely well for a film that is 10+ years old and should be considered as one of Shane Black’s strongest films in general and to date.
The one downside was the way the film was released theatrically. The film didn’t expand to more theaters after its opening weekend and underperformed at the box office, but did well overseas and was a big hit once it was released on DVD. The Gay Perry character is considered to be the first openly gay character to headline a major motion picture in Hollywood and Val Kilmer is in top form in the role. The chemistry he has with Robert Downey Jr is overwhelmingly entertaining while Perry’s agitation with Harry’s incompetence as a detective is hilariously brought to light by Kilmer’s memorable performance.
John Ottman’s score is the unseen cast member of Kiss Kiss Bang Bang that helps cement the noir vibe the film is aiming for. The jazz-infused compositions invoke a sense of mystery and intrigue in the viewer that sets the tone of the film perfectly. For proof of this, look no further than the film’s opening credits which simultaneously feel like an homage to other noir films while also offering something completely new.
Kiss Kiss Bang Bang isn’t as overlooked as it used to be, but it still doesn’t seem to have the reputation it deserves. The film is entertaining on so many levels and the performances from the cast are exceptional. The music is superb and the story constantly captivates; Shane Black couldn’t have dreamed of a better directorial debut.
Kiss Kiss Bang Bang is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. The film is also free on Amazon Prime if you have Cinemax with Prime Video Channels. It is currently available on DVD for $8.49, Blu-ray for $16.99, and Multi-Format Blu-ray for $14.42 on Amazon. On eBay, the DVD is currently running $4.66 pre-owned and $4.50 brand new with free shipping and a brand new Blu-ray is $15.98 with free shipping.
Connor Sheffield (293 KP) rated The Following - Season 1 in TV
Apr 28, 2017
Character Development (4 more)
Kevin Bacon
Joe Purefoy
Connections and references to Poe
An insight into the mind of shepherd and sheep
Excitement, Twists and Tension.
So if you read my review on 'The Raven' then you know my love for Edgar Allan Poe and how these stories use his work to create brilliant murder mysteries that keep you on your toes thinking about what might happen next.
However, this show is different, because you know who the murderers and the head of the cult are, but what makes this show so thrilling is trying to figure out what is going through Joe Carroll's (portrayed by Joe Purefoy, who is absolutely brilliant and charming) twisted mind when toying with ex-detective Ryan Hardy (portrayed by Kevin Bacon who also excels as a brilliantly charming character). One of my favourite aspects of this show is the on screen relationship between Kevin Bacon and Joe Purefoy because solo, they are entertaining but together they are very very tense and humorous which can make the audience feel uneasy at times.
The show is very graphic which might put off some viewers, but if a lot of blood and a lot of stabbing, quite often with the eyes in the first season, doesn't bother you that much then you may enjoy this show.
My favourite aspect of this show however, is that the writers delve into the minds of the shepherd and his sheep as it were. Joe Carroll is well written as a manipulative psychotic serial killer who is able to convince many young followers to do his dirty work and toy with Ryan Hardy, and yet they are given very strict instructions about what to do, how to do it, and when.
This is brilliantly written, beautifully shot for both the action sequences and the slow thought provoking sequences that help move the plot along, and to top it all off, each episode is a thrilling and exciting experience that lead you to a grand finale.
However, this show is different, because you know who the murderers and the head of the cult are, but what makes this show so thrilling is trying to figure out what is going through Joe Carroll's (portrayed by Joe Purefoy, who is absolutely brilliant and charming) twisted mind when toying with ex-detective Ryan Hardy (portrayed by Kevin Bacon who also excels as a brilliantly charming character). One of my favourite aspects of this show is the on screen relationship between Kevin Bacon and Joe Purefoy because solo, they are entertaining but together they are very very tense and humorous which can make the audience feel uneasy at times.
The show is very graphic which might put off some viewers, but if a lot of blood and a lot of stabbing, quite often with the eyes in the first season, doesn't bother you that much then you may enjoy this show.
My favourite aspect of this show however, is that the writers delve into the minds of the shepherd and his sheep as it were. Joe Carroll is well written as a manipulative psychotic serial killer who is able to convince many young followers to do his dirty work and toy with Ryan Hardy, and yet they are given very strict instructions about what to do, how to do it, and when.
This is brilliantly written, beautifully shot for both the action sequences and the slow thought provoking sequences that help move the plot along, and to top it all off, each episode is a thrilling and exciting experience that lead you to a grand finale.
Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.