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Debbiereadsbook (1603 KP) rated Nothing But the Night (Basic Instincts #2) in Books
Apr 20, 2025
It hit all of the buttons I was expecting and some I wasn't.
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
This is book 2 in the Basic Instincts series and I have not read book 1, Now Comes The Dark. I did not feel I missed anything by not doing so, so I would say this can totally be read as a stand alone. Roman and Mallon pop up, but only in passing.
Marc is not happy with the local police about their lack of progress in finding his brother's killer. Because Marc does not believe that Theo's death was an accident. Enter Jason, a local private detective. But just as his investigation gets moving, their chief witness is murdered and both men find themselves in a fight for their lives, with no clue who is behind it all.
I just wanna say: Well played, Mr Collins, so very well played! I did not see the whodunnit coming at me, not at all! I love being kept on my toes, I really do. So, I loved that coming out of nowhere and whooping me upside the head!
As Marc and Jason get to know each other, their relationship builds. I liked that build up and when it spilled over. I can't say I liked the reason it spilled over, and I'm not going to elaborate due to spoilers, but I think when it does spill over, it was exactly at the right time for these two.
It moves at speed sometimes, and slows up in others, just enough for you to catch up. It's dark and deadly, and sweet and emotional. Steamy and smexy. It hit all of the buttons I was expecting and some I wasn't.
I absolutely need to read book 3, but I've no clue who that would be or even IF there will be a book 3! And at some point, I'd like to go back and read book 1.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Basic Instincts series and I have not read book 1, Now Comes The Dark. I did not feel I missed anything by not doing so, so I would say this can totally be read as a stand alone. Roman and Mallon pop up, but only in passing.
Marc is not happy with the local police about their lack of progress in finding his brother's killer. Because Marc does not believe that Theo's death was an accident. Enter Jason, a local private detective. But just as his investigation gets moving, their chief witness is murdered and both men find themselves in a fight for their lives, with no clue who is behind it all.
I just wanna say: Well played, Mr Collins, so very well played! I did not see the whodunnit coming at me, not at all! I love being kept on my toes, I really do. So, I loved that coming out of nowhere and whooping me upside the head!
As Marc and Jason get to know each other, their relationship builds. I liked that build up and when it spilled over. I can't say I liked the reason it spilled over, and I'm not going to elaborate due to spoilers, but I think when it does spill over, it was exactly at the right time for these two.
It moves at speed sometimes, and slows up in others, just enough for you to catch up. It's dark and deadly, and sweet and emotional. Steamy and smexy. It hit all of the buttons I was expecting and some I wasn't.
I absolutely need to read book 3, but I've no clue who that would be or even IF there will be a book 3! And at some point, I'd like to go back and read book 1.
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1603 KP) rated Mayfair Madame (Mayfair heights #1) in Books
Sep 21, 2025
Ms Adams smashes it, she really does!
Independent reviewer for BookSirens, I was gifted my copy of this book.
Ok so!
I have followed Ms Adams from the beginning, and her skill as an author continues to grow. THIS book, though, is a step away from her usual fair, and I will be honest, wasn't sure how it was gonna go.
I need NOT have worried! Because Ms Adams smashed it, she really did!
Naomi lives in Mayfair Heights, and runs an escort business. A physical assault (on page, but needed) brings her into contact with Ellie Sharpe, a detective dealing with her case. For both of them, there is powerful attraction, but they cannot act on it, until the case is dropped and Ellie and Naomi are free to do as they wish. But someone doesn't want to let it go. And both women carry some emotional baggage. Can they find the love they both so desperately want and need?
I loved this, I really did.
I loved that both Naomi and Ellie have a say. I loved the way things developed between the two of them. I loved the emotional connection and how Naomi SAW Ellie, even if Ellie didn't want to be seen.
I loved the steam level here. While not especially explicit, the physical connection between Ellie and Naomi is powerful and it shows in the way they are together.
It is a bit darker, Naomi gets assaulted a couple of times, but I think it is needed to get the point across.
I LOVED the whole team who live in Mayfair Heights! Some characters have piqued my interest more than others, but they all pulled a string and I look forward to those strings being unravelled.
Thank you, Ms Adams, for falling in love with the cover, the picture portrays Naomi beautifully and I cannot wait to get to know the others in more detail.
5 full and shiny stars
*same worded review will appear elsewhere
Ok so!
I have followed Ms Adams from the beginning, and her skill as an author continues to grow. THIS book, though, is a step away from her usual fair, and I will be honest, wasn't sure how it was gonna go.
I need NOT have worried! Because Ms Adams smashed it, she really did!
Naomi lives in Mayfair Heights, and runs an escort business. A physical assault (on page, but needed) brings her into contact with Ellie Sharpe, a detective dealing with her case. For both of them, there is powerful attraction, but they cannot act on it, until the case is dropped and Ellie and Naomi are free to do as they wish. But someone doesn't want to let it go. And both women carry some emotional baggage. Can they find the love they both so desperately want and need?
I loved this, I really did.
I loved that both Naomi and Ellie have a say. I loved the way things developed between the two of them. I loved the emotional connection and how Naomi SAW Ellie, even if Ellie didn't want to be seen.
I loved the steam level here. While not especially explicit, the physical connection between Ellie and Naomi is powerful and it shows in the way they are together.
It is a bit darker, Naomi gets assaulted a couple of times, but I think it is needed to get the point across.
I LOVED the whole team who live in Mayfair Heights! Some characters have piqued my interest more than others, but they all pulled a string and I look forward to those strings being unravelled.
Thank you, Ms Adams, for falling in love with the cover, the picture portrays Naomi beautifully and I cannot wait to get to know the others in more detail.
5 full and shiny stars
*same worded review will appear elsewhere
Daniel Boyd (1066 KP) rated Bad Samaritan (2018) in Movies
Oct 3, 2018 (Updated Oct 3, 2018)
Tacky jump-scares (1 more)
Constantly asks you to accept huge leaps of logic
What A Waste
Bad Samaritan is a movie that I really should have liked. I am a huge fan of David Tennant, I love a decent thriller movie and the trailer for the movie teased an intriguing plot as well. Unfortunately, I didn't like much of it, in fact it really annoyed me how little I liked when watching this thing.
Let's start off with the cast. David Tennant is, - as he always is, - absolutely fantastic in this role. In any other better movie, he would be in with a shout for an award for this role, unfortunately he is surrounded by absolutely overwhelming amount of trash. Robert Sheehan does a serviceable job with what he has given, but some of the lines he delivers are just too forced and cheesy to be taken seriously. The actor playing his best friend is just playing a stereotypical nonchalant small time criminal. Kerry Condon plays the hostage that David Tennant is keeping in his house and she also does a decent enough job with the shoddy material she has been given to work with.
The only other positive that I can think of other than Tennant's performance, is the way that Tennant's character systematically ruins Sheehan's character's life. He makes him lose his job, he blackmails him via social media, he attacks his girlfriend and he wrecks his car. The way that this sequence played out reminded me of Frank Miller's Daredevil story Born Again, where Kingpin learns Daredevil's real identity and destroys his life piece by piece via the people he cares about. Don't get me wrong, it is done far better in Born Again and Born Again is a much better story overall than Bad Samaritan, but it was the only element of this movies plot that I liked other than what we already saw in the trailers.
Now that we have discussed the few positives that this movie has, let's go through everything else. First of all, I have never heard a more out-of-place, inappropriate score to go along with what is happening onscreen. It genuinely felt like a temp score that was put in preliminarily until the proper one was put in and then they just left it in and didn't bother going back to improve it.
Then there was the cheap jump-scares, Although they are mostly consigned to the first act in the movie, they are still far too frequent and totally unnecessary. The last one that I remember happening was so egregious, (when David Tennant was standing behind the detective outside the house,) it actually bordered on parody. There was no story justification for it whatsoever, why would this guy who is trying to appear normal and as if nothing is wrong, creep up behind a detective who is investigating him and just stand there like a creep to give him a fright? It makes absolutely no sense. To be honest, the movie is abundant with things that don't make any sense and you are almost constantly asked to make huge leaps of logic when watching it.
There's also the fact that this movie has no idea what it wants to be. Dean Devlin who directed this, also directed last year's Geostorm. Now Geostorm was a steaming pile of shit, but at least it knew what it wanted to be. The tone in Bad Samaritan is totally all over the place and doesn't work in any way or flow well at all. This movie also plays like a check-list of thriller movie clichés. Everything from cheesy flashbacks showing the villains messed up past to the detectives not believing the protagonist's claims even when he has photo evidence on his phone.
Overall, this film is a huge waste. David Tennant's fantastic performance that he puts in here as an unhinged, genuinely scary villain is wasted in this trash movie. The trailers showed us a potentially thrilling plot that could have really been exciting and engaging only to totally waste it on a flick full of mediocre production elements and a half baked storyline. The only reason that this scored 4 was because of Tennant's brilliant performance, if not for that, this movie would have scored a 2 at best.
Let's start off with the cast. David Tennant is, - as he always is, - absolutely fantastic in this role. In any other better movie, he would be in with a shout for an award for this role, unfortunately he is surrounded by absolutely overwhelming amount of trash. Robert Sheehan does a serviceable job with what he has given, but some of the lines he delivers are just too forced and cheesy to be taken seriously. The actor playing his best friend is just playing a stereotypical nonchalant small time criminal. Kerry Condon plays the hostage that David Tennant is keeping in his house and she also does a decent enough job with the shoddy material she has been given to work with.
The only other positive that I can think of other than Tennant's performance, is the way that Tennant's character systematically ruins Sheehan's character's life. He makes him lose his job, he blackmails him via social media, he attacks his girlfriend and he wrecks his car. The way that this sequence played out reminded me of Frank Miller's Daredevil story Born Again, where Kingpin learns Daredevil's real identity and destroys his life piece by piece via the people he cares about. Don't get me wrong, it is done far better in Born Again and Born Again is a much better story overall than Bad Samaritan, but it was the only element of this movies plot that I liked other than what we already saw in the trailers.
Now that we have discussed the few positives that this movie has, let's go through everything else. First of all, I have never heard a more out-of-place, inappropriate score to go along with what is happening onscreen. It genuinely felt like a temp score that was put in preliminarily until the proper one was put in and then they just left it in and didn't bother going back to improve it.
Then there was the cheap jump-scares, Although they are mostly consigned to the first act in the movie, they are still far too frequent and totally unnecessary. The last one that I remember happening was so egregious, (when David Tennant was standing behind the detective outside the house,) it actually bordered on parody. There was no story justification for it whatsoever, why would this guy who is trying to appear normal and as if nothing is wrong, creep up behind a detective who is investigating him and just stand there like a creep to give him a fright? It makes absolutely no sense. To be honest, the movie is abundant with things that don't make any sense and you are almost constantly asked to make huge leaps of logic when watching it.
There's also the fact that this movie has no idea what it wants to be. Dean Devlin who directed this, also directed last year's Geostorm. Now Geostorm was a steaming pile of shit, but at least it knew what it wanted to be. The tone in Bad Samaritan is totally all over the place and doesn't work in any way or flow well at all. This movie also plays like a check-list of thriller movie clichés. Everything from cheesy flashbacks showing the villains messed up past to the detectives not believing the protagonist's claims even when he has photo evidence on his phone.
Overall, this film is a huge waste. David Tennant's fantastic performance that he puts in here as an unhinged, genuinely scary villain is wasted in this trash movie. The trailers showed us a potentially thrilling plot that could have really been exciting and engaging only to totally waste it on a flick full of mediocre production elements and a half baked storyline. The only reason that this scored 4 was because of Tennant's brilliant performance, if not for that, this movie would have scored a 2 at best.
Darren (1599 KP) rated 13 Sins (2014) in Movies
Jun 20, 2019
Story: 13 Sins starts as Elliot Brindle (Webber) about to get married to Shelby (Wesley) and start his own family but because he isn’t as ruthless in his salesman job he loses his job making it difficult to supporting his mentally disabled brother Michael (Graye) and his bitter father (Bower).
Running out of options a chance phone call promises him money for doing something as simple as killing a fly once complete Elliot gets a second phone call with the promise of more money for a task. With two challenges down Elliot get offered a chance to enter into a game to complete in 11 more challenges to get more money that could change his life forever.
When the challenge starts to become very twisted it grabs the attention of Detective Chilcoat (Perlman) but just how far will Elliot will go for the money.
REPORT THIS AD
13 Sins gives us a horror thriller that pushes our character to the limit which is why I do think this is a very enjoyable. I will say it starts out slow and puts the character in a position that you would expect them to take the challenge by not knowing how far they would be pushed. This helps us think this would be hard to say no to. I will say this really pulls you in but I do think the certain moments at the end feel forced.
Actor Review
Mark Webber: Elliot Brindle is a down on his luck salesman who is about to get married, have his own child all while supporting his mentally disabled brother and alcoholic father. When he gets phone call he gets a chance to end all of his money troubles by completing a set of challenges, this will test Elliot to the very limits leaving us to wonder how far he will do. Mark is great in this role making us feel like he really is an average man struggling.
Devon Graye: Michael Brindle is the mentally disabled brother of Elliot who is about to find himself back in a home if his brother doesn’t find money to support him. Devon seems like an important character that just seems to get forgotten through the final outcome of the film.
Rutina Wesley: Shelby is the fiancée of Elliot who is getting ever so upset with Elliot on the day of the challenges because he is coming off distant but her relationship is important to everything that is happening. Rutina is basic in this supporting role because we don’t get the screen time.
Ron Perlman: Detective Chilcoat takes the case that Elliot finds himself causing him to discover what has been happening for years. Ron is solid in this supporting role that has a moment that is worth the wait nearer the end.
Support Cast: 13 Sins has a supporting cast that is included in the game in ways you have to figure out how they are involved.
Director Review: Daniel Stamm – Daniel gives us a thriller that is shocking in places as we just have to see how far we see our character go.
Horror: 13 Sins has gore moments that shock but filled with suspense around the gore.
Thriller: 13 Sins keeps us on edge as we wonder what will happen next in the game.
Settings: 13 Sins doesn’t have the most iconic locations which helps make us think it is in a small city but with the bigger picture of the game doesn’t work.
Special Effects: 13 Sins has great special effects used throughout with the gore factors.
Suggestion: 13 Sins is one for the horror fans to watch. (Horror Fans Watch)
Best Part: Final twist.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Would You Rather, Cheap Thrills
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 33 Minutes
Tagline: You don’t play the game. It plays you.
Overall: Surprisingly entertaining horror thriller keeping us guessing throughout.
https://moviesreview101.com/2016/10/03/movie-reviews-101-midnight-halloween-horror-13-sins-2014/
Running out of options a chance phone call promises him money for doing something as simple as killing a fly once complete Elliot gets a second phone call with the promise of more money for a task. With two challenges down Elliot get offered a chance to enter into a game to complete in 11 more challenges to get more money that could change his life forever.
When the challenge starts to become very twisted it grabs the attention of Detective Chilcoat (Perlman) but just how far will Elliot will go for the money.
REPORT THIS AD
13 Sins gives us a horror thriller that pushes our character to the limit which is why I do think this is a very enjoyable. I will say it starts out slow and puts the character in a position that you would expect them to take the challenge by not knowing how far they would be pushed. This helps us think this would be hard to say no to. I will say this really pulls you in but I do think the certain moments at the end feel forced.
Actor Review
Mark Webber: Elliot Brindle is a down on his luck salesman who is about to get married, have his own child all while supporting his mentally disabled brother and alcoholic father. When he gets phone call he gets a chance to end all of his money troubles by completing a set of challenges, this will test Elliot to the very limits leaving us to wonder how far he will do. Mark is great in this role making us feel like he really is an average man struggling.
Devon Graye: Michael Brindle is the mentally disabled brother of Elliot who is about to find himself back in a home if his brother doesn’t find money to support him. Devon seems like an important character that just seems to get forgotten through the final outcome of the film.
Rutina Wesley: Shelby is the fiancée of Elliot who is getting ever so upset with Elliot on the day of the challenges because he is coming off distant but her relationship is important to everything that is happening. Rutina is basic in this supporting role because we don’t get the screen time.
Ron Perlman: Detective Chilcoat takes the case that Elliot finds himself causing him to discover what has been happening for years. Ron is solid in this supporting role that has a moment that is worth the wait nearer the end.
Support Cast: 13 Sins has a supporting cast that is included in the game in ways you have to figure out how they are involved.
Director Review: Daniel Stamm – Daniel gives us a thriller that is shocking in places as we just have to see how far we see our character go.
Horror: 13 Sins has gore moments that shock but filled with suspense around the gore.
Thriller: 13 Sins keeps us on edge as we wonder what will happen next in the game.
Settings: 13 Sins doesn’t have the most iconic locations which helps make us think it is in a small city but with the bigger picture of the game doesn’t work.
Special Effects: 13 Sins has great special effects used throughout with the gore factors.
Suggestion: 13 Sins is one for the horror fans to watch. (Horror Fans Watch)
Best Part: Final twist.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Would You Rather, Cheap Thrills
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 33 Minutes
Tagline: You don’t play the game. It plays you.
Overall: Surprisingly entertaining horror thriller keeping us guessing throughout.
https://moviesreview101.com/2016/10/03/movie-reviews-101-midnight-halloween-horror-13-sins-2014/
Gareth von Kallenbach (980 KP) rated BlacKkKlansman (2018) in Movies
Jul 8, 2019
From Director Spike Lee comes the incredible story of true American hero. In the early 1970s, Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The movie is based on Stallworth’s 2014 book Black Klansman, which details his experience. When it came time to meet the Klan members face-to-face, he utilized the help of a white undercover narcotics officer (Adam Driver in the movie), who posed as Stallworth for all in-person meetings with the Klan. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Haley Mathiot (9 KP) rated The Better Part of Darkness (Charlie Madigan, #1) in Books
Apr 27, 2018
THE BETTER PART OF DARKNESS by Kelly Gay
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
Haley Mathiot (9 KP) rated A Sherlock Holmes Devotional: Uncovering the Mysteries of God in Books
Apr 27, 2018
Every once in a while I read a book that is just trying way too hard to be cool. Sadly, this is one of those books.
Sherlock Holmes was an amazing detective. The Bible is an amazing book. So why not make a Sherlock Holmes devotional? The answer is because the two are about totally different things, and when you try to make a secular thing spiritual, you end up with poison.
I requested this book with suspicion (the same publisher had a bunch of other awesome-looking books, and this was the only one I was iffy about), but I hoped it would surprise and maybe impress me. Sadly, it’s actually worse than I imagined.
For example: The first devotional is about the Case of the Cardboard Box, where a woman has a package delivered to her with two severed ears. The devotional goes on to praise Sherlock for solving the crime, and then diverts to “We can hear the voice of God. Sherlock said the ear is amazing. See how these two are connected?” And yes obviously that’s a paraphrase. But it was the point of the devotional.
In staying in this same idea, let me tell you a story and give you a practical on how it made me feel.
Did you know in the Appalachian mountains, some people put Mountain Dew in their babies bottles? It’s cheaper than milk and the kids get addicted to it young. Obviously it causes major health issues like diabetes and sever obesity, the kids end up loosing their teeth before they even break skin, and (though I haven’t researched it, I’m sure) that some have died.
In the same way, the Bible tells us that newer Christians thrive on smaller amounts of doctrine, simple statements of truth. In the new testament, a Christian not moving past that stage is considered an adult still drinking baby milk. But the milk isn’t enough, and eventually, their faith will die if they don’t move forward. So Mountain Dew is like Baby Milk. See how the two are connected?
Sorry, but this book isn’t baby food. It’s poison. I love Sherlock and I love Jesus. But I find this book offensive
Sherlock Holmes was an amazing detective. The Bible is an amazing book. So why not make a Sherlock Holmes devotional? The answer is because the two are about totally different things, and when you try to make a secular thing spiritual, you end up with poison.
I requested this book with suspicion (the same publisher had a bunch of other awesome-looking books, and this was the only one I was iffy about), but I hoped it would surprise and maybe impress me. Sadly, it’s actually worse than I imagined.
For example: The first devotional is about the Case of the Cardboard Box, where a woman has a package delivered to her with two severed ears. The devotional goes on to praise Sherlock for solving the crime, and then diverts to “We can hear the voice of God. Sherlock said the ear is amazing. See how these two are connected?” And yes obviously that’s a paraphrase. But it was the point of the devotional.
In staying in this same idea, let me tell you a story and give you a practical on how it made me feel.
Did you know in the Appalachian mountains, some people put Mountain Dew in their babies bottles? It’s cheaper than milk and the kids get addicted to it young. Obviously it causes major health issues like diabetes and sever obesity, the kids end up loosing their teeth before they even break skin, and (though I haven’t researched it, I’m sure) that some have died.
In the same way, the Bible tells us that newer Christians thrive on smaller amounts of doctrine, simple statements of truth. In the new testament, a Christian not moving past that stage is considered an adult still drinking baby milk. But the milk isn’t enough, and eventually, their faith will die if they don’t move forward. So Mountain Dew is like Baby Milk. See how the two are connected?
Sorry, but this book isn’t baby food. It’s poison. I love Sherlock and I love Jesus. But I find this book offensive
Rachel King (13 KP) rated Pumpkin Roll (A Culinary Mysteries, #6) in Books
Feb 11, 2019
This book is the most recent in a mystery series, but the first book I have read by Josi S. Kilpack. I do not read much in the mystery genre, but the cooking aspect of the book interested me enough to try this one. All of the page numbers to the recipes are listed nicely on the back of the first page, so I was able to check those out without having to search for them, and they do look like quite delicious recipes, perfect for this time of year.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
The main character is an older woman, Sadie Hoffmiller, who has recently opened a P.I. business in her hometown in Colorado, but has taken a vacation to Boston with her love interest, Pete, to house-sit and watch over his three grandsons. Right away she strikes me as both ultra-conservative - Sadie and Pete sleep in separate bedrooms - and a perfectionist. Not only is her cooking described in detail, but also her cleaning and personal grooming habits. She also comes off as a "busy-body" as she very quickly gets involved in the life of the woman who lives across the street and bears the reputation of a witch, the eccentric Mrs. Wapple. It is as if she is so addicted to her job back home that she must continue its nosy approach wherever she travels.
The city of Boston is obviously chosen for its proximity to Salem, Massachusetts and the many references and allusions to ghosts and witches throughout the plot. When pranks begin to strike in the house that Sadie and Pete are staying at, the obvious choice is ghosts, but their sensibilities and penchant for detective work prevent them from embracing this as the solution.
When something dire happens to Mrs. Wapple halfway through the book, Sadie is right in the thick of it, her curiosity taking prominence over even her duties as babysitter with Pete. Not even a vacation will deter her from solving yet another case.
On the whole, the book is entertaining, though Sadie can be annoying at times. Like any mystery, I want to know who is the responsible party, but my favorite part of this book is definitely the recipes.
Kristy H (1252 KP) rated The Stranger Diaries in Books
Apr 4, 2019 (Updated May 21, 2019)
Oh I love Elly Griffiths so much, and I was incredibly excited to win this book in a Goodreads Giveaway. It was so good! It's told in various points of view, including Clare's and that of Harbinder, an incredibly awesome Sikh lesbian Detective Constable. I mean... so cool. Harbinder attended Talgarth High in the past, so her former schooling memories are aligned with the current case.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.