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A collection of 145 video lessons for the Advanced Judo Enthusiast. Lessons include: 80 Techniques...
Haley Mathiot (9 KP) rated The Sugarless Plum in Books
Apr 27, 2018
Zippora’s memoir is touching, inspirational, dramatic, and profound. I felt 100% in her shoes through her story, not just because I am a dancer and can relate to a lot of the experiences, but because of the way she has written it. She writes like the whole thing is magic—because Ballet is magic. I just can’t think of words to describe how much I loved this book.
There was a lot of information about Diabetes in the text, and I did skip over a paragraph occasionally. But for the most part it all fit in perfect. She described how she worried about how much Insulin to take before a show so that she wouldn't faint on stage. She told about how she was in complete denial for a while. She told about the horror to find that after she broke down and tested her blood after eating off-diet for so long, and her reading was off the charts—and another time, while she was having short black-outs, her reading was so low she didn’t know that a human’s blood sugar level could get that low… and how she felt in all those situations.
How Zippora felt was a key element running through the book. It wasn’t just “this is my story, hope you enjoy.” No, it was “First this happened. It looked like this, it felt like this, it smelled and tasted like this. Then this happened!”
Would a non-dancer relate to this book? Yes I believe they would. Maybe they wouldn’t have the same respect for what she went through as I do, but they would still relate. I danced through injuries and illnesses and partnered people who could at any moment throw up all over me and had six hour rehearsals en pointe and stayed at the studio from 8:00am to 7:30 pm with only a few crackers and water keeping me alive and ate dinner at 11:30 at night. I remember how it feels. But Zippora’s memoir tells us how it is in the professional world—which is all that I mentioned to a higher degree—and does it in a way that you don’t have to have that background to understand and relate to it and feel it (Although dancers will know what a pirouette or a tendue is without the explanation that she gives. At least the better if they call themselves dancers :).
THE SUGARLESS PLUM wasn’t just for dancers. It’s for anyone who dreams of the stage. Any athlete who suffers from an illness or an injury, either Diabetes or otherwise. It shows people that although they may not be able to overcome or fix a chronic disease, but it is possible to achieve your goal and cope with it and still achieve what you dream of most.
Content: There is one scene with brief mention of sex but no explicit details, and there is no language.
Recommendation: Ages 12+ to anyone who has ever dreamed about the stage, any athlete who suffers from Diabetes and needs encouragement, or anyone who loves a touching and inspirational memoir.
There was a lot of information about Diabetes in the text, and I did skip over a paragraph occasionally. But for the most part it all fit in perfect. She described how she worried about how much Insulin to take before a show so that she wouldn't faint on stage. She told about how she was in complete denial for a while. She told about the horror to find that after she broke down and tested her blood after eating off-diet for so long, and her reading was off the charts—and another time, while she was having short black-outs, her reading was so low she didn’t know that a human’s blood sugar level could get that low… and how she felt in all those situations.
How Zippora felt was a key element running through the book. It wasn’t just “this is my story, hope you enjoy.” No, it was “First this happened. It looked like this, it felt like this, it smelled and tasted like this. Then this happened!”
Would a non-dancer relate to this book? Yes I believe they would. Maybe they wouldn’t have the same respect for what she went through as I do, but they would still relate. I danced through injuries and illnesses and partnered people who could at any moment throw up all over me and had six hour rehearsals en pointe and stayed at the studio from 8:00am to 7:30 pm with only a few crackers and water keeping me alive and ate dinner at 11:30 at night. I remember how it feels. But Zippora’s memoir tells us how it is in the professional world—which is all that I mentioned to a higher degree—and does it in a way that you don’t have to have that background to understand and relate to it and feel it (Although dancers will know what a pirouette or a tendue is without the explanation that she gives. At least the better if they call themselves dancers :).
THE SUGARLESS PLUM wasn’t just for dancers. It’s for anyone who dreams of the stage. Any athlete who suffers from an illness or an injury, either Diabetes or otherwise. It shows people that although they may not be able to overcome or fix a chronic disease, but it is possible to achieve your goal and cope with it and still achieve what you dream of most.
Content: There is one scene with brief mention of sex but no explicit details, and there is no language.
Recommendation: Ages 12+ to anyone who has ever dreamed about the stage, any athlete who suffers from Diabetes and needs encouragement, or anyone who loves a touching and inspirational memoir.
Lee (2222 KP) rated Santa Clarita Diet - Season 3 in TV
Apr 7, 2019
I remember watching season 1 of Santa Clarita Diet and wondering after just a few episodes if it would ever make it to another season. Don't get me wrong, I loved the humour and the craziness of the show, but wasn’t sure how they would ever manage to stretch the idea out any further than that. Well, we're now onto season 3 of what has proven to be one of the funniest and most consistently well written shows around right now, with no signs of it slowing down anytime soon.
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
iGym PRO - Gym Workout Log. Exercise journal, bodybuilding & fitness routines for bulking & cutting, abs carving. Body measurements diary. Weight loss & mass tracker.
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The very best, handy and simple gym assistant! Experience the new level of working out with iGym! -...
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Change the BPM of your music! Perfect for Runners, Cyclists, DJs, Music Instructors and Dance...
Movie Metropolis (309 KP) rated Thor (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel films have become a staple for any movie fan’s diet over the past few years. We’ve had some bloody fantastic ones; Spiderman 2, Iron Man and the second X-Men to name a few; and we’ve had some pretty rubbish ones, Hulk, The Fantastic Four and Spiderman 3 are ones that spring to mind.
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/