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Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
Diverse casting (no, seriously.) (6 more)
STRONG WOMEN
Subverting stereotypes all day long
Excellent soundtrack
Ambiguous "villain"
Representation
The seamless blending of tech and tradition
BEST. MARVEL. MOVIE.
Contains spoilers, click to show
OH my god. This was definitely the best Marvel movie yet. Chadwick Boseman was absolutely amazing as T'Challa. (Warning, SPOILERS AHEAD.)
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
Alice (12 KP) rated Cruel Crown: Two Red Queen Short Stories in Books
Jul 3, 2018
Many thanks to the publisher for providing me with a copy of this book in exchange for an honest review
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.
Goddess in the Stacks (553 KP) rated My Life with Bob in Books
Sep 13, 2018
I need to read more books about books, because the few that I've read, I've really enjoyed! Earlier this year I read Tolstoy and the Purple Chair, and loved it. I have holds on Voracious: A Hungry Reader Cooks Her Way Through Great Books and The World Between Two Covers: Reading the Globe. (I also have a hold on The Man Who Loved Books Too Much, but I'm not sure that quite counts.) And, in looking up the links for those books, I just put holds on three more books about reading, since this is a genre I apparently enjoy!
My Life with Bob is about the author's reading life. Bob is a notebook she uses to keep track of what she's read. Just title and author, and whether or not she's finished it. Very simple. But in looking back through what she's read, she recalls where she was, and what she was doing or going through at the time. So the real story is how her reading choices fit into her life, and how being a bookworm affected her life.
I enjoyed the book, with the slight irritation (in the latter part of the book) of her insistence on calling Young Adult literature, Children's Lit. Children's books are picture books and books for young readers, not The Fault in Our Stars and The Hunger Games. Those are Young Adult, and there's a pretty big difference in my opinion. Maybe not in the professional world; she is the editor of The New York Times Book Review. But it's frustrating to hear her talk about Kid Lit and lump Harry Potter in with a 36-page autobiography of a teddy bear written for kids under 10.
I was also a little shocked to learn (in the book!) she wrote a book about how porn is destroying the American family, and testified before Congress about it, sponsored by Senators Orrin Hatch and Sam Brownback. I normally don't have a problem reading Republican authors - I often don't know the exact political leanings of authors - but I'm reading about her reading choices, and suddenly they are all suspect. (She disliked Ayn Rand, at least, so that's something.) The book was published in May of last year, so after the last presidential election. Anyone who acknowledges working with the GOP at this point, and isn't embarrassed by it, immediately gets a black mark in my book.
So ultimately I'm torn on this book. I liked reading it. I dislike the author. (I will never even try to be non-political on this blog. Sorry-not-sorry.)
You can find all my reviews at http://goddessinthestacks.com
My Life with Bob is about the author's reading life. Bob is a notebook she uses to keep track of what she's read. Just title and author, and whether or not she's finished it. Very simple. But in looking back through what she's read, she recalls where she was, and what she was doing or going through at the time. So the real story is how her reading choices fit into her life, and how being a bookworm affected her life.
I enjoyed the book, with the slight irritation (in the latter part of the book) of her insistence on calling Young Adult literature, Children's Lit. Children's books are picture books and books for young readers, not The Fault in Our Stars and The Hunger Games. Those are Young Adult, and there's a pretty big difference in my opinion. Maybe not in the professional world; she is the editor of The New York Times Book Review. But it's frustrating to hear her talk about Kid Lit and lump Harry Potter in with a 36-page autobiography of a teddy bear written for kids under 10.
I was also a little shocked to learn (in the book!) she wrote a book about how porn is destroying the American family, and testified before Congress about it, sponsored by Senators Orrin Hatch and Sam Brownback. I normally don't have a problem reading Republican authors - I often don't know the exact political leanings of authors - but I'm reading about her reading choices, and suddenly they are all suspect. (She disliked Ayn Rand, at least, so that's something.) The book was published in May of last year, so after the last presidential election. Anyone who acknowledges working with the GOP at this point, and isn't embarrassed by it, immediately gets a black mark in my book.
So ultimately I'm torn on this book. I liked reading it. I dislike the author. (I will never even try to be non-political on this blog. Sorry-not-sorry.)
You can find all my reviews at http://goddessinthestacks.com
Hazel (1853 KP) rated Unremembered (Unremembered, #1) in Books
Dec 17, 2018
<i>Unremembered</i> is the first in a young adult, science-fiction trilogy by American author, Jessica Brody. Set in current day California, <i>Unremembered</i> is told from the point of view of a sixteen-year-old girl, Seraphina, who has no memories of anything prior to the first page of the book.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
365Flicks (235 KP) rated Bornless Ones (2016) in Movies
Nov 20, 2019
Take 4 Outrageously good looking guys and gals, A 5th guy with some sort of life challenging disease… Move them into a new out of the way house with a secret history, not to far from an Institution, Have them desecrate and destroy what look to be supernatural symbols boarding up the windows and you have Bornless Ones… Oh and there is scary possession, Craziness and a fair bit of really well done gore, Seriously well done Gore!!!
Now that’s not to say that this movie lacks originality in any way because it really does not. Ok we may have seen the creepy house in the middle of nowhere that scares the crap out of its occupants before, but can we really ever get too much of that. The difference I found was that Bornless Ones is in many ways a spiritual cousin to movies like Evil Dead and in many ways actually betters what has come before in its Genre. One of those ways is the performance our cast put in.
Emily (Margaret Judson – The Newsroom) has decided that she cant look after her Cerebal Palsy suffering brother Zach (Micheal Johnston – MTV’s Teen Wolf) anymore, she is going to move him to an institution. However fearing he is going to be too far away from her, Emily and her boyfriend Jesse (Devin Goodsell) buy a house nearby, the house has a past. Emily and Jesse are accompanied by there friends Woodrow (Mark Furze – Home and Away, Underbelly) and Michelle (Bobby T) to help them move in. That’s when the movie cranks it up to 11 and everything goes nuts as our core characters are taken hold of by a paranormal force one by one and must fight for survival.
My horror kick has absolutely continued into 2017 and Bornless Ones was a fantastic place to start. Its a hell of a lot more Evil Dead than the Evil Dead Remake which sucked and this movie really had me in from the start. It does help that it wastes no time at all, no sooner had they all moved in and the shenanigans began.
Alexander Babaev has done a great job on Directing and Writing with this movie and while it falls into the Indie bracket of movies it deserves to be seen by a wider audience. The acting from our core cast is better than you might expect, infact they all smash it out of the park. The acting once possession has taken hold is creepy as shit and utterly compelling.
Bornless Ones is definitely worth a watch if you are a fan of this genre, it is a lot better than most of the possession movies coming out these days. Give it a try…
Now that’s not to say that this movie lacks originality in any way because it really does not. Ok we may have seen the creepy house in the middle of nowhere that scares the crap out of its occupants before, but can we really ever get too much of that. The difference I found was that Bornless Ones is in many ways a spiritual cousin to movies like Evil Dead and in many ways actually betters what has come before in its Genre. One of those ways is the performance our cast put in.
Emily (Margaret Judson – The Newsroom) has decided that she cant look after her Cerebal Palsy suffering brother Zach (Micheal Johnston – MTV’s Teen Wolf) anymore, she is going to move him to an institution. However fearing he is going to be too far away from her, Emily and her boyfriend Jesse (Devin Goodsell) buy a house nearby, the house has a past. Emily and Jesse are accompanied by there friends Woodrow (Mark Furze – Home and Away, Underbelly) and Michelle (Bobby T) to help them move in. That’s when the movie cranks it up to 11 and everything goes nuts as our core characters are taken hold of by a paranormal force one by one and must fight for survival.
My horror kick has absolutely continued into 2017 and Bornless Ones was a fantastic place to start. Its a hell of a lot more Evil Dead than the Evil Dead Remake which sucked and this movie really had me in from the start. It does help that it wastes no time at all, no sooner had they all moved in and the shenanigans began.
Alexander Babaev has done a great job on Directing and Writing with this movie and while it falls into the Indie bracket of movies it deserves to be seen by a wider audience. The acting from our core cast is better than you might expect, infact they all smash it out of the park. The acting once possession has taken hold is creepy as shit and utterly compelling.
Bornless Ones is definitely worth a watch if you are a fan of this genre, it is a lot better than most of the possession movies coming out these days. Give it a try…
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