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Bob Mann (459 KP) rated The Circle (2017) in Movies
Sep 29, 2021
Social Media involvement in political manipulation? Don’t be ridiculous!
Set in the near future “The Circle” tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said “like”!) Emma Watson (“Beauty and the Beast“) plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, “Guardians of the Galaxy“, “Doctor Who”) but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having “executive potential” by the charismatic CEO Bailey (Tom Hanks, “Bridge of Spies“) and his more taciturn sidekick Stenton (US comedian Patton Oswalt).
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Abandoned Things
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Frankie is a fifth-year college student with a secret. He's the writer and creator of the popular...
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BankofMarquis (1832 KP) rated Paths of Glory (1957) in Movies
Feb 18, 2024
Early Kubrick Masterpiece
Dore Schary, then head of production of MGM, like Stanley Kubrick’s first film, THE KILLING (1956) so he hired Kubrick to develop film stories from the studios pile of scripts and purchased novels. Finding nothing the he liked, Kubrick remembered reading Humprhey Cobb’s anti-war novel PATHS OF GLORY and suggested that. Schary (like every other studio exec in Hollywood at the time) turned down the opportunity to make this bleak anti-war film.
When Schary was fired by MGM, Kubrick went to Kirk Douglas (who liked THE KILLING as well and was anxious to work with Kubrick). Using his clout as one of the Major Stars of Hollywood at the time, Douglas got United Artists to agree to make the picture.
Starring Douglas, PATHS OF GLORY tells the WWI tale of a group of soldiers who mutiny when asked to take on a suicide mission to take the impregnable “ANTHILL”.
In this film, Kubrick starts to come into his own as a unique and visionary filmmaker who would insist on take after take until he got the exact shot he was looking for.
The highlight of the film is the 5 minute tracking shot of the troops attacking the Anthill, a tracking shot that films such as SAVING PRIVATE RYAN and 1917 owe a debt to. It is a masterclass of filmmaking from Kubrick.
As for Douglas – who was also used to having complete control of his films – PATHS OF GLORY was a battle of wills between Kubrick and Douglas with each man coming out on top (at times)…to the betterment of the film.
On the acting front, Douglas has never been better as the Commander of the unit that has the mutiny and who decides to defend the soldiers who are on trial for mutiny and cowardice and who quickly realizes that the trial is a sham and that there is no way for him these soldiers to get a fair trial.
Adolph Menjou (the 1937 version of A STAR IS BORN) and George Macready (GILDA) are appropriately blustery and out-of-touch as the Senior Officers who give (and then defend) their impossible orders. Richard Anderson (Oscar in the SIX MILLION DOLLAR MAN) is slimey and slippery as the prosecuting attorney (who knows that the outcome of the trial is a done-deal) while Ralph Meeker (THE DIRTY DOZEN), Joe Turkel (the bartender in THE SHINING) and Timothy Carey (who famously clashed with Kubrick during filming in a calculated attempt to get some publicity for himself and was subsequently fired from the film) are the unfortunate 3 who are put on trial as representatives of their troops while the outstanding performance in this film is fomer child actor Wayne Morris (KID GALAHAD) as drunken Lt. Roget.
Even though this film is about ½ war battle film and ½ a court-room drama, it is the visuals of the folly of war that will stick with the audience long after it is over…and stick with it it does as this film was selected for preservation in the United States Film Registry in 1992 and is still listed in IMDB’s TOP 100 Rated films.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
When Schary was fired by MGM, Kubrick went to Kirk Douglas (who liked THE KILLING as well and was anxious to work with Kubrick). Using his clout as one of the Major Stars of Hollywood at the time, Douglas got United Artists to agree to make the picture.
Starring Douglas, PATHS OF GLORY tells the WWI tale of a group of soldiers who mutiny when asked to take on a suicide mission to take the impregnable “ANTHILL”.
In this film, Kubrick starts to come into his own as a unique and visionary filmmaker who would insist on take after take until he got the exact shot he was looking for.
The highlight of the film is the 5 minute tracking shot of the troops attacking the Anthill, a tracking shot that films such as SAVING PRIVATE RYAN and 1917 owe a debt to. It is a masterclass of filmmaking from Kubrick.
As for Douglas – who was also used to having complete control of his films – PATHS OF GLORY was a battle of wills between Kubrick and Douglas with each man coming out on top (at times)…to the betterment of the film.
On the acting front, Douglas has never been better as the Commander of the unit that has the mutiny and who decides to defend the soldiers who are on trial for mutiny and cowardice and who quickly realizes that the trial is a sham and that there is no way for him these soldiers to get a fair trial.
Adolph Menjou (the 1937 version of A STAR IS BORN) and George Macready (GILDA) are appropriately blustery and out-of-touch as the Senior Officers who give (and then defend) their impossible orders. Richard Anderson (Oscar in the SIX MILLION DOLLAR MAN) is slimey and slippery as the prosecuting attorney (who knows that the outcome of the trial is a done-deal) while Ralph Meeker (THE DIRTY DOZEN), Joe Turkel (the bartender in THE SHINING) and Timothy Carey (who famously clashed with Kubrick during filming in a calculated attempt to get some publicity for himself and was subsequently fired from the film) are the unfortunate 3 who are put on trial as representatives of their troops while the outstanding performance in this film is fomer child actor Wayne Morris (KID GALAHAD) as drunken Lt. Roget.
Even though this film is about ½ war battle film and ½ a court-room drama, it is the visuals of the folly of war that will stick with the audience long after it is over…and stick with it it does as this film was selected for preservation in the United States Film Registry in 1992 and is still listed in IMDB’s TOP 100 Rated films.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Two Jersey Brothers: Stories from Our Haledon Boyhood 1939-1953
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Two Jersey Brothers recounts the boyhoods of brothers Nick and Bob Finamore in the small, quiet,...
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Kristy H (1252 KP) rated The Suspect (Kate Waters #3) in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Intruiging, winning tale
Eighteen-year-old Alexandra O'Connor and Rosie Shaw are backpacking in Thailand for three months. But when they don't contact their families as scheduled, panic ensues. They are reported missing, and journalist Kate Waters begins covering the case as well. But this one feels especially close to her heart, as she can't help but think of her own son, Jake, who has been overseas traveling for two years. As it quickly becomes clear that there's more to Rosie and Alex's case than meets the eye, Kate will soon be drawn to into their world.
For some reason, I must have forgotten that this was another Kate Waters book, so I was really excited when I started reading and realized that both she and DI Bob Sparkes were back in this one. I really liked Barton's previous two books featuring Kate and Bob, THE WIDOW and The Child, and this one was no exception. By this point, they are starting to feel like old friends.
The story is told via short chapters from various points of view: Kate, Bob, and Alex's mother, Lesley. We also get flashbacks to Alex in Bangkok. It's all very effective, as the result is very easy-to read. The story moves along steadily, and it kept me very interested and wondering what had happened to the girls. I also found the story a little frightening and, as many thrillers do, it made me quite frightened for my children to grow up and leave the house!
Kate was her usual self--I just always find myself drawn to her. She's determined and tough, yet vulnerable. I don't know much about the press, especially not in the U.S., but Barton's take on Kate always seems really authentic to me. This makes sense, considering Barton is a former U.K. journalist: it shows. I always enjoy how focused Kate is: ready to do nearly anything to get her story. What's great about this novel is that Barton throws in a compelling personal aspect for both Kate and Bob; for Kate, it really shakes up her take on reporting, which is truly her one constant in life. While it's not easy for her (or for me, really, since I have grown to care for her), I found it interesting to watch her grapple with this. Kate also has to look at the truth and how she might present it when it's more personal for her. It's a stark dilemma, and made the book more fascinating.
"Being a reporter is touchy-feely...We're not here to observe the news happening through a telescope--or Google. You've got to plunge yourself into this job so you can feel things, see things up close, understand them. You've got to get your hands dirty. Right up to the elbows."
At the core, though, there's a very intriguing plot here: what happened to Alex and Rosie? I found the book to be really interesting, and I was sucked up along with Kate and Bob, trying to piece together the various clues as to what had happened. There are several great twists and turns thrown in: a few I guessed at, several that really surprised me. The book does a great job at exploring how the media can put a person on trial, as well as the way we portray ourselves on social media versus what's really happening behind the scenes. All the various shades of truth being presented in different facets--all quite interesting.
Overall, this one was a winner for me. It featured some characters that are old favorites, a compelling mystery, and some intriguing personal elements for said characters. I certainly hope Bob and Kate make a return appearance in another Barton book.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
For some reason, I must have forgotten that this was another Kate Waters book, so I was really excited when I started reading and realized that both she and DI Bob Sparkes were back in this one. I really liked Barton's previous two books featuring Kate and Bob, THE WIDOW and The Child, and this one was no exception. By this point, they are starting to feel like old friends.
The story is told via short chapters from various points of view: Kate, Bob, and Alex's mother, Lesley. We also get flashbacks to Alex in Bangkok. It's all very effective, as the result is very easy-to read. The story moves along steadily, and it kept me very interested and wondering what had happened to the girls. I also found the story a little frightening and, as many thrillers do, it made me quite frightened for my children to grow up and leave the house!
Kate was her usual self--I just always find myself drawn to her. She's determined and tough, yet vulnerable. I don't know much about the press, especially not in the U.S., but Barton's take on Kate always seems really authentic to me. This makes sense, considering Barton is a former U.K. journalist: it shows. I always enjoy how focused Kate is: ready to do nearly anything to get her story. What's great about this novel is that Barton throws in a compelling personal aspect for both Kate and Bob; for Kate, it really shakes up her take on reporting, which is truly her one constant in life. While it's not easy for her (or for me, really, since I have grown to care for her), I found it interesting to watch her grapple with this. Kate also has to look at the truth and how she might present it when it's more personal for her. It's a stark dilemma, and made the book more fascinating.
"Being a reporter is touchy-feely...We're not here to observe the news happening through a telescope--or Google. You've got to plunge yourself into this job so you can feel things, see things up close, understand them. You've got to get your hands dirty. Right up to the elbows."
At the core, though, there's a very intriguing plot here: what happened to Alex and Rosie? I found the book to be really interesting, and I was sucked up along with Kate and Bob, trying to piece together the various clues as to what had happened. There are several great twists and turns thrown in: a few I guessed at, several that really surprised me. The book does a great job at exploring how the media can put a person on trial, as well as the way we portray ourselves on social media versus what's really happening behind the scenes. All the various shades of truth being presented in different facets--all quite interesting.
Overall, this one was a winner for me. It featured some characters that are old favorites, a compelling mystery, and some intriguing personal elements for said characters. I certainly hope Bob and Kate make a return appearance in another Barton book.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Heather Cranmer (2721 KP) rated If You Find Me in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I read about this book from a blog, and I was intrigued. I knew this was one book I had to read. When I found out I had won a copy through a blog competition, I was thrilled! Luckily, I wasn't disappointed with If You Find Me by Emily Murdoch. I absolutely loved the plot twists!!
Carey is a fifteen year old girl who lives in the middle of the woods. Her mother is a meth addict, so she's left Carey alone to fend for herself and to take care of her 6 year old sister Janessa. When Carey and her sister are taken from all they've ever known and thrust into "normal" life, Carey doesn't know if she'll be able to cope. However, the "normal" world will make her question everything she's ever known especially when it comes to her mother.
I just want to say that the title of this book is actually mentioned in the book! Aside from that, the title does suit the book very well. Carey seems lost all throughout the book so the title fits with the theme.
I like the cover for the most part although I would've preferred to see maybe a dirty Carey instead of a normal looking teenage girl. I do enjoy the woods in the background especially since that's where Carey was raised.
As for the world building, I think it was good, but it could've been more believable. The way Carey spoke was a little too polished for what I would imagine a girl who grew up away from civilization to speak. I know that it mentions how Carey taught her and her sister to read and such from books her mother brought home, but still. I also thought Carey started speaking "normally" all too soon. Perhaps that's just me since I've never grown up away from civilization.
The pacing was great in If You find Me. It did start off a bit slow, and I was wondering if I was just in for one big disappointment. I was lucky because the pacing picked up within the next couple of chapters, and I was in for one smooth ride. I couldn't put the book down after that.
The characters were very well developed, and I found myself relating to all of them as best as my experience would let me. I loved Carey and how strong she was after how much she had endured. I thought Janessa was just the sweetest little girl. I could feel how much she loved Carey and how much Carey loved her. Delaney was written as a great mean girl. I found myself wanting to slap her so many times throughout the book!! Ryan was adorable, and I loved how he treated Carey. My favorite character though was Pixie. She was the best friend I wished I had. I absolutely loved her dress sense as well!
As for the dialogue, I loved Carey's internal monologue the most. I loved reading about what she thought and felt about everything. The way the characters interacted with each other was never awkward at all. The whole dialogue ran smoothly. I don't really remember any swearing in this book either.
The only disappointing thing I found was the ending. It left me wanting to know what ever became of Carey after the big reveal. I don't want to go into details due to spoilers, but if you read it, you'll know what I mean.
If You Find Me by Emily Murdoch is an easy and enjoyable read that will leave readers thinking about it long after they've finished reading it. It is a very thought provoking piece of literature.
I'd recommend this book to everyone aged 13+ who wants to read something stimulating!
If You Find Me by Emily Murdoch gets a 4.5 out of 5.
I read about this book from a blog, and I was intrigued. I knew this was one book I had to read. When I found out I had won a copy through a blog competition, I was thrilled! Luckily, I wasn't disappointed with If You Find Me by Emily Murdoch. I absolutely loved the plot twists!!
Carey is a fifteen year old girl who lives in the middle of the woods. Her mother is a meth addict, so she's left Carey alone to fend for herself and to take care of her 6 year old sister Janessa. When Carey and her sister are taken from all they've ever known and thrust into "normal" life, Carey doesn't know if she'll be able to cope. However, the "normal" world will make her question everything she's ever known especially when it comes to her mother.
I just want to say that the title of this book is actually mentioned in the book! Aside from that, the title does suit the book very well. Carey seems lost all throughout the book so the title fits with the theme.
I like the cover for the most part although I would've preferred to see maybe a dirty Carey instead of a normal looking teenage girl. I do enjoy the woods in the background especially since that's where Carey was raised.
As for the world building, I think it was good, but it could've been more believable. The way Carey spoke was a little too polished for what I would imagine a girl who grew up away from civilization to speak. I know that it mentions how Carey taught her and her sister to read and such from books her mother brought home, but still. I also thought Carey started speaking "normally" all too soon. Perhaps that's just me since I've never grown up away from civilization.
The pacing was great in If You find Me. It did start off a bit slow, and I was wondering if I was just in for one big disappointment. I was lucky because the pacing picked up within the next couple of chapters, and I was in for one smooth ride. I couldn't put the book down after that.
The characters were very well developed, and I found myself relating to all of them as best as my experience would let me. I loved Carey and how strong she was after how much she had endured. I thought Janessa was just the sweetest little girl. I could feel how much she loved Carey and how much Carey loved her. Delaney was written as a great mean girl. I found myself wanting to slap her so many times throughout the book!! Ryan was adorable, and I loved how he treated Carey. My favorite character though was Pixie. She was the best friend I wished I had. I absolutely loved her dress sense as well!
As for the dialogue, I loved Carey's internal monologue the most. I loved reading about what she thought and felt about everything. The way the characters interacted with each other was never awkward at all. The whole dialogue ran smoothly. I don't really remember any swearing in this book either.
The only disappointing thing I found was the ending. It left me wanting to know what ever became of Carey after the big reveal. I don't want to go into details due to spoilers, but if you read it, you'll know what I mean.
If You Find Me by Emily Murdoch is an easy and enjoyable read that will leave readers thinking about it long after they've finished reading it. It is a very thought provoking piece of literature.
I'd recommend this book to everyone aged 13+ who wants to read something stimulating!
If You Find Me by Emily Murdoch gets a 4.5 out of 5.