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Sean Farrell (9 KP) rated The Hatching (The Hatching #1) in Books
Mar 15, 2018
Some people find spiders horrifying, others don't have much problem with them. I belong to the former group, and as such, found much in this book to creep me out. The story follows a large and diverse cast of characters located around the world, as a series of bizarre incidences involving spiders begins to point towards a larger disaster looming around the corner. With the cast featuring everyone from doomsday preppers to an FBI agent to an arachnologist to the President of the United States, it's practically a who's who of monster and disaster movie cliches. But thanks to the brisk pace and effectively gross manner of death, this combination of "Arachnophobia", "Alien" and pretty much any Roland Emmerich blockbuster winds up being very hard to put down. There are a few flaws, like some forced-feeling romance elements, and far too many of the characters being described as very attractive. The complete lack of any resolution presented by the ending is a bit of a disappointment as well, though I am left definitely interested in the next book. I don't know how much the type of person who would happily let a tarantula crawl up their arm will get out of this, but for everyone else, you will likely find yourself checking the corners of your walls for a couple days after finishing.
Movie Metropolis (309 KP) rated Geostorm (2017) in Movies
Jun 10, 2019
The 90's are back
I’ve got to start by telling you I wasn’t holding out much hope for Geostorm and that’s for quite a few reasons. Firstly, Gerard Butler’s career has been on a bit of a slide recently.
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Cybill Disobedience
Book
If you only ever buy one Hollywood autobiography make it this one. Sassy, shocking, funny and...
Awix (3310 KP) rated Earthquake (1974) in Movies
Mar 21, 2021 (Updated Mar 21, 2021)
Archetypal piece of mid-70s schlock hits all the usual disaster movie beats: slowish first half introduces various characters, attempts to drum up a sense of foreboding, then everything goes shaky and there are various subplots of people struggling amongst the rubble. A tone of rugged stoicism is usually predominant.
You can almost sense the modern blockbuster struggling to be born here - high concept, low credibility, lots of special effects, John Williams score - but the film is let down by some wobbly production values and questionable casting choices. (The subtext is surprisingly reactionary and morally inflexible, too.) All the bits which make it most entertaining nowadays - Marjoe Gortner as an unhinged national guardsman, Richard Rowntree's motorcycle daredevil, Walter Matthau's dancing drunk - are the parts which are the most camp and ridiculous. Sort of entertaining if you enjoy this kind of bombastic studio silliness.
You can almost sense the modern blockbuster struggling to be born here - high concept, low credibility, lots of special effects, John Williams score - but the film is let down by some wobbly production values and questionable casting choices. (The subtext is surprisingly reactionary and morally inflexible, too.) All the bits which make it most entertaining nowadays - Marjoe Gortner as an unhinged national guardsman, Richard Rowntree's motorcycle daredevil, Walter Matthau's dancing drunk - are the parts which are the most camp and ridiculous. Sort of entertaining if you enjoy this kind of bombastic studio silliness.
Awix (3310 KP) rated Deepwater Horizon (2016) in Movies
May 23, 2019
True-life disaster movie permits the audience to feel good about paying their respects to victims of a genuine tragedy while still having all the fun of watching tons of stuff blow up. Marky Mark Wahlberg, Kurt Russell and his moustache, and various other characters head off to the titular rig, where evil corporate suits in pursuit of the bottom line (boo!) force them to cut costs, imperil safety standards, and so on. Sure enough, something important eventually goes boom.
I don't mean to sound glib about events in which nearly a dozen people died, but the fact is that this is a pretty glib movie - structured like a thriller, clearly designed to entertain, and making full use of its factual basis to include stuff you just wouldn't believe in a work of fiction (one character gets an award for his safety record literally an hour before his oil rig explodes). Capably done and exciting entertainment, but at the same time you are (on some level) watching real people die - I know many people don't have an issue with that, but it makes me uncomfortable, no matter how gravely reverential the film tries to be.
I don't mean to sound glib about events in which nearly a dozen people died, but the fact is that this is a pretty glib movie - structured like a thriller, clearly designed to entertain, and making full use of its factual basis to include stuff you just wouldn't believe in a work of fiction (one character gets an award for his safety record literally an hour before his oil rig explodes). Capably done and exciting entertainment, but at the same time you are (on some level) watching real people die - I know many people don't have an issue with that, but it makes me uncomfortable, no matter how gravely reverential the film tries to be.
LoganCrews (2861 KP) rated Underwater (2020) in Movies
Sep 21, 2020
Decent, what is essentially 𝘌𝘶𝘳𝘰𝘱𝘢 𝘙𝘦𝘱𝘰𝘳𝘵 meets 𝘋𝘦𝘦𝘱𝘸𝘢𝘵𝘦𝘳 𝘏𝘰𝘳𝘪𝘻𝘰𝘯 without the fun, tantalizing lore of either. First 15 minutes and last 15 minutes are fucking banger (and terrifying, case #5,000 on why I'll never so much as dip a toe in the ocean), though everything sandwiched between is a mixed bag - I'll give it credit that it gets right into it with maybe only 30 or so seconds of exposition; but it isn't always intense enough to be this brisk and the editing can be a bit of a mess, so much is easy to miss. I'll credit Stewart acting the house down for saving this movie, while the rest of the cast... exists. Occasionally falls into your conventional modern horror movie traps but not nearly as much as you'd expect. Looks way better in the interior environments as opposed to the actual underwater stuff, but otherwise it does what it should - definitely has some scary as hell parts but never truly coagulates into a whole. Not sure why this was put on hold for so long, but it is nice to see T.J. Miller return to disaster movies.
Gareth von Kallenbach (980 KP) rated San Andreas (2015) in Movies
Aug 6, 2019
The new Warner Brothers movie San Andreas stars Dwayne “The Rock” Johnson as Chief Ray Gaines, Carla Gugino as Emma Gaines, Alexandra Daddario as their daughter Blake Gaines, Paul Giamatti as scientist Lawrence, Ioan Gruffudd as Daniel (Emma’s new love interest, as she & Chief Gaines are about to finalize their divorce), and Archie Panjabi as Serena, a reporter.
The movie opens with a gut-wrenching helicopter rescue lead by Chief Gaines where he rescues a girl from a car that has careened off the edge of a cliff and is hanging precariously over a river. He manages to sweep her out of the car just barely before the car crashes the rest of the way down the cliff which would have surely killed her.
In my opinion, the movie never stops delivering gut wrenching, edge of your set moments. I was holding my breath and on edge thru the entirety of the film.
This is definitely a movie that you absolutely do NOT want to wait and see at home, it NEEDS ‘the big screen’. I think it probably is also better in 3D as well, I think the 3D adds to the special effects and helps pull you into the movie.
I was able to connect to the characters and while some of the situations were really really far fetched (Gaines rescuing Emma off the top of a collapsing building in a rescue helicopter as it literally crumbled away beneath her), the dedication that his character showed in trying to get her to safety, really made the story work for me.
There were moments of cute comedy in the film, mostly in the interactions between Blake Gaines and the brothers Ben and Ollie (Hugo Johnstone-Burt and Art Parkinson) that helped break up some of the tension imposed by the continuous onslaught of the disasters caused by the biggest earthquakes ever recorded.
If you like action / disaster movies, and a decent story, you will like this film.
Rated PG-13, I wouldn’t bring young children, but I would bring older kids, aged 13 and up, as the rating suggests.
I would give this movie 4 out of 5 stars for a good story and edge of your seat action throughout.
The movie opens with a gut-wrenching helicopter rescue lead by Chief Gaines where he rescues a girl from a car that has careened off the edge of a cliff and is hanging precariously over a river. He manages to sweep her out of the car just barely before the car crashes the rest of the way down the cliff which would have surely killed her.
In my opinion, the movie never stops delivering gut wrenching, edge of your set moments. I was holding my breath and on edge thru the entirety of the film.
This is definitely a movie that you absolutely do NOT want to wait and see at home, it NEEDS ‘the big screen’. I think it probably is also better in 3D as well, I think the 3D adds to the special effects and helps pull you into the movie.
I was able to connect to the characters and while some of the situations were really really far fetched (Gaines rescuing Emma off the top of a collapsing building in a rescue helicopter as it literally crumbled away beneath her), the dedication that his character showed in trying to get her to safety, really made the story work for me.
There were moments of cute comedy in the film, mostly in the interactions between Blake Gaines and the brothers Ben and Ollie (Hugo Johnstone-Burt and Art Parkinson) that helped break up some of the tension imposed by the continuous onslaught of the disasters caused by the biggest earthquakes ever recorded.
If you like action / disaster movies, and a decent story, you will like this film.
Rated PG-13, I wouldn’t bring young children, but I would bring older kids, aged 13 and up, as the rating suggests.
I would give this movie 4 out of 5 stars for a good story and edge of your seat action throughout.
Awix (3310 KP) rated Left Behind (2014) in Movies
Feb 12, 2018 (Updated Feb 12, 2018)
Rapture with a capital C
Relatively lavish faith-based disaster movie which has somehow managed to land the services of a few people you may actually have heard of. Panic and chaos ensue when millions of people vanish in the blink of an eye; Nicolas Cage is stuck flying a plane looking for a place to land, on the ground his daughter runs around trying to work out what's happening. The final revelation (sorry) is telegraphed very early on by endless discussions of sin and religion.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Lee (2222 KP) rated Okja (2017) in Movies
Jul 14, 2017
Seo-Hyun Ahn (1 more)
Seamless, beautiful effects
Should have stuck at being a family movie (1 more)
Jake Gyllenhaal
Plays as though it should be a family movie, but it definitely isn't
Okja created a fair bit of buzz at Cannes recently, when it was revealed that it had been picked up by Netflix, resulting in boos from some of the snobby traditionalists that were present for its screening. Okja was written and directed by Bong Joon Ho, a Korean filmmaker who also wrote and directed one of my favourite movies of recent years, Snowpiercer. That movie failed to receive a UK release, despite starring Chris Evans in-between his Captain America/Avengers duties, so I’m more than happy if a movie that’s just a little bit different from the norm manages to find an audience through modern, ‘non-traditional’ routes.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
David McK (3422 KP) rated Jurassic Park (1993) in Movies
May 26, 2020
I've just realised (at the time of writing) that this movie is nearly 30 years old.
Man, I feel old.
Taking some liberties with Michael Crichtons's source material (Hammond dies and was not a very nice man; Grant likes kids), this is a disaster movie with stunning effects (that still hold up pretty well today) for the time, even if our understanding of the 'headline' dinosaurs has changed somewhat in the intervening years since its release (Raptors were the size of chickens, had feathers, and were NOT pack hunters. or so we now think).
Set on a tropical island hit by a storm just as the owner is given a pre-release tour to special invited guests to show off his scientific breakthrough - cloned Dinosaurs, because that's ALWAYS a good idea … - a series of events leads to the power going down, and the 'exhibits' breaking free to wreak havoc amongst those guests. And, lets not kid around the bush here, despite having the likes of Samuel L Jackson, Richard Attenborough, Sam Neil, Laura Dern and - uh- Jeff Goldblum ("life, uh, finds a way") amongst the cast - the real stars are those dinosaurs.
All the sequels (4 so far, with a 5th ion the way in Jurassic World: Dominion) pale in comparison.
Man, I feel old.
Taking some liberties with Michael Crichtons's source material (Hammond dies and was not a very nice man; Grant likes kids), this is a disaster movie with stunning effects (that still hold up pretty well today) for the time, even if our understanding of the 'headline' dinosaurs has changed somewhat in the intervening years since its release (Raptors were the size of chickens, had feathers, and were NOT pack hunters. or so we now think).
Set on a tropical island hit by a storm just as the owner is given a pre-release tour to special invited guests to show off his scientific breakthrough - cloned Dinosaurs, because that's ALWAYS a good idea … - a series of events leads to the power going down, and the 'exhibits' breaking free to wreak havoc amongst those guests. And, lets not kid around the bush here, despite having the likes of Samuel L Jackson, Richard Attenborough, Sam Neil, Laura Dern and - uh- Jeff Goldblum ("life, uh, finds a way") amongst the cast - the real stars are those dinosaurs.
All the sequels (4 so far, with a 5th ion the way in Jurassic World: Dominion) pale in comparison.