The Film Theorists
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Hello Internet! I'm Matpat and welcome to FILM THEORY! Do you ever wonder what secrets could be...
Toy Trains 4u
YouTube Channel
Creative play toy story videos of funny pranks and surprises featuring favourite kids toys such as...
At the Edge of the World (Crispin #2)
Book
The more I came to know of the world, the more I knew I knew it not. He was a nameless orphan,...
A List of Cages
Book
When Adam Blake lands the best elective ever in his senior year, serving as an aide to the school...
Cobalt Squadron: Journey to Star Wars: The Last Jedi
Book
Rose and Paige Tico are sisters, refugees from a planet devastated by the fearsome First Order....
Let It Go: A Frozen Twisted Tale
Book
Book published in the USA as Conceal, Don't Feel by Disney-Hyperion. What if Anna and Elsa...
LoganCrews (2861 KP) rated Weathering with You (2019) in Movies
Sep 22, 2021
David McK (3632 KP) rated Shadow of the Sith in Books
Apr 22, 2023
So same period as covered in TVs 'The Mandalorian', of which this makes no mention.
The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.
I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
David McK (3632 KP) rated Murder on the Orient Express (2017) in Movies
Apr 21, 2022
I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.
The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.
Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).



