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BankofMarquis (1832 KP) rated Jungle Cruise (2021) in Movies
Jul 30, 2021
A Ton of Fun - Reminiscent of the first PIRATES film
Are you looking for a family friendly action/adventure/comedy that will be good entertainment for the entire family? Then look no further than the Disney Live Action film JUNGLE BOOK.
Yes…Disney has made another movie based on one of it’s them park rides and this one is more like the first PIRATES OF THE CARIBBEAN film than most of the other attempts.
Directed by Jaume Collet-Serra (several Liam Neeson action flicks like NON-STOP), JUNGLE CRUISE is part PIRATES, part INDIANA JONES and part AFRICAN QUEEN (look it up, kids) as we follow an adventurous young lady in the 1910’s. She heads to the Amazon and hires a ne’er do well Jungle Cruise skipper to take her up river.
Pretty standard set-up, right? We’ve seen this “mis-matched” frenemies premise before but in the hands of Emily Blunt and Dwayne “The Rock” Johnson, it is a very entertaining (albeit familiar) ride with 2 tremendously charismatic performers working off each other very well and they look like they are having as good a time in this film as we are.
They are joined by a bevy of assorted characters that help fill out this journey. Edgar Ramirez and Veronica Falcon are enjoyable enough as a couple of characters along the way, while Jack Whitehall surprised the heck out of me as the wimpy brother to Blunt’s character who becomes more and more three dimensional as the film progressed - something I didn’t think this film would even think about doing.
A pair of wiley veterans - Jesse Plemons and good ol’ Paul Giamatti - are also on board and each add some (but not a lot) to this film. Plemons is the main villain and he just wasn’t villainous enough for my tastes while I wanted much, much more of Giamatti’s character than was in this film (and it is a rare film, indeed, that you are left wanting more with a Giamatti character).
But make no mistake, this is a Rock and Blunt flick and these two professionals hold the center of this film together very, very well.
Director Collet-Serra keeps the action (and comedy) moving along at about the right pace, never dwelling too long on any of the plot points (for if you were to think too much about any of it, it would fall apart) and (for the most part) keeps the action sequences fun and coherent and avoiding over-directing, over-CGI-ing and over-loading these sequences.
Speaking of CGI, the main issue with this film is the special effects work - it is not the best (probably a budget issue) and, at times, you really need to suspend disbelief in watching the CGI and convincing yourself that it is a Live Action film you are watching and not a cartoon.
But, since the intended audience for this film are families, the less-than-perfect CGI (at times) is forgivable as JUNGLE CRUISE provides plenty of PG-Rated action and fun that the entire family will enjoy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes…Disney has made another movie based on one of it’s them park rides and this one is more like the first PIRATES OF THE CARIBBEAN film than most of the other attempts.
Directed by Jaume Collet-Serra (several Liam Neeson action flicks like NON-STOP), JUNGLE CRUISE is part PIRATES, part INDIANA JONES and part AFRICAN QUEEN (look it up, kids) as we follow an adventurous young lady in the 1910’s. She heads to the Amazon and hires a ne’er do well Jungle Cruise skipper to take her up river.
Pretty standard set-up, right? We’ve seen this “mis-matched” frenemies premise before but in the hands of Emily Blunt and Dwayne “The Rock” Johnson, it is a very entertaining (albeit familiar) ride with 2 tremendously charismatic performers working off each other very well and they look like they are having as good a time in this film as we are.
They are joined by a bevy of assorted characters that help fill out this journey. Edgar Ramirez and Veronica Falcon are enjoyable enough as a couple of characters along the way, while Jack Whitehall surprised the heck out of me as the wimpy brother to Blunt’s character who becomes more and more three dimensional as the film progressed - something I didn’t think this film would even think about doing.
A pair of wiley veterans - Jesse Plemons and good ol’ Paul Giamatti - are also on board and each add some (but not a lot) to this film. Plemons is the main villain and he just wasn’t villainous enough for my tastes while I wanted much, much more of Giamatti’s character than was in this film (and it is a rare film, indeed, that you are left wanting more with a Giamatti character).
But make no mistake, this is a Rock and Blunt flick and these two professionals hold the center of this film together very, very well.
Director Collet-Serra keeps the action (and comedy) moving along at about the right pace, never dwelling too long on any of the plot points (for if you were to think too much about any of it, it would fall apart) and (for the most part) keeps the action sequences fun and coherent and avoiding over-directing, over-CGI-ing and over-loading these sequences.
Speaking of CGI, the main issue with this film is the special effects work - it is not the best (probably a budget issue) and, at times, you really need to suspend disbelief in watching the CGI and convincing yourself that it is a Live Action film you are watching and not a cartoon.
But, since the intended audience for this film are families, the less-than-perfect CGI (at times) is forgivable as JUNGLE CRUISE provides plenty of PG-Rated action and fun that the entire family will enjoy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Freaky (2021) in Movies
Jul 3, 2021
No, not like the Disney version
Some B-movies really pack a much bigger punch than you would expect. "Nobody" is a perfect recent example. But movie karma needs to be balanced with something. Ladies and gentlemen - "Freaky"!
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
Gareth von Kallenbach (977 KP) rated Turning Red (2022) in Movies
Mar 7, 2022
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Gareth von Kallenbach (977 KP) rated The little mermaid (2023) in Movies
May 26, 2023
(By my wife Genevieve)I must admit that I may be biased about this movie, being a huge fan of all things Disney. However, the popular and beloved original The Little Mermaid was released in November 1989, about 6 months before I graduated high school. Not really the age to be that interested in an animated movie about a mermaid who trades her voice away to be able to live where the people are. But of course, I still watched it and I, like many, definitely loved the songs. The storyline? Not so much.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
Alison Pink (7 KP) rated Fifty Shades of Grey in Books
Jan 15, 2018
So I debated for quite awhile about reading this book. All the reviews are so mixed...you love it or you hate it. It is all over the place from internet to radio to CNN, but it was both of my former college roommates & best friends that finally talked me into it, through Facebook no less!
In an interview on CNN with some female members of a book club, I heard 50 Shades described as a Disney prince fairy tale for grown-ups. I couldn't agree more...of course I can't see old Walt even fantasizing about some of the things that take place in this tale!
I am by no means a fan of erotic literature. Hell, I don't even like trashy romance novels, but this one, DAMN! I was hooked from the get. Now don't get me wrong, it was not the steamy, unbelievable, hot sex scenes that got to me(yes, I am human!) Mr. Grey & Miss Steele are intriguing characters. They are so well developed & in some strange way easy to relate to...not that I know much about bondage or billionaires!
I found myself HATING Christian with a passion & in the next sentence wishing I knew him. He is such a conundrum. I found myself identifying with Ana, yet at the same time not getting her motivation at all. It was a heady mix of confusing & normal all at the same time.
I very much look forward to finding out what happens in the next part!!
In an interview on CNN with some female members of a book club, I heard 50 Shades described as a Disney prince fairy tale for grown-ups. I couldn't agree more...of course I can't see old Walt even fantasizing about some of the things that take place in this tale!
I am by no means a fan of erotic literature. Hell, I don't even like trashy romance novels, but this one, DAMN! I was hooked from the get. Now don't get me wrong, it was not the steamy, unbelievable, hot sex scenes that got to me(yes, I am human!) Mr. Grey & Miss Steele are intriguing characters. They are so well developed & in some strange way easy to relate to...not that I know much about bondage or billionaires!
I found myself HATING Christian with a passion & in the next sentence wishing I knew him. He is such a conundrum. I found myself identifying with Ana, yet at the same time not getting her motivation at all. It was a heady mix of confusing & normal all at the same time.
I very much look forward to finding out what happens in the next part!!
Merissa (11950 KP) rated A Reflection of Ice in Books
Apr 12, 2018
A Reflection of Ice by Katherine McIntyre
A Reflection of Ice is a contemporary, urban, fairy-tale suited more to the Brothers Grimm than Disney! Lyra is a young girl at school, struggling with issues in her home life. When she arrives home earlier than expected one day, she sees something she shouldn't and ends up fleeing. During her escape, she finds somewhere new and shiny (literally). Exhausted from her escape, she is rescued and taken into the home. Once she awakens, she finds out she is in between. She has a choice to make - stay in the castle that has sheltered her and kept her safe? Or return to her broken family life and home in the 'real' world?
This is a gripping, enthralling read that would seamlessly fit with stories of old; where fairy-tales were meant as warnings, not as glitter covered cupcakes. The descriptions in this story give the whole thing a feeling of foreboding, an eeriness guaranteed to seep into your veins as you read. There were no editing or grammatical errors that disrupted my reading flow, and I read this book in one sitting as I did not want to put it down. An amazing story from a brilliant author. This is another jewel in the crown of Katherine McIntyre. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a gripping, enthralling read that would seamlessly fit with stories of old; where fairy-tales were meant as warnings, not as glitter covered cupcakes. The descriptions in this story give the whole thing a feeling of foreboding, an eeriness guaranteed to seep into your veins as you read. There were no editing or grammatical errors that disrupted my reading flow, and I read this book in one sitting as I did not want to put it down. An amazing story from a brilliant author. This is another jewel in the crown of Katherine McIntyre. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
David McK (3369 KP) rated Labyrinth of Evil (Star Wars: The Dark Lord Trilogy, #1) in Books
Jan 30, 2019
Following the now-infamous Disney acquisition of Star Wars (which saw the abolition of the old Expanded Universe), I'm actually no-longer sure where this sits in the hierarchy of canon: is this 'Legends' (i.e pre acquisition) material, or is it stil canon?
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
Andy K (10821 KP) rated Hereditary (2018) in Movies
Jul 19, 2019
I'm going to piss people off with this one! (Nothing personal)
I will agree with some who have said either this film is weird, not for everyone or horror is a tough genre to get correct. I felt kind of like I was watching Drag Me To Hell or even Suspiria toward the end of this creepy thriller/horror film, but I was along for the ride.
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
Matthew Krueger (10051 KP) rated Pinocchio (1940) in Movies
Dec 5, 2019
An Actor's Life For Me
Pinocchio- was the second animated feature film produced by Disney, made after the first animated success Snow White and the Seven Dwarfs (1937).
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
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