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Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 | Action, Adventure, Fantasy
Johnny Depp returns as Capt. Jack Sparrow in the fifth outing for the “Pirates of the Caribbean” film franchise. Based on the phenomenally popular attraction at Disneyland and Walt Disney World; the latest film “Pirates of the Caribbean: Dead Men Tell No Tales” finds Jack and his crew once again at odds with British authorities in St. Maarten. Adding Jack’s troubles is a malevolent spirit from his past named Capt. Salazar (Javier Bardem), who seeks to return to the living by exacting his revenge upon Jack. Along for the adventure are a young man named Henry Turner (Brenton Thwaites), and a science minded woman named Carina (Kaya Scodelario), who all have their reasons for joining one another on the adventure despite ample levels of mistrust amongst them.

In keeping with the series all sorts of comedic hijinks mixed with action and the supernatural to give audiences a very noisy and destruction filled storyline.

While there is a decent amount of action in the film there were also large gaps where things just plod along which caused me to glance at my watch from time to time during the two-hour runtime of the film. Adding to the issues is the tendency of depth to slur and mumble his lines playing the frequently inebriated Capt. Jack which does hamper some of the better lines in the film.

Well I certainly enjoyed this one much better than the second and third films in the series I kept thinking that I have seen this all before and that this film was essentially a collection of some of the best moments from previous films combined into one. The end result is that I found myself saying that while I would not mind another outing in the series I would also be more than okay they decided to end the cinematic adventures with this film. Diehard fans will likely enjoy this new effort but more casual fans may not have as much patience this time around.

http://sknr.net/2017/05/25/pirates-caribbean-dead-men-tell-no-tales/
  
Star Wars: Bloodline
Star Wars: Bloodline
Claudia Gray | 2016 | Fiction & Poetry
4
8.0 (3 Ratings)
Book Rating
By and large, most of the Star Wars books to date (including in the old EU), have pretty much belonged to the 'boys club', dfocusing more on the male characters (Han, Luke, the X-Wing pilots, etc) than on their female contemporaries.

I think that's to be expected, given the predominantly male targer audience of the film series - an expectation that Disney themselves are trying to shake up, both in the new films (both of which - The Force Awakens and Rogue One - , so far, have female leads), and in the wider media, as can be shown by their 'Princess Leia' series of comics.

This follows(?) (or did it come first?) in the latter footsteps, with nary a sign of Luke and Han only popping in to give Leia a hand towards the climax of the novel.

Set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens', this also seeks to bridge the gap between those two films, providing a bit of background to the history of The First Order and explaining why, if Leia was part of the Rebellion which toppled the Empire, just why she is now a key member in The Resistance - the Resistance to what, I hear you ask? This answers that question.

It's not a bad read by any strecth of the imagination - according to Goodreads own rating system, 2 stars is a 'I liked it'; I just personally found this a slower, somewhat heavier read than [a:Claudia Gray|1192311|Claudia Gray|https://images.gr-assets.com/authors/1234643683p2/1192311.jpg]'s other Star Wars title: '[b:Lost Stars|25067046|Lost Stars (Star Wars Journey to the Force Awakens)|Claudia Gray|https://images.gr-assets.com/books/1462731623s/25067046.jpg|44751860]';. And yes, I'm aware that this is aimed at a different audience.

How best to put it? I didn't find myself reading this quite so much in my spare time on the bus on the way to work!
  
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Sarah (7799 KP) rated Dolittle (2020) in Movies

Feb 26, 2020 (Updated Feb 26, 2020)  
Dolittle (2020)
Dolittle (2020)
2020 | Adventure
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.

Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.

The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.

The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
  
Ready or Not (2019)
Ready or Not (2019)
2019 | Comedy, Horror, Mystery
Bloody Good Fun
Ready Or Not is a 2019 black comedy/horror movie directed by Matt Bettinelli-Olphin and Tyler Gillett from a screenplay by Gus Busick and R. Christopher Murphy. Producers on the film included Tripp Vinson, James Vanderbilt, Willem Sherak, and Bradley J. Fischer. It was produced by Fox Searchlight Pictures, Mythology Entertainment, Vinson Films and distributed by Walt Disney Studios Motion Pictures. The film stars Samara Weaving, Adam Brody, Mark O'Brien, Henry Czerny and Andie MacDowell.


Grace couldn't be happier after she marries the man of her dreams at his family's luxurious estate. There's just one catch -- at midnight on the wedding night, the wealthy Le Domas family hosts a generations long tradition of playing a game with each new addition to the family. Tony, her new father-in-law explains that Grace must participate in a session where she must draw a card from a mysterious wooden box and play the game to be a full-fledged member of the family. She must now hide from midnight until dawn while her new in-laws hunt her down with guns, crossbows, and other weapons s she desperately tries to survive the night,


This movie was great. I liked it quite a bit. It was a fresh take on one of my favorite genres. The movie was also pretty funny and had a good way of mixing the horror with comedy. The acting was also really good with Samara Weaving doing a great job and a solid performance from Adam Brody too. The script and plot could have been a little more solid but it's a enjoyable ride. There were some inconsistencies with the plot and some humor that fell flat but overall a good mashup of genres and fresh take on some stereotypes and cliches. I give this movie a 8/10. Not necessarily a horror movie but more aligned with survival horror, I recommend it for people who like movies like that.
  
2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi

"My parents took me to see it in a re-release — it came out in the ’60s and they re-released it in the early ’70s — and I was only seven years old, so it totally blew my mind. My parents, I think, were just completely bored and baffled by it, but I was obsessed with it. It stuck in my head, and every time it came on television I would watch it, and I saw it again in the theater as a teenager; I would go to see it whenever they revived it. It was just a movie I’ve watched a lot. I think part of the reason is…when I was a kid, I didn’t know what to make of it. It was so unlike what I’d been exposed to on TV, or by watching Disney films in the theater. It was so fascinating to me. It has a really unique status, which is in my mind like a big Hollywood epic movie about esoteric ideas — which had never really happened before that, and I don’t think it’s going to happen again. No one would ever spend that kind of money on a movie that big, and with that scope, and be that strange and slow and oblique and unexplained. Some people, of course, think it’s incredibly pretentious; I think the ideas in it are really fascinating. That Kubrick meticulousness is incredible. But part of what makes it a great movie, I think, is that as it proceeds it turns into this really intimate kind of horror-thriller — with HAL — and when I think, “Who’s a great writer who wrote in that style?,” I think Edgar Allan Poe in outer space. It becomes this real, psychological, bizarre, unexplainable thing about a murdering supercomputer! Those are some of the most handsome, greatest, cinematic scenes I’ve ever seen, so the fact that it was attached to this esoteric thing… To me, it works on so many levels. And the design, and the use of music…there’s nothing else quite like it."

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