Goddess in the Stacks (553 KP) rated Our Endless Numbered Days in Books
Sep 26, 2018
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
ClareR (6247 KP) rated Frankissstein in Books
Aug 6, 2019
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.
In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.
Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.
It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!
Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)
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