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Merissa (12069 KP) rated Rejected Mate (Shifter World: Royal-Kagan #5) in Books
Jun 8, 2023
In book 1 of the Kagan Wolves series, we meet Nic and Riley. Nic is the alpha's son, primed to take over as Alpha when his father steps down. Riley is an honorary pack member as she is wholly human. She is also the Pack's Doctor, although she will treat any shifter that turns up.
I loved the twist in this book - that Nic the human loved and wanted Riley, but Nic the wolf saw her as weak because she couldn't give him pups! The frustration felt by Nic was tangible as you read through. Riley is a strong character and I honestly don't know if I could do what she did! I think I would have run at the first opportunity, but that's why the book isn't about me! lol
I enjoyed seeing Sean and Jenna again, and how they both helped Riley and Nic. This is what friends do for each other, even if you don't always agree with their decisions.
Very well written, with no editing or grammatical errors that I found, this was a wonderful full-length read into the world of the Kagan Wolves. Definitely recommended.
* Verified Purchase on Amazon *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2016
I loved the twist in this book - that Nic the human loved and wanted Riley, but Nic the wolf saw her as weak because she couldn't give him pups! The frustration felt by Nic was tangible as you read through. Riley is a strong character and I honestly don't know if I could do what she did! I think I would have run at the first opportunity, but that's why the book isn't about me! lol
I enjoyed seeing Sean and Jenna again, and how they both helped Riley and Nic. This is what friends do for each other, even if you don't always agree with their decisions.
Very well written, with no editing or grammatical errors that I found, this was a wonderful full-length read into the world of the Kagan Wolves. Definitely recommended.
* Verified Purchase on Amazon *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2016
Breathing Betrayal (Elemental Evidence #1)
Bellora Quinn and Sadie Rose Bermingham
8.0
Rate It
Book
Every breath brings them closer to love, and a killer. Jake Chivis is the descendant of Fire...
MM Urban Fantasy Romance
ClareR (5726 KP) rated How To Save a Life in Books
Apr 16, 2024
This was a moving story about three school friends - one of whom goes into cardiac arrest on New Year’s Eve. Kerry begins CPR immediately, Tim freezes and finds himself unable to help, which is inconvenient as they both want to go to medical school. But when the paramedics arrive, Tim has at last started to help (even though Kerry has worked alone for about 15 minutes) and takes the praise as well as Kerry.
It’s here Tim starts to realise that being a doctor may not be what he thought it would be.
Kerry’s life takes a turn when she fails her A Levels, and Joel finds it hard to accept his heart condition and the changes he has to make in his life.
I liked that each of the characters had the chance to tell their story in alternating chapters. These characters experienced addiction, depression and other health conditions, and the main theme of the story, Joel’s heart condition, is revisited often. As are the mechanics of CPR, and it’s pointed out by the author that a persons life is more likely to be saved if you at least try.
This is a lovely, and often moving story. I really enjoyed it.
It’s here Tim starts to realise that being a doctor may not be what he thought it would be.
Kerry’s life takes a turn when she fails her A Levels, and Joel finds it hard to accept his heart condition and the changes he has to make in his life.
I liked that each of the characters had the chance to tell their story in alternating chapters. These characters experienced addiction, depression and other health conditions, and the main theme of the story, Joel’s heart condition, is revisited often. As are the mechanics of CPR, and it’s pointed out by the author that a persons life is more likely to be saved if you at least try.
This is a lovely, and often moving story. I really enjoyed it.
Piper (13 KP) rated Halloween (2018) in Movies
Nov 27, 2019
Strong Characters (3 more)
Clever Camerawork
Myers is Finally Threatening Again
Callbacks and Subversions
"You're The New Doctor Loomis" (3 more)
Plot Holes
Predictable
Too Much Off-Screen Action
Halloween: Predictably Unpredictable
Contains spoilers, click to show
After the nightmare of a film that was Rob Zombie’s 2007 remake, I refused to bother seeing the new Halloween on its release, choosing instead to pick up a DVD when the price got knocked down significantly enough - after all, we’ve had sixty-three Halloween films now and only half of them were worth watching (really, Season of the Witch?) and this looked, in all honesty, like just another slasher-film-reboot that wasn’t worth the time. Now don’t get me wrong, it absolutely was just another slasher film, but I wish I’d seen it in the cinema. And a year earlier than I did, too, because I missed out big-time with this one.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
Gareth von Kallenbach (980 KP) rated Doctor Sleep (2019) in Movies
Nov 7, 2019
Some nightmares you wake up from, wipe the sweat from your brow, and go back to wonderful slumber as though it never occurred. Others follow you in both your sleep and waking hours. For Dan Torrance (Ewan McGregor) the nightmare that began at the Overlook Hotel in Stephen King’s best-selling novel (and movie directed by Stanley Kubrick) The Shining continue to follow him through his childhood years. With the help of a friendly spirit (Carl Lumbly) Dan learns how to contain the malevolent spirits that followed him from his nightmarish experience, but at almost the cost of his sanity. Falling back on his fathers’ previous crutch, Dan drinks and fights his demons away every night, consumed by a different type of spirit to manage the pain and fear that he has been running from.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
graveyardgremlin (7194 KP) rated Circus Galacticus in Books
Feb 15, 2019
Have you ever wanted to run away and join the circus? How about a galaxy-traveling circus complete with your very own Doctor Who-like Ringmaster and spaceship? Sounds pretty awesome, right? While you sadly may not be able to do that in real life, Deva Fagan's Circus Galacticus takes the reader on a voyage through the stars. Okay, so maybe reading instead of experiencing those adventures isn't quite as fun, but it's still a grand ride to hop on while I impatiently wait for my very own Doctor to show up and whisk me away to galaxies unknown and unimagined.
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Kristy H (1252 KP) rated The Last Thing I Told You in Books
Mar 10, 2019
Different but enjoyable thriller
Dr. Mark Fabian is dead--found murdered in his office. Left behind is his former patient, Nadine, who continues to talk to Dr. Fabian in her mind, telling him about her life in the many years since she saw the doctor. Back then, she was a troubled teen, ostracized for a gruesome act while in high school. Investigating Dr. Fabian's murder is Henry Peacher, a detective most known in town for stopping a deadly shooting at a posh retirement community before the death count went any higher. Before Dr. Fabian died, he pulled two files from his archives: those of Nadine's and Johnny Streeter, the man responsible for the killing at the retirement home. Henry is left to puzzle through what this all means--for instance, what did Nadine and Dr. Fabian discuss when she returned to town a mere two days before his death? Is there a connection between Nadine and Johnny? And what led to the brutal killing of this doctor?
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Neon's Nerd Nexus (360 KP) rated Doctor Sleep (2019) in Movies
Nov 3, 2019 (Updated Nov 4, 2019)
Love or Death
Doctor Sleep is a perfect companion piece to The Shining giving us more insite to the story it told while being carful not to stand on its toes. A chilling film that creates such a great atmosphere by using a great score and tight direction to keep you on edge and unnerved with shivers down your spine. This accompanied with a grim, cold, errie visual style and lingering slow camera pans you have a film that echos the original in some respects but feels very current too. Cinematography is also gorgeous with vast haunting establishing shots, dim lit rooms, cold fog drenched roads and lonely lights lost in the darkness. But what i found truly facinating is the continuous theme of life and death here which had me gripped/wanting to explore the film deeper and more intricatly with every scene. Every single life is precious and the film depicts how many of us seem to just take that for granted, waste it, live it alone, abuse it or spend it hung up on the past or on extream circumstances choose to take it from another without care or thought to what value that persons precence in the world held. Its all very powerful, deeply saddening and thought provoking stuff which gives the film its own soul rather than echoing the shining. Theres a lot to say about how we view death too these days, be it when its from natural causes or murder we all just seem to have in a way become desensitized to it or in a rush to forget and move on. Child trauma, grievence and the torment plus the dangers of locking things up and trying to forget can bring are also facinatingly explored also.
Characters are all so likable and we spend a good chunk of time with all (including the menacing and creepily intimidating villains) which I thought was really nice and this helps create great attachment meaning that when a death hits you really feel the impact of the loss adding poweful emotion and a small amount of grievence to each one (and adds to the running theme of all life being important and death being something everyone fears/cant escape). Acting is great especially with the new cast replicating old characters from the shining. Doctor sleep also gets nostalgia right using parts of the shining respectfuly and tastfully rather than just simply replicating them for a cheap cash grab, instead choosing to intrigate them as crucial parts of the plot. All in all this movie unnerved me, engrosed and provoked me making me think more on the subject of death the journey we all take towards and how we should all pay more care and give more thought to the ones we let go.
Characters are all so likable and we spend a good chunk of time with all (including the menacing and creepily intimidating villains) which I thought was really nice and this helps create great attachment meaning that when a death hits you really feel the impact of the loss adding poweful emotion and a small amount of grievence to each one (and adds to the running theme of all life being important and death being something everyone fears/cant escape). Acting is great especially with the new cast replicating old characters from the shining. Doctor sleep also gets nostalgia right using parts of the shining respectfuly and tastfully rather than just simply replicating them for a cheap cash grab, instead choosing to intrigate them as crucial parts of the plot. All in all this movie unnerved me, engrosed and provoked me making me think more on the subject of death the journey we all take towards and how we should all pay more care and give more thought to the ones we let go.
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