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Please Dont Tell
6.0
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Fen Dexter's quiet life on the idyllic California coast is interrupted one stormy night when a...
David McK (3623 KP) rated Moon Knight in TV
May 8, 2022
If you'd asked me ion the 90s to name a Marvel superhero, I'd probably been able to name you Spiderman. Maybe Captain America.
In the 00's? Expand that to include Daredevil before the MCU came into being, then (once it did) the likes of Iron Man, Thor, The Incredible Hulk (may have been able to name him in the 90s due to the 70s TV show).
2010s? Even further to include Ant-Man, Doctor Strange, The Guardians of the Galaxy.
Basically, as MCU films with those characters were released.
At no pint prior to late 2021, however, would I have been able to name 'Moon Knight'.
That changed with the release of this 'limited series' on Disney+ in 2022, with Oscar Isaacs taking the lead role of a character suffering from Dissociative identity disorder (DID) - a mental disorder where a patient has two or more personalities - who also becomes a superhero after making a deal with an Egyptian god.
And he's actually very good at portraying which identity is in control at any one time, all down to mannerisms, accents and body language.
Unusually for an MCU project, there's no end credit stings until the very last episode (where it is worth staying for that sting).
In the 00's? Expand that to include Daredevil before the MCU came into being, then (once it did) the likes of Iron Man, Thor, The Incredible Hulk (may have been able to name him in the 90s due to the 70s TV show).
2010s? Even further to include Ant-Man, Doctor Strange, The Guardians of the Galaxy.
Basically, as MCU films with those characters were released.
At no pint prior to late 2021, however, would I have been able to name 'Moon Knight'.
That changed with the release of this 'limited series' on Disney+ in 2022, with Oscar Isaacs taking the lead role of a character suffering from Dissociative identity disorder (DID) - a mental disorder where a patient has two or more personalities - who also becomes a superhero after making a deal with an Egyptian god.
And he's actually very good at portraying which identity is in control at any one time, all down to mannerisms, accents and body language.
Unusually for an MCU project, there's no end credit stings until the very last episode (where it is worth staying for that sting).
Kim Pook (101 KP) rated Fear of Rain (2021) in Movies
Jun 3, 2022
Straight away we see a young teen running for her life through the woods. A hooded stranger captures her, ties her up and buries her alive. She manages to escape but is grabbed again........ By a doctor at a hospital and strapped to the bed. It turns out this girl has schizophrenia and everything that just happened was inside her head and these visions are due to her not taking her medication.
She soon returns from hospital, back on her meds and a return to normal life, or at least as normal as life can be for her. About half an hour in, we finally get to the plot line of the movie where Rain is adament there's a kidnapped child in the attic of her neighbours house, but nobody believes her when she tells them including her therapist, so she sets out to find the truth for herself.
This movie had me gripped from the start and it went at a nice pace, everyone involved did a fantastic job at bringing the characters to life, so much so that you even start to question what's real and the huge twist at the end I was not expecting at all.
She soon returns from hospital, back on her meds and a return to normal life, or at least as normal as life can be for her. About half an hour in, we finally get to the plot line of the movie where Rain is adament there's a kidnapped child in the attic of her neighbours house, but nobody believes her when she tells them including her therapist, so she sets out to find the truth for herself.
This movie had me gripped from the start and it went at a nice pace, everyone involved did a fantastic job at bringing the characters to life, so much so that you even start to question what's real and the huge twist at the end I was not expecting at all.
What Lies Buried: A forensic psychologist’s true stories of madness, the bad and the misunderstood
8.0
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Kerry Daynes, leading forensic psychologist, opens up the case files of some of her most perplexing...
Merissa (13389 KP) rated Rejected Mate (Shifter World: Royal-Kagan #5) in Books
Jun 8, 2023
In book 1 of the Kagan Wolves series, we meet Nic and Riley. Nic is the alpha's son, primed to take over as Alpha when his father steps down. Riley is an honorary pack member as she is wholly human. She is also the Pack's Doctor, although she will treat any shifter that turns up.
I loved the twist in this book - that Nic the human loved and wanted Riley, but Nic the wolf saw her as weak because she couldn't give him pups! The frustration felt by Nic was tangible as you read through. Riley is a strong character and I honestly don't know if I could do what she did! I think I would have run at the first opportunity, but that's why the book isn't about me! lol
I enjoyed seeing Sean and Jenna again, and how they both helped Riley and Nic. This is what friends do for each other, even if you don't always agree with their decisions.
Very well written, with no editing or grammatical errors that I found, this was a wonderful full-length read into the world of the Kagan Wolves. Definitely recommended.
* Verified Purchase on Amazon *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2016
I loved the twist in this book - that Nic the human loved and wanted Riley, but Nic the wolf saw her as weak because she couldn't give him pups! The frustration felt by Nic was tangible as you read through. Riley is a strong character and I honestly don't know if I could do what she did! I think I would have run at the first opportunity, but that's why the book isn't about me! lol
I enjoyed seeing Sean and Jenna again, and how they both helped Riley and Nic. This is what friends do for each other, even if you don't always agree with their decisions.
Very well written, with no editing or grammatical errors that I found, this was a wonderful full-length read into the world of the Kagan Wolves. Definitely recommended.
* Verified Purchase on Amazon *
Merissa
Archaeolibrarian - I Dig Good Books!
May 9, 2016
Breathing Betrayal (Elemental Evidence #1)
Bellora Quinn and Sadie Rose Bermingham
8.0
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Book
Every breath brings them closer to love, and a killer. Jake Chivis is the descendant of Fire...
MM Urban Fantasy Romance
High Risk: A Strong Woman Medical Romance
Book
One overworked lady doctor has found the perfect guy. He's smoking hot, a fabulous dancer, and...
Romantic suspense multicultural romance action adventure romance medical romance
ClareR (5996 KP) rated How To Save a Life in Books
Apr 16, 2024
This was a moving story about three school friends - one of whom goes into cardiac arrest on New Year’s Eve. Kerry begins CPR immediately, Tim freezes and finds himself unable to help, which is inconvenient as they both want to go to medical school. But when the paramedics arrive, Tim has at last started to help (even though Kerry has worked alone for about 15 minutes) and takes the praise as well as Kerry.
It’s here Tim starts to realise that being a doctor may not be what he thought it would be.
Kerry’s life takes a turn when she fails her A Levels, and Joel finds it hard to accept his heart condition and the changes he has to make in his life.
I liked that each of the characters had the chance to tell their story in alternating chapters. These characters experienced addiction, depression and other health conditions, and the main theme of the story, Joel’s heart condition, is revisited often. As are the mechanics of CPR, and it’s pointed out by the author that a persons life is more likely to be saved if you at least try.
This is a lovely, and often moving story. I really enjoyed it.
It’s here Tim starts to realise that being a doctor may not be what he thought it would be.
Kerry’s life takes a turn when she fails her A Levels, and Joel finds it hard to accept his heart condition and the changes he has to make in his life.
I liked that each of the characters had the chance to tell their story in alternating chapters. These characters experienced addiction, depression and other health conditions, and the main theme of the story, Joel’s heart condition, is revisited often. As are the mechanics of CPR, and it’s pointed out by the author that a persons life is more likely to be saved if you at least try.
This is a lovely, and often moving story. I really enjoyed it.
Piper (13 KP) rated Halloween (2018) in Movies
Nov 27, 2019
Strong Characters (3 more)
Clever Camerawork
Myers is Finally Threatening Again
Callbacks and Subversions
"You're The New Doctor Loomis" (3 more)
Plot Holes
Predictable
Too Much Off-Screen Action
Halloween: Predictably Unpredictable
Contains spoilers, click to show
After the nightmare of a film that was Rob Zombie’s 2007 remake, I refused to bother seeing the new Halloween on its release, choosing instead to pick up a DVD when the price got knocked down significantly enough - after all, we’ve had sixty-three Halloween films now and only half of them were worth watching (really, Season of the Witch?) and this looked, in all honesty, like just another slasher-film-reboot that wasn’t worth the time. Now don’t get me wrong, it absolutely was just another slasher film, but I wish I’d seen it in the cinema. And a year earlier than I did, too, because I missed out big-time with this one.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.