"The easiest choice. The greatest of movies. Never has a film been so formally rich and so teeming with life. Jean Renoir’s romantic roundelay is as fluid and multifaceted as the characters he depicts with equal doses of compassion and bemusement, and this depiction of the mercurial nature of human behavior, of the beauty and absurdity of civilization, has never been equaled. The Dance of Death is the greatest sequence, but it’s also a dance of life. For many years, the film was literally unavailable in an acceptable print or video version in this country. For a showing several years ago (before the recent Janus Films rerelease), the Museum of the Moving Image had to import a 35 mm print from England. And as though it isn’t enough to be able to own a masterfully restored copy, the Criterion DVD has a great documentary about Renoir by Jacques Rivette!"

"That’s one of my favorites. That one is on my list, too. When I saw it, it just blew me away completely. I saw it when I was quite young, and I remember thinking, “My god, are these really actors? Could a movie be done this way?” It was something I’d never seen before, and it was so brutal and so real; just like watching a documentary. Those kinds of filmmakers and actors kind of opened up things in me that gave me hope and inspired me. I felt less lonely in a way, because I thought, “Okay, there’s people out there exploring things that I would like to do.” People who were not afraid of darkness; people who were not afraid of going into things that were not charming and easy and, you know, sweet and cute. That one made a very strong impression on me."

"I was a big fan of Eno from day one. I brought Oblique Strategies from Rough Trade way, way back. It was a black box of cards that had different phrases on them like, ""Reverse it"" and ""Start in the middle"" – all kinds of possibilities. I loved his early stuff. The track 'Baby's on Fire' from Here Come The Warm Jets is great. Roxy were never the same without him. He was commissioned to write this music by Al Reinart who was making a documentary from footage shot of the lunar landings. It's a marvelous record. After a show or a long day's work it's the ultimate one to stick on, get in the bath, cup of tea, a stick of incense and you're laughing. It's more musical than the rest of his ambient stuff. There are bits of it that have a country and western twang."

"Like many of the films on this list, Arabian Nights showed me that the possibilities of working with narrative are the possibilities of working with the world. This film makes beautiful use of a documentary approach to filmmaking but within the framework of fiction. It’s filled with these faces you don’t generally see in cinema, faces that remind me of people from that region in Italy. I’m not Italian, but there’s something there that made me feel, as a Brazilian, that I was connected to these faces and these characters. It’s also a fantastic way of looking at a classic piece of literature—I am a big fan of One Thousand and One Nights, and this is an adaptation you can connect to, that doesn’t feel far away at all. There’s a sexiness and a rawness, and a sense of pulsating reality being brought to the screen on a poetic level."

"Since Grizzly Man and on through Encounters at the End of the World, festival dispatchers often report that audiences walk out of the theater trying out their Werner Herzog imitations. You do the accent, sure, but that’s only the half of it. The other half is what you say; you have to decry the viciousness of nature, the doomed and dooming insanity of it all. I wonder how many of these amateur impressionists realize that the sensibility they’re mimicking with an odd mix of humor and admiration has been somewhat tempered over the years. Burden of Dreams is an almost frightening portrait of that sensibility when it was manic and raw, no matter how calm Herzog’s exterior may at times appear. And, of course, next to Kinski, he was the sane one! Les Blank’s documentary is also, along with Hearts of Darkness, one of the greatest making-ofs of all time."