"My favorite Cassavetes film, Husbands, is not in this set . . . but nonetheless, his films mean everything to me. And I find his way of making films just as fascinating and inspirational as the films themselves. So that is why I adore A Constant Forge. Out of all the films in this collection, Charles Kiselyak’s documentary is the film I revisit the most."

"My favorite Cassavetes film, Husbands, is not in this set . . . but nonetheless, his films mean everything to me. And I find his way of making films just as fascinating and inspirational as the films themselves. So that is why I adore A Constant Forge. Out of all the films in this collection, Charles Kiselyak’s documentary is the film I revisit the most."

"My favorite Cassavetes film, Husbands, is not in this set . . . but nonetheless, his films mean everything to me. And I find his way of making films just as fascinating and inspirational as the films themselves. So that is why I adore A Constant Forge. Out of all the films in this collection, Charles Kiselyak’s documentary is the film I revisit the most."

"My favorite Cassavetes film, Husbands, is not in this set . . . but nonetheless, his films mean everything to me. And I find his way of making films just as fascinating and inspirational as the films themselves. So that is why I adore A Constant Forge. Out of all the films in this collection, Charles Kiselyak’s documentary is the film I revisit the most."

"My favorite Cassavetes film, Husbands, is not in this set . . . but nonetheless, his films mean everything to me. And I find his way of making films just as fascinating and inspirational as the films themselves. So that is why I adore A Constant Forge. Out of all the films in this collection, Charles Kiselyak’s documentary is the film I revisit the most."

"Passionate, personal, and uplifting documentary filmmaking. This is a true example of the power of the art form, and a terrific movie too. Rarely do you find filmmakers with such an insight to the world of sports, and the ability to examine the personal politics that run underneath it. This should be required viewing for any sports or film fan."

"This Criterion set is such a loving demonstration of what careful curatorial and academic devotion can produce. Not only is the film presented in a variety of formats, there’s also a wonderful documentary by Michel Ciment called Elia Kazan: Outsider, which I would never have had the chance to see otherwise. I felt I had privileged access to this extraordinary dramatic artist."

"This is a brilliant essay film. It uses some of the tropes of documentary, unearthing and presenting archival footage that cracks history open, drawing connections between previously unconnected historical figures. It also goes beyond that, using other contemporaneous material – ads and cultural artifacts – leading to some trenchant personal reflections. That’s hard to pull off, and very satisfying and throbbing when it succeeds."

"While waiting for Late Autumn and An Autumn Afternoon, my favorite Ozu movies, I’m happy to choose Tokyo Story, immaculately transferred and bolstered with a two-hour documentary on Ozu, featuring all the old familiar faces. The extreme simplicity and limpidity of Ozu’s cinematic expression has no equal. Tokyo Story teeters on that exquisite knife-edge between stoicism and sentimentality."

"My friend Audrey Gelman showed me this film as the beginning of my political education. While it is a documentary that provides a ton of backstory on the Clinton campaign and the art and science of electing a president, it has the pace and power of a good thriller produced by George Clooney with David Strathairn in at least one role with gravitas."