"I was a teenager when I got into Queen – Bohemian Rhapsody was everywhere after it was on Wayne’s World. There’s so much joy in their music, a real not-giving-a shit-ness. It’s great to see them in this documentary being these normal, geeky people. You see all the mundanity that goes on behind the scenes of Freddie’s showmanship on stage, plus there’s the unexpectedness of hearing his gentle English accent. Then you hear him live, and see the sweat in his moustache, and it’s spine-tingling."

"This documentary is about the Leonard Bernstein-conducted recording of the score in the 80s, with Kiri Te Kanawa and José Carreras. That soundtrack was a staple at home when I was growing up – we had this glossy, massive four-cassette tape box of it. Bernstein is such an interesting person: temperamental, feisty, impatient, funny, smoking cigarettes in his red polo neck. And to see him conduct his music – this incredible, ambitious, interesting, crazy, heartbreaking music, which is never schmaltzy, but crunchy and angsty, and then with these moments of release – is really amazing."

"That movie is spectacular in so many ways. It has everything a documentary should have: unexpected twists, characters that are flawed and complex and crazy. And the story is told in a way that it feels like a compelling — almost fictional — narrative but its obviously as real as it gets. But there are times when you’re watching it and you just go, “Oh my God, did this really happen? Is this real?” I love documentaries and there are a lot of great ones. I’m a big Werner Herzog fan as well, and Errol Morris."

"A superb documentary about the once little-known American singer-songwriter Sixto Rodriguez, and his huge popularity in South Africa, which starts with a rumour about him killing himself by setting fire to himself on stage. His real story then reveals itself to be very different. This film delves into mythology, how it develops, and the way we elevate musicians as beacons in culture. It’s also a film about an incredibly underrated guy, and how difficult it was to find lost stars before the internet took off. It couldn’t happen now."

"I recently made a documentary about going to Moscow to try to help turn Everybody Loves Raymond into a Russian sitcom. And I had some problems. But this, this was nuts. It’s the ultimate nightmare and the wildest making-of movie. One of the all-time great metaphors for art, or life, dragging a steamship up and over a mountain was Fitzcarraldo’s burden. And so it was of the filmmaker, the great and possibly crazy Werner Herzog. Among the beautiful insights here are his rants against nature. That’s what keeps me inside watching movies."

"Years ago, I went to see this documentary with a friend, not knowing who Scott Walker was. When I came out of the cinema he was my new favourite artist. I’m absolutely not kidding! It was made at the time he made [2006 album] The Drift, and it sets out how he moved his career away from his early years, on his own terms. If you haven’t seen it, I swear you’ll be wanting to punch a piece of meat for percussion, as he does on Clara, by the end of it. It’s that good."