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Ama (21 KP) rated Detroit (2017) in Movies

Sep 11, 2017  
Detroit (2017)
Detroit (2017)
2017 | Drama, History, Thriller
Shattering
The first couple of questions when writing a review here are What's good? and What's bad?
Now, as you've seen I have given this film a full score, but I could not for the life of me put into a sentence what was good about it. It's not a nice film. Nothing about it is good. Except the way it makes you feel with it. But then even that is not a good thing. It's ugly.

I watched Detroit yesterday at the local cinema. I had seen the trailer, knew it was gonna be a tearjerker, knew I would hate the world and myself after watching it.
What I realised is that I completely underestimated the film.
About half an hour to an hour in all I wanted to do was to turn it off. I had an urge to just turn the cinema off, go home and potentially have some chocolate.
It wasn't the fact that the film was bad (I repeat, I gave it a full score), nor was it surprising narrative (again, I had seen the trailer and my tiny bit of historical knowledge filled in the gaps), but something in the way it was presented somehow evoked that feeling of wanting it to go away.


When I walked out of the cinema and forced myself to think about it, I realised a couple of things (all of which eventually made me come to the conclusion that that might have been deliberate).
First of all that film was lit like a feature film and shot like a documentary. This means that watching it, my brain was trying to fool me into thinking this was real a lot more than it usually would. It's film like a documentary, so it's a documentary so this is exactly what must have happened, right? There was a camera at the scene, right?
Well, of course there wasn't. Of course it was still a feature film and of course before the credit it was even stated that besides the testimonies of the parties involved, there was still dramatic licence taken. But that didn't change the fact that it shook me. It shook me because that little shake of the camera that was a little more intense that I was used to and that little zoom every now and then to get closer to an action as though the camera had only just noticed it all lead to that convincing idea of this being real and having happened exactly as I was seeing it.


The acting was splendid. Again, upon contemplating the film, I wondered what it was like for all of these black people (the term used deliberately) to play these roles, having grown up in that country themselves. I wondered what it was like for Will Poulter to become an asshole from the work 'Action!' and while that isn't any different than any other set, somehow, in Detroit, it seemed like so much bigger a deal. On this note, kudos to all the actors in this piece. There was none of you that felt out of place or irrelevant. Each of you portrayed a character dealing with the situation at hand differently and on a spectrum that showed how truly diverse humans are - even if united in a cause, be it on the white side or the black.


I could go on for hours (which I did, with the friend I went to see it with) about how this film made me feel and how much insecurity in the current world it made me feel, but there is no point in doing that. Feelings are best felt, rather than read so just watch it and I'm sure you'll understand.
I do want to say this though:
This film made me realise that the world we live in today is not the product from its past, but rather a work in progress towards what is to come.


I in no way mean that I did not know that previously, but there is a difference between knowing and understanding.


On this note, this film is not for the faint hearted but it is one of those important films that need to be watched at the moment.
  
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Sean Farrell (9 KP) rated Ararat in Books

Mar 15, 2018  
Ararat
Ararat
Christopher Golden | 2017 | Fiction & Poetry, Horror, Thriller
10
7.3 (3 Ratings)
Book Rating
"Popcorn" books can be a lot of fun no matter what time of year it is, but they seem especially appropriate in the Summer time, and this latest horror offering from Christopher Golden is a pretty perfect Summer book. Engaged, moutain-climbing authors / documentary filmmakers Adam and Meryam are in a race to be first up Mt. Ararat into a cavern that has opened up as the result of an earthquake, possibly revealing Noah's Ark. Unsurprisingly they make it and discover that the cavern appears to actually be the ark itself, and it contains a rather disturbing discovery inside. Nevertheless, they assemble a team of international archaeologists, religious experts, mountain guides, and government representatives and get to work studying their findings. As a blizzard approaches, effectively trapping them inside the Ark, things begin to take a turn for the worse at the site as the body count begins piling up, and the tone of the book switches from adventure mixed with some mystery to a straight-up frightfest. This is one of the scarier books I've read in a while, using some pretty shocking violence to really up the fear factor. As a result, while not likely to win any literary rewards, Mr. Golden has created one of the year's most entertaining books, and written a story that would make a great Summer blockbuster.