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Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
Suswatibasu (1703 KP) rated Casting JonBenet (2017) in Movies
Aug 27, 2017
Beautifully shot but no way as good as other true crime documentaries
Netflix is an absolute master when it comes to true crime documentaries. However, unlike Making a Murderer and The Keepers, this is a standalone film and it does not explore the crime in detail. As a result it falls short in comparison to the others.
The film is about the notorious 1996 case of a six year old beauty pageant participant, JonBenet Ramsey, who was found dead in her own house even though her family said she had been kidnapped.
One of the most important things about this documentary in particular is the fact that it is completely in the perspective of random people who have no connection really with the crime itself. Instead by creating a fake film about this true crime, they reveal the actors' own perceptions and prejudices against the case and against the people involved.
It is also vital to notice while the other documentaries were created to raise awareness and educate the public about levels of corruption in society and institutions - this seemingly does nothing but instead actually is a bit of a mockery towards the young victim of this crime. The actors throw out wild theories instead, and so you know little about what actually happened.
On the upside it is shot absolutely beautifully, so it looks like an art film. A bit disappointing really.
The film is about the notorious 1996 case of a six year old beauty pageant participant, JonBenet Ramsey, who was found dead in her own house even though her family said she had been kidnapped.
One of the most important things about this documentary in particular is the fact that it is completely in the perspective of random people who have no connection really with the crime itself. Instead by creating a fake film about this true crime, they reveal the actors' own perceptions and prejudices against the case and against the people involved.
It is also vital to notice while the other documentaries were created to raise awareness and educate the public about levels of corruption in society and institutions - this seemingly does nothing but instead actually is a bit of a mockery towards the young victim of this crime. The actors throw out wild theories instead, and so you know little about what actually happened.
On the upside it is shot absolutely beautifully, so it looks like an art film. A bit disappointing really.
Chris Sawin (602 KP) rated Game of Death (1978) in Movies
Jun 23, 2019 (Updated Jun 23, 2019)
'Game of Death' was the film Bruce Lee was working on when he died. He had stopped working on this to work on 'Enter the Dragon' and never had the opportunity to complete ‘Game of Death.’ The good news is that Lee shot a good 100 minutes worth of footage (only around 30 mins survived, the other 70 mins are lost) for 'Game of Death' (they only used around 12 minutes of this footage in the actual film). The bad news is Robert Clouse came around and tried to make an entire film leading up to the Bruce Lee footage that was shot including Bruce Lee look-a-likes and a cardboard cutout. The entire film is pretty awful since the story is lame and the acting is over dramatic.
The archived footage of Bruce Lee just seems forced and thrown in to try and make a buck while the actual footage of Lee's funeral feels tasteless and inconsiderate. Clouse would unfortunately give birth to something that would spawn many films including Bruce Lee clones starring the likes of Bruce Li; a lukewarm sensation known as Bruceploitation. The actual Bruce Lee footage is some of his best, but is only shown in its entirety in the documentary "A Warrior's Journey" included in the two-disc special edition DVD of ‘Enter the Dragon.’ So the film itself honestly isn’t worth your time unless you really just want to see Sammo Hung’s brief appearance.
The archived footage of Bruce Lee just seems forced and thrown in to try and make a buck while the actual footage of Lee's funeral feels tasteless and inconsiderate. Clouse would unfortunately give birth to something that would spawn many films including Bruce Lee clones starring the likes of Bruce Li; a lukewarm sensation known as Bruceploitation. The actual Bruce Lee footage is some of his best, but is only shown in its entirety in the documentary "A Warrior's Journey" included in the two-disc special edition DVD of ‘Enter the Dragon.’ So the film itself honestly isn’t worth your time unless you really just want to see Sammo Hung’s brief appearance.
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