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Lee (2222 KP) rated The Christmas Chronicles (2018) in Movies
Nov 25, 2018
Kurt Russell is Santa Claus!!!
My wife and daughter started watching Christmas movies a few weeks back now, far too early in my opinion. But when the trailer first came out for The Christmas Chronicles on Netflix, it definitely got me in the Christmas spirit and I just couldn't wait to see it. So, on a lazy Sunday morning, cold and wet outside, all snuggled up in bed and with a cat and a dog spread out on top of us, we decided to watch it. Perfect.
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
Phillip McSween (751 KP) rated Ninja Assassin (2009) in Movies
Dec 2, 2019
Bland Characters Equals Meh Movie
A former member of a sect of secret ninjas escapes the clan, but has to fight for his life when the past catches up to him.
Acting: 4
I have seen paper bags act better than Rain the actor who plays main character Raizo. I think the screenwriters knew this and tried to mask his lack of chops with less lines, but it definitely didn’t work. He is as bland as the chicken I feed my dog when he has diarrhea. The rest of the crew isn’t terribly better and aren’t worth much of a mention.
Beginning: 10
The movie actually gets off to a great start. It starts off in a gangster hideout and an old man is giving one of the gangsters a tattoo. A letter shows up with black sand in it. Black sand is basically the kiss of death for these ninjas so it’s not too long after that bedlam ensues. Dope scene, got me excited to watch more.
Characters: 2
Cinematography/Visuals: 8
Conflict: 10
The action was also a plus. The beginning is definitely an indicator of things to come. You want crazy martial fighting? Check. Blood and gore? Blamo! Insane slowmo sequences? Coming right up. This is basically an action junkie’s wet dream. Actually, I think I’m giving it too much credit…
Entertainment Value: 7
Memorability: 7
Pace: 7
While I appreciate certain things like at least making an attempt at a backstory, there were other portions that slowed the movie down in a couple of spots. Like seriously, how much training do we need to see this dude do? A few rounds on the good ole speed bag will suffice for me, thanks. Nope, this dude is doing splits, using ninja swords, fighting air. I also thought they spent a bit too much time on the main detective Mika (Naomie Harris) researching the ninjas. Pretty painful, but mostly fine.
Plot: 8
I didn’t hate the story. As I mentioned above, it was cool that you got a look into Raizo’s earlier life in the ninja clan and what got him to where he was. Crappy character, but I appreciated the effort to develop him. While the story got sidetracked here and there, it got you from Point A to Point B fairly smoothly.
Resolution: 6
Overall: 69
What disappoints me most about Ninja Assassin is the sheer amount of potential it had. Because it didn’t invest in quality actors or working in characters we care about, there is little margin for error in the rest of the movie. It wants to be likable, yet it didn’t put in the work to earn your friendship. I do not recommend.
Acting: 4
I have seen paper bags act better than Rain the actor who plays main character Raizo. I think the screenwriters knew this and tried to mask his lack of chops with less lines, but it definitely didn’t work. He is as bland as the chicken I feed my dog when he has diarrhea. The rest of the crew isn’t terribly better and aren’t worth much of a mention.
Beginning: 10
The movie actually gets off to a great start. It starts off in a gangster hideout and an old man is giving one of the gangsters a tattoo. A letter shows up with black sand in it. Black sand is basically the kiss of death for these ninjas so it’s not too long after that bedlam ensues. Dope scene, got me excited to watch more.
Characters: 2
Cinematography/Visuals: 8
Conflict: 10
The action was also a plus. The beginning is definitely an indicator of things to come. You want crazy martial fighting? Check. Blood and gore? Blamo! Insane slowmo sequences? Coming right up. This is basically an action junkie’s wet dream. Actually, I think I’m giving it too much credit…
Entertainment Value: 7
Memorability: 7
Pace: 7
While I appreciate certain things like at least making an attempt at a backstory, there were other portions that slowed the movie down in a couple of spots. Like seriously, how much training do we need to see this dude do? A few rounds on the good ole speed bag will suffice for me, thanks. Nope, this dude is doing splits, using ninja swords, fighting air. I also thought they spent a bit too much time on the main detective Mika (Naomie Harris) researching the ninjas. Pretty painful, but mostly fine.
Plot: 8
I didn’t hate the story. As I mentioned above, it was cool that you got a look into Raizo’s earlier life in the ninja clan and what got him to where he was. Crappy character, but I appreciated the effort to develop him. While the story got sidetracked here and there, it got you from Point A to Point B fairly smoothly.
Resolution: 6
Overall: 69
What disappoints me most about Ninja Assassin is the sheer amount of potential it had. Because it didn’t invest in quality actors or working in characters we care about, there is little margin for error in the rest of the movie. It wants to be likable, yet it didn’t put in the work to earn your friendship. I do not recommend.
Kirk Bage (1775 KP) rated After Life in TV
Mar 3, 2020
As Ricky Gervais cheekily crow-barred in to his opening speech at the 2020 Golden Globes a few weeks ago, it is possible to watch all of After Life series one in less time than it takes to watch The Irishman. And that is exactly what I did; binged the whole thing on autoplay until it was done! Not to get it over with as soon as possible, but rather because it is hard to turn off – you just keep wanting more.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
Kristy H (1252 KP) rated The Vanishing Season in Books
Mar 19, 2020
Ellery Hathaway is the only female police officer in Woodbury, Massachusetts. She's also the only one on the force who believes Woodbury has a serial killer--one who is picking off people every July. Ellery was once Abby Hathaway, who was kidnapped at fourteen in a very famous case: she was the seventeenth victim of serial killer Francis Coben. And the only one who lived. Now Ellery is convinced these people in Woodbury--who are going missing around her birthday--are tied to her own incident. So she calls the only person she can think of: Reed Markham, the FBI agent who rescued her from the Coben's closet all those years ago. But Reed is battling his own issues. While Ellery's case--and the subsequent book he wrote--made him famous, he's on forced leave after messing up an investigation, and his wife has kicked him out. His most famous moment revolves around Ellery, but did he truly save her? And now they both are about to be sucked back into the case.
Wow, what an excellent start to a series! I loved this book and was drawn immediately to Ellery ("Ellie") and Reed! They are a dynamic duo, with a truly complicated history, and this was a compelling page-turner from the beginning. Schaffhausen has an easy writing style that brings Ellie and Reed to life (along with Ellie's awesome hound dog "Bump"), and I sped through the book in a couple of hours.
"Ellie knew 'touched' could mean gifted or insane. Maybe she was both. But she wasn't wrong, and if anyone out there was ever going to believe her, it was Reed Markham. Because he'd been touched once too."
The story is a dynamic one, tying back to Ellie's original kidnapping, but working in present-day disappearances in the town where she's escaped. Ellie is desperately trying to start over: no one on her police force knows about her old life. (This is the one thing that seems a little crazy--how did that background check fly? And how does she get so far along in these new cases without spilling the beans?)
Still, I'm willing to overlook it, because this is a captivating dark read that keeps you guessing. I figured out a few things here and there, but it in no way diminished my interest. The dynamics between Ellie and Reed are sizzling, and the twists and turns exciting. I love a good mystery/police procedural, and this one did not disappoint. It's deep and creepy, with a powerful lead female character, and I cannot wait to read the next two books! (I finished this book three days ago, and I'm already in the middle of the third book, just to illustrate how much I enjoy this series!) 4 stars.
Wow, what an excellent start to a series! I loved this book and was drawn immediately to Ellery ("Ellie") and Reed! They are a dynamic duo, with a truly complicated history, and this was a compelling page-turner from the beginning. Schaffhausen has an easy writing style that brings Ellie and Reed to life (along with Ellie's awesome hound dog "Bump"), and I sped through the book in a couple of hours.
"Ellie knew 'touched' could mean gifted or insane. Maybe she was both. But she wasn't wrong, and if anyone out there was ever going to believe her, it was Reed Markham. Because he'd been touched once too."
The story is a dynamic one, tying back to Ellie's original kidnapping, but working in present-day disappearances in the town where she's escaped. Ellie is desperately trying to start over: no one on her police force knows about her old life. (This is the one thing that seems a little crazy--how did that background check fly? And how does she get so far along in these new cases without spilling the beans?)
Still, I'm willing to overlook it, because this is a captivating dark read that keeps you guessing. I figured out a few things here and there, but it in no way diminished my interest. The dynamics between Ellie and Reed are sizzling, and the twists and turns exciting. I love a good mystery/police procedural, and this one did not disappoint. It's deep and creepy, with a powerful lead female character, and I cannot wait to read the next two books! (I finished this book three days ago, and I'm already in the middle of the third book, just to illustrate how much I enjoy this series!) 4 stars.
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