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I was really drawn to this book from the blurb and was grateful to Legend Press via the Legend 100 Club for my copy in exchange for an honest review.

I found this a really difficult book to review because on the one hand, the story was captivating and interesting despite it being about some pretty despicable crimes (infanticide, child and domestic abuse, stalking and violence) but on the other, the writing style made it really, really hard to read which spoiled it for me in a big way. There are a lot of characters and the story jumps around a bit; I normally don’t mind this if there’s a thread which connects them all but in this novel, there were different threads that crossed but weren’t necessarily linked so this made it difficult for me to keep track. I also have an issue with the main character, Natalie King. Again, she’s difficult to critique. On the one hand she’s a very strong, independent woman but on the other, I found her to be extremely unlikeable and I wasn’t able to warm to her at all.

Having said all that, it’s very clear that the author knows her stuff and despite the difficulties I had in reading this particular book, I would be tempted to read another written by her.

My blog: <a href="https://readingstuffnthings.blogspot.co.uk/2016/12/medeas-curse-by-anne-buist.html">Reading Stuff 'n' Things</a>
  
The Girl in the Spider&#039;s Web (2018)
The Girl in the Spider's Web (2018)
2018 | Crime, Drama, Thriller
Another attempt at converting Stieg Larssen's very-popular-about-ten-years-ago characters into viable English-language multiplex fare. Film opens with implied child abuse followed by implied domestic violence (there's a lot of implication, in order to avoid the 18 certificate that scuppered the box office of the Daniel Craig/Rooney Mara movie), but this is mainly to set an authentically grim tone - the plot could fairly easily be retooled for one of the Bourne movies, as evil secret organisation tries to get its hands on apocalyptic McGuffin, hero gets framed for doing nasty things, and so on.

Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)

(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
  
Public Secrets
Public Secrets
Nora Roberts | 1990 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
Well written and complex characters (7 more)
Covers a broad range of social topics such as addiction, domestic violence, and homosexuality in a way which is both well written and accurate with the times
Strong character dynamics
Not nearly as cheesy as the romance novels of which she is known for writing
At times creepy or psychologically disturbing in a way which makes you care even more about the life of the main character
Strong ensemble cast
Great nostalgic look at music and cinema from the 60s up through the 90s
Excellent and unpredictable plot twists
Murder Mystery set in the world of the Music Industry
The illegitimate daughter of a young rock star witnesses the accidental murder of her baby brother when she is still very young, and due to a case of isolated amnesia, cannot identify the murderer. As she grows up under the public eye, amidst the tragedy and its effects on her family, struggling to let go of her nightmares of that fateful night while struggling to find her own identity aside from the shadow of her father and the legendary status of her family, she faces many struggles and challenges just to prove an identity of her own. Yet as she grows up into a mature young woman, she learns that there are some tragedies from her past which were worth suffering through if she were to finally help bring justice for her brother and their family.
  
The Cutting Place (Maeve Kerrigan #9)
The Cutting Place (Maeve Kerrigan #9)
Jane Casey | 2020 | Crime, Thriller
9
9.5 (2 Ratings)
Book Rating
I absolutely devoured this book and, once again, I find myself sounding like a broken record in that I haven't got enough different words to describe how much I enjoyed it and despite it being the ninth in the series, it continues to feel fresh with the partnership of DS Maeve Kerrigan and DI Josh Derwent being a particular highlight of mine and one which I absolutely adore.

Here we find the team investigating a particularly brutal murder when a body part is found by a mudlarker on the banks of the Thames; the ensuing investigation leads to a missing journalist and an exclusive gentleman's club ... are they related? Amongst all this is a look into the private life of Maeve and the importance of strong friendships and trust.

This is a compelling and engaging story line and not just a police-procedural; it delves into the murky world of "gentleman's" clubs, domestic violence, blackmail, privilege and power. I'm not going to lie, it's a dark story full of tension that is all too plausible but there are lighter moments that provide some occasional relief.

Highly, highly recommended and you don't have to have read previous books in the series to appreciate just how good this is but you will certainly want to after reading this.

My thanks and appreciation go to HarperCollins UK, HarperFiction and NetGalley for my copy in return for an honest review.