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The Son of Neptune (The Heroes of Olympus #2)
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Seven half-bloods shall answer the call, To storm or fire the world must fall. An oath to keep...
The Couple at No 9
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It was the house of their dreams. Now it's their worst nightmare . . . THE SUNDAY TIMES BESTSELLER...
Billie Wichkan (118 KP) rated The Neighbour in Books
May 22, 2019
FOR SALE: A lovely family home with good-sized garden and treehouse occupying a plot close to woodland. Perfect for kids, fitness enthusiasts, dog walkers . . .
And, it seems, the perfect hunting ground for a serial killer.
On a hot July day, Garrick and Olivia Lockwood and their two children move into 25 The Avenue looking for a fresh start. They arrive in the midst of a media frenzy: theyd heard about the local murders in the press, but Garrick was certain the killer would be caught and it would all be over in no time. Besides, theyd got the house at a steal and he was convinced he could flip it for a fortune.
The neighbours seemed to be the very picture of community spirit. But everyone has secrets, and the residents in The Avenue are no exception.
After six months on the case with no real leads, the most recent murder has turned DC Wildeve Stantons life upside down, and now she has her own motive for hunting down the killer quickly.
Loved this book! Once I started reading I was gripped by the story and I just couldn't put it down.
This has to be one of the most cleverly plotted thrillers I've read in years with its twisty reveals, red herrings and ample misdirection, which throws you off the scent many times!
Every time I thought I had it; Bam; hit the floor as the rug was pulled out from under me.
This is a twisty, creepy thriller with a likeable detective in the form of Wildeve Stanton who works hard to find the killer while battling with her own grief.
On The Avenue, behind every door hides a secret, and behind one of these doors is a serial killer that has been living in plain sight. But which door? The chapters give a snapshot view into each of the ongoing lives, into each of their secrets, slowly building up to an emotional terrifying conclusions.
A very chilling enjoyable read that kept from going to bed as I would not stop reading until I got to the end!
Highly Highly Recommend and would give more than 5 stars if I could!
Thank you to the author Fiona Cummins, publishers Pan Macmillan and NetGalley for my digital advance copy of the book in exchange for an honest and independent review.
And, it seems, the perfect hunting ground for a serial killer.
On a hot July day, Garrick and Olivia Lockwood and their two children move into 25 The Avenue looking for a fresh start. They arrive in the midst of a media frenzy: theyd heard about the local murders in the press, but Garrick was certain the killer would be caught and it would all be over in no time. Besides, theyd got the house at a steal and he was convinced he could flip it for a fortune.
The neighbours seemed to be the very picture of community spirit. But everyone has secrets, and the residents in The Avenue are no exception.
After six months on the case with no real leads, the most recent murder has turned DC Wildeve Stantons life upside down, and now she has her own motive for hunting down the killer quickly.
Loved this book! Once I started reading I was gripped by the story and I just couldn't put it down.
This has to be one of the most cleverly plotted thrillers I've read in years with its twisty reveals, red herrings and ample misdirection, which throws you off the scent many times!
Every time I thought I had it; Bam; hit the floor as the rug was pulled out from under me.
This is a twisty, creepy thriller with a likeable detective in the form of Wildeve Stanton who works hard to find the killer while battling with her own grief.
On The Avenue, behind every door hides a secret, and behind one of these doors is a serial killer that has been living in plain sight. But which door? The chapters give a snapshot view into each of the ongoing lives, into each of their secrets, slowly building up to an emotional terrifying conclusions.
A very chilling enjoyable read that kept from going to bed as I would not stop reading until I got to the end!
Highly Highly Recommend and would give more than 5 stars if I could!
Thank you to the author Fiona Cummins, publishers Pan Macmillan and NetGalley for my digital advance copy of the book in exchange for an honest and independent review.
Lauren (6 KP) rated Supergirl - Season 2 in TV
Jul 9, 2018 (Updated Jul 9, 2018)
Chyler Leigh!! (4 more)
Floriana Lima
Melissa Benoist
Jeremy Jordan
The addition oaf a Luthor
Character development (2 more)
Network switch
Lovesick Kara took away from the supposed theme
Contains spoilers, click to show
This season had some absolutely great aspects and some that were not so stellar.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
LilyLovesIndie (123 KP) rated The Assassin's Mark in Books
Nov 5, 2018
Firstly I must thank Ebsworth not only for providing a complimentary copy of this book in return for an honest review, but also for having immense patience in waiting for me to provide him with that review. I must also point out how much I have enjoyed reading this book, even if I did struggle to get into the book at first.
There are several aspects which I feel to be major strengths in this book, particularly the characterisation. The assembled cast of characters are all extravagantly wonderful in their own ways, working well together and being entirely believable in the context of the text. In addition, it is worth commenting that they work as well individually as they do collectively, a great testament to Ebsworth's writing style. Jack Telford, as the main character, is a wonderful example of manhood and his cynicism in the tour breathes a breath of fresh air, prompting much thought by the reader on the matters discussed.
A further strength of this book is it's intricate and well developed plot. It is brilliantly put together, with mystery and thought provoking elements all combined with some humour and great history. I can't compliment enough the many well written twists and turns in this novel, whether it's sudden and unexpected deaths or mysterious figures appearing at odd intervals, there's always something that keeps the reader on the edge of their seats and thinking of what could be happening behind closed doors. It's a fantastic read for making you think about what you are reading, however, this is an occasional downside as it makes it a difficult book to read when you only have a few minutes spare.
Perhaps, for me, the best aspect of this book is the detailed research that shines through on every page. It is evident, even to someone with a limited knowledge of the Spanish Civil War, that there is much to learn in this book and that it has been incredibly well researched. Clearly, Ebsworth put much time into his research, and to his credit, as it adds an extra dimension to this story.
Finally, there is little else for me to say other than to recommend this book to all who enjoy history, a good mystery and a strong leading character.
There are several aspects which I feel to be major strengths in this book, particularly the characterisation. The assembled cast of characters are all extravagantly wonderful in their own ways, working well together and being entirely believable in the context of the text. In addition, it is worth commenting that they work as well individually as they do collectively, a great testament to Ebsworth's writing style. Jack Telford, as the main character, is a wonderful example of manhood and his cynicism in the tour breathes a breath of fresh air, prompting much thought by the reader on the matters discussed.
A further strength of this book is it's intricate and well developed plot. It is brilliantly put together, with mystery and thought provoking elements all combined with some humour and great history. I can't compliment enough the many well written twists and turns in this novel, whether it's sudden and unexpected deaths or mysterious figures appearing at odd intervals, there's always something that keeps the reader on the edge of their seats and thinking of what could be happening behind closed doors. It's a fantastic read for making you think about what you are reading, however, this is an occasional downside as it makes it a difficult book to read when you only have a few minutes spare.
Perhaps, for me, the best aspect of this book is the detailed research that shines through on every page. It is evident, even to someone with a limited knowledge of the Spanish Civil War, that there is much to learn in this book and that it has been incredibly well researched. Clearly, Ebsworth put much time into his research, and to his credit, as it adds an extra dimension to this story.
Finally, there is little else for me to say other than to recommend this book to all who enjoy history, a good mystery and a strong leading character.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Immortal Throne (Into the Dark, #3) in Books
Jan 23, 2020
Wow... It's been so long, I didn't even think I would remember this series.
Yet here we are, finally, <i>FINALLY</i>, getting to see the fates of Daphne, Haden and all the others, even after the doors to EgmontUSA closed years ago.
<h2><b>Let's chat about </b><i><b>The Immortal Throne</b></i><b>, shall we?</b></h2>
<b>Let me make it clear early on: I wasn't a fan of the first, and the second was better but not OMG I LOVE THIS SERIES.</b>
But I did want to find out what happened because <b>there was a cliffhanger and even if it's been years, I need that satisfaction. </b>#inthecornercurious
<h3><b>We've got a refresher.</b></h3>
Most people would reread the entire series (or at least skim it), but Despain gave the run down in book two and I was expecting her to do so with book three.
She does exactly that early on, and this makes forgetful me very happy. (Plus there are SO. MANY. BOOKS?! How do I keep track of the deets?)
<h3><b>We're jumping right in after the events in </b><i><b>The Eternity Key.</b></i></h3>
So not only do we get a refresher, but we also get things going on right at the moment, right after everything that happened in the second book. I highly recommend at least skimming the first two novels to get a sense if its been awhile (dont be like me, learn from my mistakes).
<h3><b>The ending is very satisfying.</b></h3>
Honestly Im just happy Daphne and Haden got an end to their story (BECAUSE WHAT IF IT DIDNT HAPPEN AND NO ONE PICKED UP THE LAST BOOK) and theres room for more if Despain so chooses to extend it (I think its fine though).
<h2><i><b>The Immortal Throne</b></i><b> is probably my favorite of the three - there are more risks at stake as we try to find out if the story will end horribly or if itll be a happily ever after.</b></h2>
(Secretly I wanted tragedy but Im evil.)
<a href="https://bookwyrmingthoughts.com/the-immortal-throne-by-bree-despain/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Yet here we are, finally, <i>FINALLY</i>, getting to see the fates of Daphne, Haden and all the others, even after the doors to EgmontUSA closed years ago.
<h2><b>Let's chat about </b><i><b>The Immortal Throne</b></i><b>, shall we?</b></h2>
<b>Let me make it clear early on: I wasn't a fan of the first, and the second was better but not OMG I LOVE THIS SERIES.</b>
But I did want to find out what happened because <b>there was a cliffhanger and even if it's been years, I need that satisfaction. </b>#inthecornercurious
<h3><b>We've got a refresher.</b></h3>
Most people would reread the entire series (or at least skim it), but Despain gave the run down in book two and I was expecting her to do so with book three.
She does exactly that early on, and this makes forgetful me very happy. (Plus there are SO. MANY. BOOKS?! How do I keep track of the deets?)
<h3><b>We're jumping right in after the events in </b><i><b>The Eternity Key.</b></i></h3>
So not only do we get a refresher, but we also get things going on right at the moment, right after everything that happened in the second book. I highly recommend at least skimming the first two novels to get a sense if its been awhile (dont be like me, learn from my mistakes).
<h3><b>The ending is very satisfying.</b></h3>
Honestly Im just happy Daphne and Haden got an end to their story (BECAUSE WHAT IF IT DIDNT HAPPEN AND NO ONE PICKED UP THE LAST BOOK) and theres room for more if Despain so chooses to extend it (I think its fine though).
<h2><i><b>The Immortal Throne</b></i><b> is probably my favorite of the three - there are more risks at stake as we try to find out if the story will end horribly or if itll be a happily ever after.</b></h2>
(Secretly I wanted tragedy but Im evil.)
<a href="https://bookwyrmingthoughts.com/the-immortal-throne-by-bree-despain/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated See No Evil (The Faded Trilogy, Book 2) in Books
Jan 23, 2020
See No Evil is the second novel in Chloe Miles' Faded trilogy, with the Chosen Ones trying to get Logan back after the events near the end of Faded. Logan, on the other hand, is trying to get Abigail to leave the Chosen Ones and join the Forces.
The story starts out with a few scenes from later in the book, and Miles blends the scenes together well enough that they flow smoothly they go together really well despite the fact between the few, snippets are taken out so as not to give away in spoilers. Unfortunately, while the prologue is written really well, this simply gives away the answer to Savannah's visions quickly, and possibly the entire plot as well.
See No Evil isn't too action-packed, but it's more than Faded and enough so it's enough so it's not too much (like Au Revoir, Crazy European Chick. That was WAY too much action). Savannah is stronger heroine than when we first met her back in the first novel, Faded. She's supportive while Abigail is grieving, even though Abigail is completely oblivious whose side Logan is on. In fact, Logan even gives himself away by accident! Yet while she's confused, she later brushes it aside.
The attacks have also gotten more creative in a way, though not by much. There are less doors shutting by themselves, no more windows being involved, but there are still just as much storms, winds, lightning, and flying furniture. The endings for those attacks tends to be the same as well the Forces run away. For a name like the Forces, you would have thought they were a force to be reckoned with. Legit name for a group who run away like cowards. :p
While I really enjoyed See No Evil, I feel as though something is missing. I feel very much as though Miles' writing is more for... middle grade due to the life lesson like writing. Something bad happens, the thing gets resolved, then the characters come together and talk about it.
-----------------------
Review copy provided by the author for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-see-no-evil-by-chloe-miles.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The story starts out with a few scenes from later in the book, and Miles blends the scenes together well enough that they flow smoothly they go together really well despite the fact between the few, snippets are taken out so as not to give away in spoilers. Unfortunately, while the prologue is written really well, this simply gives away the answer to Savannah's visions quickly, and possibly the entire plot as well.
See No Evil isn't too action-packed, but it's more than Faded and enough so it's enough so it's not too much (like Au Revoir, Crazy European Chick. That was WAY too much action). Savannah is stronger heroine than when we first met her back in the first novel, Faded. She's supportive while Abigail is grieving, even though Abigail is completely oblivious whose side Logan is on. In fact, Logan even gives himself away by accident! Yet while she's confused, she later brushes it aside.
The attacks have also gotten more creative in a way, though not by much. There are less doors shutting by themselves, no more windows being involved, but there are still just as much storms, winds, lightning, and flying furniture. The endings for those attacks tends to be the same as well the Forces run away. For a name like the Forces, you would have thought they were a force to be reckoned with. Legit name for a group who run away like cowards. :p
While I really enjoyed See No Evil, I feel as though something is missing. I feel very much as though Miles' writing is more for... middle grade due to the life lesson like writing. Something bad happens, the thing gets resolved, then the characters come together and talk about it.
-----------------------
Review copy provided by the author for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-see-no-evil-by-chloe-miles.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
JT (287 KP) rated Chernobyl Diaries (2012) in Movies
Mar 10, 2020
The problem with the horror genre these days is its becoming far too predictable, you almost spend the majority of the film second guessing the writers as to what is going to happen next. This is exactly what happened to me when I watched Chernobyl Diaries.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
JT (287 KP) rated Don't Breathe (2016) in Movies
Mar 10, 2020
Building suspense is considered a difficult task. Alfred Hitchcock was a master of this. You need look no further than the shower scene in Psycho for an example of his work. When a film delivers on suspense it can sometimes take the emphasis off a predictable twist ending. If the audience leaves the screening visibly shaken then a director has done his job.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.