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Grapholite - Diagrams, Flow Charts & Floor Plans
Business and Productivity
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Draw flow charts, floor plans, network layouts, uml, sketches & illustrations Grapholite is an...
Half Of What You Hear
8.0
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From well-loved women’s fiction writer Kristyn Kusek Lewis comes a breakout novel about a woman...
Down to the Sea (Mystic Beach, #1.5) by Aislinn Archer
8.0
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Aedan “Mace” Mason is the lead singer of legendary rock band Telltale Signs and a fixture in the...
Adult Fantasy Romance Irish Celtic
Louise (64 KP) rated See What I Have Done in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher Grove Atlantic in exchange for an honest review*
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
LeftSideCut (3776 KP) rated The Walking Dead - Season 9 in TV
Feb 6, 2020
Clawing its way back
Contains spoilers, click to show
After a hugely underwhelming couple of seasons, it's nice to see TWD back on a stronger path, with a new showrunner, and new time setting (more on that in a minute).
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
Toddler’s Farm Animals sounds, Baby Animal Puzzles
Education and Games
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A must-have for TODDLERS and PRESCHOOLERS! Learn and play with cute animated farm animals in 14...
Feed Animals: Toddler games for 1 2 3 4 year olds
Education and Games
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A must-have for TODDLERS and PRESCHOOLERS! Learn and play with cute animated farm animals in 14...
Mercedes me
Lifestyle and Navigation
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Any time and anywhere. With the Mercedes me app on your iPhone or Apple Watch you have your personal...
Call Of Battlefield - Fps Online
Games and Entertainment
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OMG! Zombies invade the world and humankind is about to disappear. They are turning every human into...
LeftSideCut (3776 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.