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Debbiereadsbook (1449 KP) rated Mathos (The Hawks #3) in Books
Nov 21, 2021
loving this series so hard!
I was gifted my copy of this book, that I write a review was not required.
This is book 3 in The Hawks series, and you really MUST read books one, Tristan, and book 2, Val before this one. There is an on-going story arc across the series, that is not fully recapped. And you, cos I said so! I loved those books, and I loved this one too.
Mathos is a player, calls everyone darlin' and never spends more than one night with a woman. He's happy with his lot. So why then, does Lucilla push all his buttons and make him want things he never knew he wanted? She's a spoilt princess, and he just has to get her to the palace. Lucy, however, does not want to go. Her brother will kill her, and she's suffered enough. Finding out though, that Ballinor is dead and a far darker mind wishes to possess her, mean she has to trust Mathos, and his band of the Hawks.
I loved Mathos in the other books, and here he really does shine. Lucy (as Mathos begins to call her) shines also, but in an entirely different way.
Lucilla has been kept behind closed doors for so long, so she can't remember life before. Suffering at the hands of her brother and his cronies has been her life. She doesn't want to be controlled or coralled anywhere, but Mathos makes a good point. Getting to the palace will secure her future and mean she can make all the choices she wants. But Mathos creeps into her heart, and when he does what he does, you can feel how much Mathos means to her.
Mathos though, feels he does not deserve anyone, let alone a queen. No one can love him, if his own mother can't, surely? Walking away from Lucy and from his brothers was probably the hardest thing he ever did, but also the most stoopidest thing, EVER! But it's WHO that makes him see clearly for the first time in weeks that surprised me! Given as said someone has been missing since the first book, you'll understand why and I really pray that he gets some peace.
He's not next though! Tor is next and given whats said here, I'm intrigued as to what has happened between him and Keeley!
I'm loving this series, I really am! Please keep them coming, I still cannot see the bigger picture and what's going to happen!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in The Hawks series, and you really MUST read books one, Tristan, and book 2, Val before this one. There is an on-going story arc across the series, that is not fully recapped. And you, cos I said so! I loved those books, and I loved this one too.
Mathos is a player, calls everyone darlin' and never spends more than one night with a woman. He's happy with his lot. So why then, does Lucilla push all his buttons and make him want things he never knew he wanted? She's a spoilt princess, and he just has to get her to the palace. Lucy, however, does not want to go. Her brother will kill her, and she's suffered enough. Finding out though, that Ballinor is dead and a far darker mind wishes to possess her, mean she has to trust Mathos, and his band of the Hawks.
I loved Mathos in the other books, and here he really does shine. Lucy (as Mathos begins to call her) shines also, but in an entirely different way.
Lucilla has been kept behind closed doors for so long, so she can't remember life before. Suffering at the hands of her brother and his cronies has been her life. She doesn't want to be controlled or coralled anywhere, but Mathos makes a good point. Getting to the palace will secure her future and mean she can make all the choices she wants. But Mathos creeps into her heart, and when he does what he does, you can feel how much Mathos means to her.
Mathos though, feels he does not deserve anyone, let alone a queen. No one can love him, if his own mother can't, surely? Walking away from Lucy and from his brothers was probably the hardest thing he ever did, but also the most stoopidest thing, EVER! But it's WHO that makes him see clearly for the first time in weeks that surprised me! Given as said someone has been missing since the first book, you'll understand why and I really pray that he gets some peace.
He's not next though! Tor is next and given whats said here, I'm intrigued as to what has happened between him and Keeley!
I'm loving this series, I really am! Please keep them coming, I still cannot see the bigger picture and what's going to happen!
5 full and shiny stars
*same worded review will appear elsewhere
Sophia (Bookwyrming Thoughts) (530 KP) rated Daughter of Deep Silence in Books
Jan 23, 2020
You know what happens when you read a little over a hundred pages and rage for two full pages in a reading notebook?
You don't continue the book. You mark it as a DNF because you don't want to spend approximately eight pages raging and raging over a four hundred page book when you can read another book.
As you can see, I did exactly that.
But <b>never, <i>never</i> have I ever wanted to throw a book out the window <i>SO BADLY</i></b> as I want to do with <i>Daughter of Deep Silence</i>. This is <b>an absolute, horrifying mess disguised as a book with a gorgeous cover and an absolutely beautiful interior layout.</b> <i>Daughter of Deep Silence</i> is really about <b>a girl who is so hell-bent on revenge, she's become obsessed and obviously needs to get a move on with her life.</b>
It's obvious from early on in the book. <b>I don't actually know much about Frances as a person</b> from the fourth of the book I read. <b>I know her plans and what happened on the <i>Persephone</i></b> with the flashbacks here and there, but I don't know Frances. The book screams <i>revenge</i>. It also screams <i>obsessed</i>, because <b>what else could it be if you're keeping a bleeping notebook on each of the family members filled with little details among details about each member?</b>
<blockquote>Over the past four years I've become an expert on Grey. An expert on everyone in the Wells family. I have the same kind of notebook on each one of them.</blockquote>
But <i>Daughter of Deep Silence</i> isn't just that. It's a carbon copy. <b>An absolute carbon copy of <i>Revenge</i></b>, and I mean <i>ABSOLUTE</i>. It's worse than <i><a title="Unbreakable by Kami Garcia" href="https://bookwyrmingthoughts.com/dnf-audiobook-review-unbreakable-by-kami-garcia/"; target="_blank" rel="noopener">Unbreakable</a></i> and <i>Supernatural</i> or <i>The Hunger Games</i> and <i><a title="The Testing by Joelle Charbonneau" href="https://bookwyrmingthoughts.com/review-the-testing-by-joelle-charbonneau/"; target="_blank" rel="noopener">The Testing</a></i> and other dystopian novels put together, because there's actually <i>some</i> difference. <a title="The Moon Dwellers by David Estes" href="https://bookwyrmingthoughts.com/review-the-moon-dwellers-by-david-estes/"; target="_blank" rel="noopener">There's a chance that I'll actually like the book.</a> (It's happened. I PROMISE.)
<i>Daughter of Deep Silence</i>, on the other hand? <b>I don't even know where <i>Revenge</i> ends and the book actually begins</b> I can distinguish nary a difference, and I'm completely disappointed.
<b>There's revenge obviously.</b> There's a reason <i>behind</i> both Frances' and Emily's vengeance, and <b>this whole revenge idea didn't bother me at all.</b> It's only just one similarity right? <b>This could have gone on an entirely different route from early on</b> and I wouldn't have complained about a single thing. Maybe not a single thing, but there would be less rage. But I should have seen the signs from the moment I picked up the book.
<blockquote>*peruses new books shelves, sees book*
Hey, didn't I want to read this? *picks up book and reads synopsis again*
Sounds like Revenge. I'll come back and think about it. *looks at other books and chooses two more*
Screw it. Let's give this a whirl. If I don't like it, I've got plenty of papery ammunition.</blockquote>
<b>There's a disguise involved.</b> It's revealed in a later season View Spoiler »Emily is actually disguised as someone else. Frances is asked by her best friend's father to change her identity to Libby O'Martin so she can be protected and be able to find a way to exploit the truth behind the fate of <i>Persephone</i>.
<blockquote>"It's the only way to keep you sage." He pushes the ring toward me. "It's the only way to figure out who did this and make them pay."</blockquote>
<b>There's a politically powerful family.</b> Both are senators, both are planning on running for president, both are famous, both have a mansion with French doors (at least, I'm pretty sure <i>Revenge</i> had the French doors). And both have a son named...
...wait for it...
Greyson. *whistles* Imagine that! I mean, so much is similar, and the son had to be named the <i>exact same name as the one in the show I'm comparing this to?</i> You have got to be seriously kidding me. View Spoiler »I started expecting Ryan to actually throw in a secret son or something.
I just... can't. Someone pick up my horrified self off the floor. I'll wake up later. Until then, Ella or Lupe can take over.
<b><i>Daughter of Deep Silence</i> is <i>Revenge</i> down to the very basic formula.</b> Enough said.
<a href="https://bookwyrmingthoughts.com/dnf-review-daughter-of-deep-silence-by-carrie-ryan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
You don't continue the book. You mark it as a DNF because you don't want to spend approximately eight pages raging and raging over a four hundred page book when you can read another book.
As you can see, I did exactly that.
But <b>never, <i>never</i> have I ever wanted to throw a book out the window <i>SO BADLY</i></b> as I want to do with <i>Daughter of Deep Silence</i>. This is <b>an absolute, horrifying mess disguised as a book with a gorgeous cover and an absolutely beautiful interior layout.</b> <i>Daughter of Deep Silence</i> is really about <b>a girl who is so hell-bent on revenge, she's become obsessed and obviously needs to get a move on with her life.</b>
It's obvious from early on in the book. <b>I don't actually know much about Frances as a person</b> from the fourth of the book I read. <b>I know her plans and what happened on the <i>Persephone</i></b> with the flashbacks here and there, but I don't know Frances. The book screams <i>revenge</i>. It also screams <i>obsessed</i>, because <b>what else could it be if you're keeping a bleeping notebook on each of the family members filled with little details among details about each member?</b>
<blockquote>Over the past four years I've become an expert on Grey. An expert on everyone in the Wells family. I have the same kind of notebook on each one of them.</blockquote>
But <i>Daughter of Deep Silence</i> isn't just that. It's a carbon copy. <b>An absolute carbon copy of <i>Revenge</i></b>, and I mean <i>ABSOLUTE</i>. It's worse than <i><a title="Unbreakable by Kami Garcia" href="https://bookwyrmingthoughts.com/dnf-audiobook-review-unbreakable-by-kami-garcia/"; target="_blank" rel="noopener">Unbreakable</a></i> and <i>Supernatural</i> or <i>The Hunger Games</i> and <i><a title="The Testing by Joelle Charbonneau" href="https://bookwyrmingthoughts.com/review-the-testing-by-joelle-charbonneau/"; target="_blank" rel="noopener">The Testing</a></i> and other dystopian novels put together, because there's actually <i>some</i> difference. <a title="The Moon Dwellers by David Estes" href="https://bookwyrmingthoughts.com/review-the-moon-dwellers-by-david-estes/"; target="_blank" rel="noopener">There's a chance that I'll actually like the book.</a> (It's happened. I PROMISE.)
<i>Daughter of Deep Silence</i>, on the other hand? <b>I don't even know where <i>Revenge</i> ends and the book actually begins</b> I can distinguish nary a difference, and I'm completely disappointed.
<b>There's revenge obviously.</b> There's a reason <i>behind</i> both Frances' and Emily's vengeance, and <b>this whole revenge idea didn't bother me at all.</b> It's only just one similarity right? <b>This could have gone on an entirely different route from early on</b> and I wouldn't have complained about a single thing. Maybe not a single thing, but there would be less rage. But I should have seen the signs from the moment I picked up the book.
<blockquote>*peruses new books shelves, sees book*
Hey, didn't I want to read this? *picks up book and reads synopsis again*
Sounds like Revenge. I'll come back and think about it. *looks at other books and chooses two more*
Screw it. Let's give this a whirl. If I don't like it, I've got plenty of papery ammunition.</blockquote>
<b>There's a disguise involved.</b> It's revealed in a later season View Spoiler »Emily is actually disguised as someone else. Frances is asked by her best friend's father to change her identity to Libby O'Martin so she can be protected and be able to find a way to exploit the truth behind the fate of <i>Persephone</i>.
<blockquote>"It's the only way to keep you sage." He pushes the ring toward me. "It's the only way to figure out who did this and make them pay."</blockquote>
<b>There's a politically powerful family.</b> Both are senators, both are planning on running for president, both are famous, both have a mansion with French doors (at least, I'm pretty sure <i>Revenge</i> had the French doors). And both have a son named...
...wait for it...
Greyson. *whistles* Imagine that! I mean, so much is similar, and the son had to be named the <i>exact same name as the one in the show I'm comparing this to?</i> You have got to be seriously kidding me. View Spoiler »I started expecting Ryan to actually throw in a secret son or something.
I just... can't. Someone pick up my horrified self off the floor. I'll wake up later. Until then, Ella or Lupe can take over.
<b><i>Daughter of Deep Silence</i> is <i>Revenge</i> down to the very basic formula.</b> Enough said.
<a href="https://bookwyrmingthoughts.com/dnf-review-daughter-of-deep-silence-by-carrie-ryan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Mark Jaye (65 KP) rated The Conjuring (2013) in Movies
May 13, 2019
The Conjuring Review
Contains spoilers, click to show
Originally wrote in 2013:
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
Kristy H (1252 KP) rated This Is Where It Ends in Books
Feb 13, 2018
On a chilly day, the principal of Opportunity High School is giving a speech to her students, kicking off the new semester. The majority of the school is gathered in the auditorium, listening to her speak. As she finishes, they prepare to head to their next class, but the doors are stuck. Then, suddenly, someone begins to shoot.
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
Lucy Buglass (45 KP) rated Lion (2017) in Movies
Jun 20, 2019
Upon discovering this short film, I was impressed with how well it had performed. During its first year of distribution, it has won 126 awards at a variety of film festivals which is quite the selling point. Walking in to the film, I didn’t know much about it but the air of mystery made my viewing experience even better. The film is set in an isolated cabin, on a snowy night, which creates the perfect backdrop for a horror tale…
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
Darren (1599 KP) rated Abduction (2011) in Movies
Jun 20, 2019
Story: Abduction starts as we meet rebellious high school student Nathan (Lautner) that is under strict training from his parents Kevin (Isaacs) and Mara (Bello) as well as his therapist Dr Bennet (Weaver) helping him control his anger problems. Nathan gets assigned to work with his high school crush Karen (Collins) in the latest project, which involved looking at missing children’s websites only to discover one of the kids looks just like him.
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
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Gareth von Kallenbach (980 KP) rated Dusk in Video Games
May 10, 2021
I am late to the party with this one but DUSK is a game that I have been aware of since it was first announced but only recently had a chance to play. For fans of First Person Shooters and especially those who played early genre classics like DOOM, DOOM 2, and The Wolfenstein series; the recent trend of Indie developers making retro-looking shooters has been growing. While most have been fairly mediocre; there have been some such as Ion Fury which captured the Pixelated action that players embraced before 3D cards became widely used and eventually a necessary part of gaming.
DUSK lovingly blends old and new as it even has a DOS-like startup menu while the game loads to provide plenty of loving nostalgia.
The game is broken down into three chapters and tasks players to survive a dangerous cult and the various creatures and enemies they encounter. The gameplay is fairly simple as players gather weapons, ammunition, health, and other items and dispatch enemies as they race through a level to find various keys needed to open locked doors and advance to the end of the level.
Players will have an impressive arsenal at their disposal from pistols, shotguns, machine guns, hunting rifles, a Rivet gun, grenade launchers, and a sword. All of which will come in handy as there are multiple enemy types that lurk in the darkness.
Players will have a flashlight as well but be warned; there are maps where it will not be functional in certain parts and having to fire guns to provide temporary lighting in order to find a well-hidden path to advance will test your patience.
Players will also be able to double down on some weapons and dual Shotguns can be very enjoyable but may not have the rate of fire that players need.
There are also power-ups along the way that can speed up a player’s rate of fire and other enhancements to help move things along.
Levels were generally very fun and engaging and provided plenty of solid gameplay and enjoyable moments. There is a multiplayer aspect that features the old Deathmatch format but I was unable to find anyone in any of the games during the times I checked.
DUSK was a winning mix of nostalgia and action and had some very clever map designs and sequences such as one frustrating one where gravity was upturned and forced players to be very patient and creative.
I hope we see a DUSK 2 in the near future as the game is a winner and can show bigger studios how to make an engaging shooter that gamers will love without the mega-budget bells and whistles.
DUSK lovingly blends old and new as it even has a DOS-like startup menu while the game loads to provide plenty of loving nostalgia.
The game is broken down into three chapters and tasks players to survive a dangerous cult and the various creatures and enemies they encounter. The gameplay is fairly simple as players gather weapons, ammunition, health, and other items and dispatch enemies as they race through a level to find various keys needed to open locked doors and advance to the end of the level.
Players will have an impressive arsenal at their disposal from pistols, shotguns, machine guns, hunting rifles, a Rivet gun, grenade launchers, and a sword. All of which will come in handy as there are multiple enemy types that lurk in the darkness.
Players will have a flashlight as well but be warned; there are maps where it will not be functional in certain parts and having to fire guns to provide temporary lighting in order to find a well-hidden path to advance will test your patience.
Players will also be able to double down on some weapons and dual Shotguns can be very enjoyable but may not have the rate of fire that players need.
There are also power-ups along the way that can speed up a player’s rate of fire and other enhancements to help move things along.
Levels were generally very fun and engaging and provided plenty of solid gameplay and enjoyable moments. There is a multiplayer aspect that features the old Deathmatch format but I was unable to find anyone in any of the games during the times I checked.
DUSK was a winning mix of nostalgia and action and had some very clever map designs and sequences such as one frustrating one where gravity was upturned and forced players to be very patient and creative.
I hope we see a DUSK 2 in the near future as the game is a winner and can show bigger studios how to make an engaging shooter that gamers will love without the mega-budget bells and whistles.